"Fox, scarcely caricatured, stands before the door of the Treasury (right), which is closed with an enormous padlock. He looks to the left, holding a dagger in his right hand, the key of the padlock in his left. Beside him (right) is his watchdog, with the head of North, his star attached to his collar. In the background (left) is a wall, perhaps the wall of the Privy Garden, in front of some buildings. Ballads for sale (or placards) are strung along the wall, a man sits beside them, three others stand on the pavement."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching with stipple on laid paper ; sheet 30 x 20.7 cm., Sheet trimmed within plate mark., Watermark: I. Taylor., and Formerly mounted on leaf 39 of volume 1 of 14 volumes.
Publisher:
Pubd. Iany. 19th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England and London
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Keys (Hardware), Locks (Hardware), Watchdogs, Daggers & swords, and Street vendors
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
Caption title., Earlier date from British Museum online catalogue., and Ms. note on verso. Four pin holes, one in each corner. For further information, consult library staff.
View of the interior of the cell on the left: Portrait of John ('Jack') Sheppard, whole length, seated on a chair in prison cell at Newgate, with hands and feet in chains, shackled to the floor, leaning to left, looking up at sunlight streaming through the window at right; wearing hat, jacket, waistcoat, breeches, stockings and buckled shoes, cloak or blanket over chair back and on floor; broken chimney where he escaped at top left. On the right, eleven images showing details of John ('Jack') Sheppard's escape from prison on 15 October 1724, including the locks, bolts and doors he broke open, the hole he made in the chimney, and climbing over the outer walls of Newgate prison
Alternative Title:
Jack Sheppard drawn from the life
Description:
Titles from item., Possibly intended for sale as two separate prints, with publication line repeated under second title., Sheet trimmed within plate mark., Titled 'Portrait of Jack Shepherd, with a representation of the manner in which he made his escape from Newgate, Oct. 15th, 1724: published by Bowles' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., and Mounted to: 38 x 56 cm.
Publisher:
Printed for and sold by T. Bowles, print seller next the Chapter House in St. Pauls Ch. Yard & J. Bowles, print seller over against Stocks Market
Subject (Geographic):
England, London, London., England., and City of London (England)
Subject (Name):
Sheppard, Jack, 1702-1724, and Newgate (Prison : London, England)
"View of the Jubilee Fair in Hyde Park; in foreground to left a small stage erected with a band playing and jesters performing, a small crowd stands in front, a few tents in central foreground with signs such as "Duke of Wellington Whitbreads Intire", and on a lamp "Dancing and Singing Here"; beyond a crowd stands by river bank watching a sham sea fight, many sailing ships on water with smoke billowing from the scene, on the opposite river bank the fair continues."--British Museum online catalogue
Description:
Title etched above image., Text below image: This fair and naumachy or sham sea fight in Hyde Park was in honour of peace. This jubilee on Augt. 1, 1814, was to celebrate the return of peace and the centenary of the reign of the illustrious House of Brunswick and to commemorate the glorious Battle of the Nile., With lettered key (from A to D) etched on either side of text below image: A. The Naumachy, representing the Battle of the Nile. B. The Serpentine River. C. The fair, which lasted upwards of a week. D. The fireworks in Kensignton Gardens let off at eleven at night., Sheet trimmed within plate mark., and Print glazed; removed from contemporary frame (53 x 62 cm) which is stored separately.
Publisher:
Published Sept. 10, 1814, by J. Pitts, No. 14 Great St. Andrew Street, Seven Dials
Subject (Geographic):
Hyde Park (London, England), England, and London
Subject (Topic):
Festivals, Buildings, Temporary, Parks, Banners, Crowds, Eating & drinking, Fairs, Fireworks, Fools & jesters, Historical reenactments, Musicians, and Show tents
Judge Buller of King's Bench, is shown walking towards the right in his judicial robes, carrying two bundles of sticks, each terminating in the shape of a thumb. To the rear and on a smaller scale is a man beating his wife with one of the judge's implements. Buller was reputed to have ruled that a wife could legitimately be beaten provided the stick used by her husband was no thicker than his thumb
Alternative Title:
Patent sticks for family correction, warranted lawful
Description:
Title from item.
Publisher:
Pubd. Novr. 27th, 1782, by E. D'Achery, St. James's Street
Judge Buller of King's Bench, is shown walking towards the right in his judicial robes, carrying two bundles of sticks, each terminating in the shape of a thumb. To the rear and on a smaller scale is a man beating his wife with one of the judge's implements. Buller was reputed to have ruled that a wife could legitimately be beaten provided the stick used by her husband was no thicker than his thumb
Alternative Title:
Patent sticks for family correction, warranted lawful!
Description:
Title etched below image., Printmaker from British Museum catalogue., Originally published with the imprint: Pubd. Novr. 27th, 1782, by E. D'Achery, St. James's Street., Sheet trimmed within plate mark., Temporary local subject terms: Sticks: fascines -- Laws: wife-beating ruled lawful., 1 print on wove paper : etching ; sheet 34 x 25 cm., and Sheet trimmed within plate mark; mounted to 56 x 37 cm.
Publisher:
Pubd. Novr. 27th, 1782, by W. Humphry [sic], No. 227 Strand
Judge Buller of King's Bench, is shown walking towards the right in his judicial robes, carrying two bundles of sticks, each terminating in the shape of a thumb. To the rear and on a smaller scale is a man beating his wife with one of the judge's implements. Buller was reputed to have ruled that a wife could legitimately be beaten provided the stick used by her husband was no thicker than his thumb
Alternative Title:
Patent sticks for family correction, warranted lawful!
Description:
Title etched below image., Printmaker from British Museum catalogue., Originally published with the imprint: Pubd. Novr. 27th, 1782, by E. D'Achery, St. James's Street., Sheet trimmed within plate mark., Temporary local subject terms: Sticks: fascines -- Laws: wife-beating ruled lawful., 1 print : etching on wove paper, hand-colored ; sheet 35.6 x 27.1 cm., Sheet trimmed to plate mark on upper and lower edges., and Mounted on leaf 48 of volume 1 of 12.
Publisher:
Pubd. Novr. 27th, 1782, by W. Humphry [sic], No. 227 Strand
The Duke of Wellington gallops across the cobbled yard of the Palace of Westminster, away from an angry mob some of whom have been knocked down by his horse. The crowd shouting anti-Catholic slogans includes two dustmen
Alternative Title:
Scene in palace yard
Description:
Title from caption below image., Added title from text above image: A scene in palace yard., and The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath.
Publisher:
Pub March 1829 by T. McLean, 26 Haymarket, London
Subject (Geographic):
England and London
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Demonstrations, Crowds, and Horses
Advertisement for the shop of Mary and Ann Hogarth (sisters of the artist), at the sign of the King's Arms, Little Britain Gate; a view of the interior of a clothing shop with two women serving parents and their young sons; surrounded by a frame with the royal coat of arms at the top
Alternative Title:
Mary and Ann Hogarth
Description:
Title from text below image., Reissue of plate from: Ireland, S. Graphic illustrations of Hogarth, v. i, p. 15?, and The British Museum suggests that the images may be portraits after the two sisters.
Publisher:
R. Faulder and J. Egerton?
Subject (Geographic):
England and London
Subject (Name):
Hogarth, Mary, 1699-1741, and Hogarth, Ann, 1701-1771,
