Title engraved below image., At top of sheet, above imprint statement: New lady's magazine., Sheet trimmed to within plate mark on right and left sides., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: St. James's Palace.
Publisher:
Published by Alexr. Hogg at the Kings Arms No. 16 Paternoster Row
Subject (Geographic):
England and London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828
Collection of mostly English engraved trade cards for a wide variety of London businesses, especially those advertising goods and services relating to household furnishings, men and women's attire and accessories such as gloves, boots, and swords, mercers and haberdashery being the most numerous. In addition there are cards for: cabinet makers, engravers and jewelers, clockmakers, tea shops, grocers, wine suppliers, exotic oil suppliers, apothecaries, hair styling, an auctioneer, and an undertaker. Also included are several invitations to private events such as a birthday party and a lodge meeting. Also included is one advertisement for an Edinburgh pewter shop and one for a French supplier of maps
Satire on the Italian opera, apparently Handel's 'Flavio', act III, scene 4, with the three Italian opera singers of the title on the stage of the King's Theatre in the Haymarket; they sing the roles of Flavio, Emilia and Guido respectively. In a classical set, a tall ungainly man with a small head and knock-knees wearing theatrical Roman armour with a curved sword its hilt decorated with a parrot's head; a very short woman wearing a crown to which is attached a train held by a small boy; another man with a small head standing with hands on hips wearing theatrical Roman armour and a helmet with a very large crest. From the British Museum online catalogue
Description:
Title and date from Paulson and British Museum catalogue., Formerly attributed to William Hogarth. Design has been ascribed to the Countess of Burlington, and etching to Goupy. On the impression in the Pierpont Morgan Library this attribution has been written in pencil under print and is also mentioned in the British Museum catalogue., Sheet trimmed to plate mark., and On page 43 in volume 1. Plate trimmed to: 18.1 25.6 cm.
Satire on the Italian opera, apparently Handel's 'Flavio', act III, scene 4, with the three Italian opera singers of the title on the stage of the King's Theatre in the Haymarket; they sing the roles of Flavio, Emilia and Guido respectively. In a classical set, a tall ungainly man with a small head and knock-knees wearing theatrical Roman armour with a curved sword its hilt decorated with a parrot's head; a very short woman wearing a crown to which is attached a train held by a small boy; another man with a small head standing with hands on hips wearing theatrical Roman armour and a helmet with a very large crest. From the British Museum online catalogue
Description:
Title and date from Paulson and British Museum catalogue., Formerly attributed to William Hogarth. Design has been ascribed to the Countess of Burlington, and etching to Goupy. On the impression in the Pierpont Morgan Library this attribution has been written in pencil under print and is also mentioned in the British Museum catalogue., Sheet trimmed to plate mark., and Sheet trimmed with loss of text.
Noble art and mystery of printing was first invented by John Guttenburg a soldier in the year of our Lord 1440, and brought into England by John Islip, an abbot of Westminster, in the year 1447
Description:
Title from dealer's invoice; remainder of title from item. and For further information, consult library staff.
