Title from item., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Justice (Symbolic character) -- Royal Arms -- Scrutiny -- High Bailiff -- Crowns -- Allusion to House of Commons -- Allusion to royal prerogative -- Allusion to Grenville's Act -- Quills.
Publisher:
Pubd. as the act directs by J. Brown, Rathbone Place
Subject (Geographic):
England and London.
Subject (Name):
Burke, Edmund, 1729-1797, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, House, Samuel, -1785, Pitt, William, 1759-1806, and Great Britain. Parliament
Two men flanking a woman in a bonnet are seated at a table with two unidentified men standing on either side. Drawings tacked to wall behind them appear to show, in one, the seated men hanged on a gallows which is depicted as a skeleton, and in another the devil carrying the woman to hell. The image has been surmised to refer to the Perreau brothers (hanged for forgery in 1776) and their accomplice Mrs. Rudd
Description:
Title from item., Sheet cropped within plate mark., and Text above image: "I suspected there was foul play."
Publisher:
publisher not identified
Subject (Geographic):
England, London., and Great Britain.
Subject (Name):
Perreau, Daniel, -1776., Perreau, Robert, d. 1776, and Rudd, Margaret Caroline, b. 1744 or 5.
Subject (Topic):
Forgery, Trials (Forgery), Skeletons, Hangings, Hell, and Devil
Kean as Richard III, directed to the left, stands on a large volume with the word 'Shakespear' written on the top edge. Resting on his head and humped shoulders is a model of Drury Lane Theatre, a massive block, inscribed 'Whitbreads Intire.' On the roof is poised an ugly figure of Fame, blowing through a trumpet 'Puff Puff Puff', and holding behind her a second trumpet, from which issue the words 'Puff Puff P'. At the entrance to the theatre straddles a tiny Whitbread, his legs and arms projecting from a cask which forms his body; he says: "Now by St Paul the work goes bravely on" (altering Richard's words from 'this news is bad indeed'). Kean stoops, leaning on a cross-hilted sword, inscribed 'A Keen supporter'; he has misshapen bandy legs. He says: "Well, as you guess." He wears an ermine-trimmed cap encircled by a crown, slashed doublet and trunk hose, a sleeveless coat bordered with ermine and embroidered with a (Yorkist) rose, with flapped and spurred boots. (The figure, with the position of the arms altered, is a travesty of J.J. Hall's portrait of Kean interrogating Stanley on the approach of Richmond. The costume is correct.) The stage is indicated by curtains flanking the design. In the background are clouds of smoke.--Adapted from British Museum
Description:
Title from text etched below image., Complete imprint statement and dimensions supplied from British Museum impression., and Sheet trimmed within plate mark with loss of characters in the publisher's name.
Publisher:
Pubd. May 7th, 1814 by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kean, Edmund, 1787-1833, Kean, Edmund, 1787-1833,, Shakespeare, William, 1564-1616,, and Theatre Royal, Drury Lane (London, England)
Young woman sitting before a dressing table, her face showing in an oval mirror. There are hairpins strewn about and small boxes with cosmetics on the table
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, map and printseller, No. 53, Fleet Street
Subject (Geographic):
England and London.
Subject (Topic):
Dressing tables, Wallpapers, Rugs, Hairdressing, Dressing and grooming equipment, and Clothing & dress
A satire: The breech of the Thames Tunnel and its subsequent flooding in May 1827. The visitors to this popular site are shown fleeing in panic as disaster strikes. Water pours into the tunnel from the top left while workers watch in horror and shout warnings. Engineer Marc Brunel, whose tunnelling shield technology was used in the construction of the tunnel, stands on a ladder next to the cascade and exclaims "My hypothesis is gone to the devil". Well-dressed ladies and gentlemen trip over themselves while racing towards the right, with one visitor remarking "If I can get home before this transpires I'll sell my shares immediately", a reference to the South Sea Bubble that is also referenced in the title. Above the speech bubbles of the frantic crowd is a sign on the wall of the tunnel proclaiming "The tunnel being perfectly dry and safe the public are invited to visit it every day Sunday excepted. Admittance one shilling".
Alternative Title:
Another bubble burst!
Description:
Title etched below image., Attribution to Charles Williams from dealer's description., Sheet trimmed within plate mark., Four columns of verse, with two additional lines centered below, etched below title: Old father Thames someday ago, thinkining [sic] he heard a noise below ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on modern white card stock.
Publisher:
Pubd. May 1827 by S. Knights, Sweetings Alley, Royal Exchange
Subject (Geographic):
Thames Tunnel (London, England), England, and London.
Subject (Name):
Brunel, Marc Isambard, 1769-1849
Subject (Topic):
Construction workers, Sightseers, Disasters, Tunnels, and Crowds
Title from item., Place of publication and date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Bethlem Royal Hospital (London, England)
Subject (Topic):
Psychiatric hospitals, Architecture, Buildings, and Maps
"View in an oval frame, showing the school building, part of Christ's Hospital on Newgate Street, London; a school master with a group of boys in coats in foreground, a church steeple in the background; below a paragraph on the history of the building, from a separate plate; illustration to Smith's 'Antiquities of London'."--British Museum online catalogue
Alternative Title:
Sir Robert Clayton, Knt. Alderman of London
Description:
Title etched within lower border of oval image., Heading to nine lines of engraved text on a separate plate (7.4 x 17.4 cm), printed beneath plate with image: Sir Robert Clayton, Knt. Alderman of London., Citation at bottom of text on separate plate: See Pennants London, 3 edition., Plate from: Smith, J.T. Antiquities of London and its environs. London : Pubd. by J. Sewell [etc.], 1791[-1800]., and Bound in opposite page 206 in volume 3 of an extra-illustrated copy of: Pennant, T. Some account of London.
Publisher:
Publish'd Jany. 1 - 1793 by N. Smith, Gt. Mays Buildings, St. Martins Lane
"View of the west front of the church, a graveyard to the right; in sky a scroll with a dedication to Browne Willis Esq; a flag flying from the top of the tower."--British Museum online catalogue
Description:
Title engraved below image., Printmaker identified in the British Museum online catalogue., Written on the back of the print is an autographed letter signed by George Vertue to the Hon. Thomas Symonds, at his seat at Pengethly, near Ross in Herefordshire, and dated 15 September 1744., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England),
A theater ticket with a scene from the play The mock doctor: Gregory, the mock doctor, holds the Charlotte's wrist, as they look at her father who points to his mouth indicating that she is mute. The print after a forgery purporting to be an admission ticket for a performance of Fielding's The Mock Doctor
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fielding, Henry, 1707-1754.
Subject (Topic):
Benefit performances, Actors, Theatrical productions, and Theaters
