Three gentleman (former military?) stand on the sidewalk outside a London club conversing. One wears a patch on his eye and carries a talking stick; another one has a peg leg. The man on the left carries a walking stick and wears spurs on his boots
Description:
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., Last digit of the date etched over., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by G. Humphrey, 24 St. James's Street
Subject (Geographic):
England and London.
Subject (Topic):
Clubs, Conversation, Eye patches, Peg legs, and Staffs (Sticks)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Front view of the new Brunswick Theatre Wellclose Sq-r. as it appeard before the catastrophe
Description:
Title from captions below images., Design consists of two individually-titled panels, one above the other., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd by John Fairburn March 8th 1828 Broadway Ludgate Hill
Depicts a semi-nude seated female figure holding a caduceus before whom dance three putti, while two putti in the air above approach bearing a basket and grape vine. Within an oval border of olive and oak leaves resting on a pedestal containing the text
Description:
Title from item., Sheet trimmed to plate mark on one side., and Imperfect; trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and London (England)
Subject (Name):
Wilkes, John, 1725-1797
Subject (Topic):
Balls (Parties), Caduceus, Children dancing, Cornucopias, and Social life and customs
A squel to the print "The Battle of Cornhill", showing an eastern view of Temple Bar and a view of Fleet Street showing the exterior of Nando's Coffee House and The Devil Tavern; the gates of Temple Bar are closed; at the top of the bar are the heads of Fletcher and Townely, the Jacobites executed for the part if the Scottish raid of 1745-1756 ...
Description:
Title etched above image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 38 (1769), p. 166., Temporary local subject terms: Edward Boehm., and Mounted to 16 x 24 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fletcher, George, -1745., Towneley, Francis, -1745., and Temple Bar (London, England)
Subject (Topic):
Jacobites, Bird's-eye views, Carriages & coaches, City & town life, Clergy, Crowds, Coffeehouses, Decapitations, Executions, Riots, and Taverns (Inns)
Title from caption below image., Date of publication from unverified data in local card catalog record., Text below title: I'll swell like a shirt bleaching in a high wind, and look burly as a Sunday beadle ..., and Window mounted to 24 x 36 cm.
An allegorical representation of the nationalistic riot occasioned by a troupe of French comedians in London. This satirical print refers to the controversy and protest surrounding a French theatrical company, nicknamed the 'French Strollers', who applied for and were granted a licence to perform at the Haymarket in the winter of 1749. Their arrival occasioned much discontent; as the Scots Magazine reported, they were 'bitterly pelted in the news-papers'. Asserting their right to perform, they persisted in a show on 14 November, but were met by an audience intent on sabotage. An eyewitness account of the incident appeared in the Monthly Review some years later (July 1761): 'People went early to the Theatre, as a crouded House was certain ... I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the conduct of the Opposition, were known to be there; one of whom called aloud for the song in praise of English roast beef, which was accordingly sung in the gallery, by a person prepared for that purpose; and the whole house besides joining in the chorus, saluted the close with three huzzas! This, Justice Deveil was pleased to say, was a riot'. Despite the Justice's assertions that the play was licensed by the King's command, the crowd had come prepared to produce disruption. They were equipped with instruments which they played discordantly as an accompaniment to their jeers, catcalls, and Francophobic songs: 'as an attempt at speaking was ridiculous, the Actors retired, and opened instead with a grand dance of twelve men and twelve women; but even that was prepared for, and they were directly saluted with a bushel or two of peas, which made their capering very unsafe'. Unable even to dance, and following another abortive attempt by the magistrates to assert the King's authority, the curtain fell for the final time. The eyewitness evidently relished the outcome, venturing 'that at no battle gained over the French, by the immortal Marlborough, the shoutings could be more joyous than on this occasion'. The print embodies similar sentiments; the French strollers attack British theatrical establishment--represented by an affronted Britannia--who stands between them and British theatre-goers. In the foreground stands a perplexed Othello, lamenting the loss of his occupation, and an injured man a man lies on the floor 'Almost kill'd for not understanding French'.
Alternative Title:
Modern cramers
Description:
Title etched below image., Date of publication based on date of the depicted event., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain, England, and London.
Subject (Topic):
Britannia (Symbolic character), Foreign public opinion, French, Theater, Actors, Actresses, Fighting, and Riots