"A four-footed monster, with four human heads, the long hairy body resembling that of a dog, stand in an open space in front of the theatres of Covent Garden (left) and Drury Lane (right), the latter partly obscured by clouds rising from the ground, and with the statue of Apollo, headless as in British Museum Satires No. 10764. The three main heads are those of Sheridan, saying "Ha, ha, ha," Kemble saying "Oh!!!!!", with a tragic expression, and of a clown (evidently Grimaldi) with painted face and blue wig, saying, "Nice Moon". A dagger is thrust into Kemble's neck, blood gushing from the wound. A fourth head wearing a mask, that of Harlequin, looks over the back of the monster, who wears a Harlequin coat over its fore-legs and the front part of its body. It has a long barbed tail inscribed 'A Tail of Mistery'. The monster's fore-paws rest on a paper: 'Regular Dramas Congreve Beaumont and Fletcher Colman' [attacked in British Museum Satires No. 5064, now a standard author]. A hind-foot rests on 'Shakespear's Works'. Under its body are a number of modern dramatists, some of whom suck from its many teats. They are portraits, and some are identified by the titles of plays by which they stand. On the left. Frederic Reynolds bestrides a large dog (Carlo) by 'The Caravan' [see British Museum Satires No. 10172, &c.]. A man sits on the shoulders of a monk with cloven hoofs in order to reach a teat; the monk (Lewis) stands on 'Wood Daemon' [a 'Grand Romantic Melo-Drama' by M. G. ('Monk') Lewis, first played at Drury Lane 1 Apr. 1807 (cf. British Museum Satires No. 10727)]. Holcroft, wearing spectacles (as in BMSat 9240), stands on the 'Road to Ruin' [see British Museum Satires No. 8073]. Skeffington, wearing long striped pantaloons, stands on his 'Sleeping Beauty' [see British Museum Satires No. 10455]. On the extreme right. Dimond, tall, thin, and foppish, stands on his 'Hunter of the Alps', played at the Haymarket in 1804. There are five other men, less prominent, and unidentified by inscriptions. Behind, an old man (or woman) drives a flock of geese past the arcade of Covent Garden Theatre."--British Museum online catalogue
Description:
Title from British Museum catalogue. and Plate from: The Satirist, v. 1, page 225.
Publisher:
Published for the Satirist, Decr. 4th, 1807, by S. Tipper, Leadenhall Street
Subject (Geographic):
England and London
Subject (Name):
Covent Garden Theatre,, Theatre Royal, Drury Lane (London, England)., Sheridan, Richard Brinsley, 1751-1816, Kemble, John Philip, 1757-1823, Grimaldi, Joseph, 1779-1837, Grimaldi, Joseph, 1779-1837., Kemble, John Philip, 1757-1823., and Sheridan, Richard Brinsley, 1751-1816.
A satirical coat of arms, engraved heraldically, with cards, dice, Earls coronet (Lord Darlington) shaking a dice-box. The arms are encircled by a claret bottle ticker, by way of order. Designed by Horace Walpole and friends (Dick Edgecumbe, and George Selwyn among others).
Alternative Title:
Cog it amor nummi
Description:
Caption title from motto engraved in the banner., Sheet trimmed within plate mark to form an octagon., Date from British Museum catalogue., The Lewis Walpole Library: Formerly shelved as part of the SH Contents collection., and Mounted to 16.5 x 23 cm. Not in Manuscript Catalogue of 1763.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and London
Subject (Name):
White's Club (London, England)
Subject (Topic):
Clubs, Men, Societies and clubs, Playing cards, and Coats of arms
A satirical coat of arms, engraved heraldically, with cards, dice, Earls coronet (Lord Darlington) shaking a dice-box. The arms are encircled by a claret bottle ticker, by way of order. Designed by Horace Walpole and friends (Dick Edgecumbe, and George Selwyn among others).
Alternative Title:
Cog it amor nummi
Description:
Caption title from motto engraved in the banner., Sheet trimmed within plate mark to form an octagon., Date from British Museum catalogue., The Lewis Walpole Library: Formerly shelved as part of the SH Contents collection., Mounted on page 62 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving on laid paper, hand-colored ; sheet 11.3 x 13.3 mm., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and London
Subject (Name):
White's Club (London, England)
Subject (Topic):
Clubs, Men, Societies and clubs, Playing cards, and Coats of arms
A satirical coat of arms, engraved heraldically, with cards, dice, Earls coronet (Lord Darlington) shaking a dice-box. The arms are encircled by a claret bottle ticker, by way of order. Designed by Horace Walpole and friends (Dick Edgecumbe, and George Selwyn among others).
Alternative Title:
Cog it amor nummi
Description:
Caption title from motto engraved in the banner., Sheet trimmed within plate mark to form an octagon., Date from British Museum catalogue., The Lewis Walpole Library: Formerly shelved as part of the SH Contents collection., Mounted on page 66 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving on laid paper ; sheet 10.3 x 10.5 cm., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and London
Subject (Name):
White's Club (London, England)
Subject (Topic):
Clubs, Men, Societies and clubs, Playing cards, and Coats of arms
