"Interior view of the post room, in the post office, London; men in red coats sit at rows of desks sorting post; men in black coats stand around green table in left foreground, also sorting post."--British Museum online catalogue
Description:
Title etched below image., Name of aquatintist is not present on the plate, resulting in a blank space preceding "aquat." in lower right corner., Plate numbered in upper right, above image: Plate 63., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 230.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
"Interior of the chapel; the congregation assembled and in prayer, two levels of balconies on either side supported by Doric columns, domed ceiling over altar"--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 16., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 114.
Publisher:
Pub. 1st April 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Topic):
Interiors, Religious services, Chapels, Altars, and Prayer
"View of Kensington Palace from the surrounding gardens, as altered in the reign of George II; many gentlemen and ladies meandering through garden paths or gathering in small groups on the grass."--British Museum online catalogue
Alternative Title:
Palais Royale de Kensington
Description:
Titles etched below image, in English and French., Date of publication from the British Museum online catalogue, registration no.: 1880,1113.1836., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Plate numbered "6" in upper right corner., and Leaf 51 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Kensington Palace (London, England),
Subject (Topic):
Castles & palaces, Official residences, Gardens, and Trails & paths
"View of the Tower of London from the river, looking east; a few boats by quay in front, some with tall masts, smaller boats in foreground"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., and Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802].
Depicts a semi-nude seated female figure holding a caduceus before whom dance three putti, while two putti in the air above approach bearing a basket and grape vine. Within an oval border of olive and oak leaves resting on a pedestal containing the text
Description:
Title from item., Sheet trimmed to plate mark on one side., and Imperfect; trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and London (England)
Subject (Name):
Wilkes, John, 1725-1797
Subject (Topic):
Balls (Parties), Caduceus, Children dancing, Cornucopias, and Social life and customs
"View in Cheapside, looking down the wide street with the church on the right, the old shop signs over-hanging the pavements on either side."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Eglise de St. Marie le Bow dans Cheapside, London
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "10" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 41 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Cheapside (London, England),, England, and London.
A social gathering, in which two elaborately dressed and coiffed old ladies stand conversing in the center foreground, as a short footman of unprepossessing appearance carries in a tray loaded with a tankard and a triple stand of jelly glasses. In the background groups of men converse. Behind them hangs a painting inscribed S.P.Q.L., depicting a man in a shirt between two lions who have seized him by the arms
Description:
Title from item., Later state, with plate number added., Publisher's initials "MD" form a monogram., and Numbered in top left of plate: 32.
Publisher:
Pubd. accog. to act by MDarly, 39 Strand
Subject (Geographic):
London (England), England, and London
Subject (Topic):
Parties, Social life and customs, Hairstyles, Wigs, Servants, Clothing & dress, and Feathers
Leaf 28. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Persons standing in conversation at a party. The principal figures are two elaborately dressed ladies of plebeian, elderly, and unattractive appearance who face each other; one holds a card, the other a fan. Their hair is awkwardly dressed in the enormous mounds then fashionable, see British Museum Satires No. 5370, &c. On the left a short, fat, and awkward footman brings in a tray on which is a triple stand of jelly-glasses, a foaming tankard of beer, &c. The other guests are men; one wears a furred alderman's gown. In the centre of the back wall is a picture of a man with a distraught expression dressed as a seaman or working man, who is being devoured by two lions, one on each side. Above his head are the letters 'S.P.Q.L.' On the back of the print a note in a contemporary hand explains this as "Senatus populusque Londoniensis the Aldermen and Commoners of London". On the right wall is visible the lower part of a whole length portrait of a man in a furred livery gown."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. Cf. No. 5372 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Aldermen: Part of livery gown -- Pictures amplifying subject -- Lions devouring working man -- 'Senatus populusque Londoniensis' see S.P.Q.L. -- City rout -- Food: Jelly-glasses served on triple stand -- Dessert -- Footmen in livery -- Cards -- Beverages: Beer -- Tankards -- Tray: Dessert tray -- Glasses: Jelly glasses -- Headdresses., and On leaf 28.
Publisher:
Pubd. accog. to act by MDarly, 39 Strand
Subject (Geographic):
London (England), England, and London
Subject (Topic):
Parties, Social life and customs, Clothing & dress, Hairstyles, Wigs, Fans, Servants, and Feathers
Mary Hackabout, now become a harlot and mistress of a wealthy London Jew, kicks over a tea table to divert his attention from the presence of her younger lover when he arrives unexpectedly. A monkey and young black servant boy look on the scene with frighten expressions. On the walls hang paintings with scenes from the Old Testament which amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title from caption above image., Printer's statement from Plate I of the series., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Engraved below image, three columns, six lines each, beginning: Debauch'd & then kick'd out of doors, The fate of all Francisco's whores ..., Sheet trimmed within plate mark., No. 2 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
