"Extravagantly dressed pedestrians promenade beside (?) the Serpentine. Almost all are arm-in-arm, an exception being an ugly and complacent woman whose face is covered by a long transparent lace veil. The women walk leaning back, as in BM Satires 14438; they point their toes as if at a dancing class, drawing up their skirts, but these are less long. A fashion for stripes for women's dresses and for trousers is apparent, and for patterned materials with scalloped flounces, furbelows, ribbons, and over-trimmed hats. Curled hair frames the face and rests on the shoulders. Waists are still wasp-like for both sexes. Men wear checked neck-cloths with high collars. Much play is made with eye-glasses and canes. Hessian and top-boots are corrugated, spurs are oddly absent. The women wear very flat slippers, tied at the ankle. Beyond the water are trees."--British Museum online catalogue
Description:
Title from caption below image., Numbers "3" and "5" in "1835" in imprint have been overwritten with "24" in ms., and Reissue of no. 14725 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10; originally published July 8, 1824, by G. Humphrey.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Manuscript, on parchment, in chancery script, produced in London at the beginning of the sixteenth century (during the reign of Henry VII)., The text is an affirmation by King Henry VII of the rights given to the city of London by previous kings, It includes a copy of the charter in Old English presented by William the Conqueror affirming the rights held by the citizens of London under Edward the Confessor, and It also includes a charter granting lands from William I to Deorman
Description:
In Latin and Old English., On the wrapper is written "Thomas Binkheued who sold it to Raph Wilbraham.", The manuscript was originally a roll, as can be seen by the sewing holes extending across the bottom of each page., and Binding: vellum wrapper.
Subject (Geographic):
England, London., England., Great Britain, and London (England)
On Henrietta Street, Covent Garden, Fox is shown walking arm-in-arm with the Duchess of Devonshire left to right. Her petticoats are being blown up to the knee by a blast from the mouth of North, whose head emerges from clouds in the upper left corner of the design. She says, "The Favourable assistance of Boras is very gratefull when heated, by the fateigues of Canvasing". Fox dances along with a slyly jovial expression, holding up in his left hand a purse labelled 'Fresh Supplies'; he says, 'Charly loves to kiss & play as sweet as Sugar Candy'. The Duchess wears a hat trimmed with a large 'Fox' favour, three ostrich feathers and a fox's brush. From her left leg hangs the ribbon of a garter inscribed 'Fox'. Immediately behind the Duchess is Burke on hands and knees peering under her petticoats; he says, "Heavens how happily the principels of the Sublime & Butiful are blended". Behind him walk together two rough fellows (left), one a butcher, who turns grinning to his companion and points to the Duchess's legs and saying, "I thought we ware all to avoid a Scrutany if Possible". Across the front of his cap is the word 'Fox'. The other answers, "So we are, for except in this instance Dam me if I think we are able to bare one". On the extreme right a grinning youth plays a fiddle to which Fox dances; he sings, "Charly loves good Cakes & ale Charly loves good Brandy
Alternative Title:
Reynard in his element and Devonshire rout
Description:
Title etched below image., Sheet trimmed within plate mark., Smaller of two very similar plates published on the same day and by the same publisher. Cf. No. 6555 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Watermark in center of sheet: J Whatman., and Mounted to 27 x 37 cm.
Publisher:
Pub. April 26, 1784, by F. Clarkson, No. 73 St. Pauls Church Yard
Subject (Geographic):
England) and London.
Subject (Name):
Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Butchers, Musicians, Political campaigns, and Political elections
"Satire on the election for County Durham, 14 April 1784: Sir Thomas Clavering and Sir John Upton, one headless, holding a caption labelled 'The Irish Faction for ever' and carrying the other, who has no feet, on his back, who says 'I serv'd you as long as I could stand' and carries captions lavelled 'Coal owners Bill' and 'A command in India'; both seated on an ass facing left, which brays 'Thus I go to Parliament and am not the first Ass that has farted for preferment, but this is dirty work and hard Labour' and which has a collar labelled 'I speak for my Master / Populus me sibilat at plaudo ipse domi' and strips at the saddle labelled 'Curse all Pitts / But a Coal-Pitt'; with the ass' droppings falling on a crest with the motto 'Diem Perdidi'; a mitre, crozier and sword and label 'At rest' on the ground in the centre, playing cards and papers labelled 'Turnpike Speech / Election Speech' to left; a milestone to right labelled 'From Durham / T: C / J: E / 14 April 1784'."--British Museum online catalogue
Alternative Title:
Northern ass
Description:
Title etched below image., Attribution to W. Hutchinson from annotation on verso of British Museum impression. See British Museum online catalogue, registration no.: 1865,1014.456., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark in the center of sheet.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Clavering, Thomas, Sir, 1719-1794, Eden, John, Sir, 1740-1812, and Great Britain. Parliament, 1783-1784.
Subject (Topic):
Elections, Donkeys, Defecation, Traffic signs & signals, Miters, Crosiers, Daggers & swords, and Playing cards
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 31 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching with rocker on laid paper ; sheet 50.7 x 66.7 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
"The Duchess of Devonshire (right), wearing very wide hooped petticoats, shelters a fox beneath them. Its head projects from a slit which she holds open with her hands, its tail shows between her feet. She says:"Here my dear Reynard when all trouble's past, You'll find a Borrough open at the last."Her hat is trimmed with the usual ostrich plumes and fox's brush, cf. BMSat 6530, &c. North stands facing her, saying "He's IN for a Borrough". Beneath the design is inscribed:"In vain may Wits reprove, and Criticks blame, Nor shall concealment in this cause defame, Reynard in gratitude of such protection, Now pays the devoirs of his Election.""--British Museum online catalogue for original print entitled: Parliment [sic] security or a borrough in reserve
Alternative Title:
Reynards resource and Borough secured
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Reissue of number 6559 with different title and alterations to the plate. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.6.
Publisher:
Pubd. by E. Rich, May 24, 1784, No. 55, opposite Andertons [sic] Coffee House, Fleet Street
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Great Britain. Parliament
Image at the heading to printed verses in five stanzas: A bull rampages among broken crockery in a China Warehouse; John Mug inscribed over the door (right). Mug flies in the air, having been tossed out through the shattered window, and is about to descend in a scavenger's cart (left). From British Museum online catalogue
Description:
Title from text etched below image., Text below title, in letterpress: ... written by Mr. C. Dibdin; composed by Mr. Reeve; and sung by Mr. Grimaldi, with unbounded applause, in the new comic patomime, called "Harlequin highflyer, or Off she goes," at the Aquatic Theatre, Sadlers Wells, Printmaker signature in lower left corner of image., Three columns of verse in letterpress below title: You've heard of a frog in an opera-hat, 'Tis a very old tale of a mouse and a rat; O could sing you anothr as pleasant, may hap, Of a kitten htat wore a fine high caul'd cap ..., and Plate numbered in upper left corner: 496.
Publisher:
Publish'd Sept. 5, 1808 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England and London.
Subject (Topic):
Bulls, Carriages & coaches, City & town life, Disasters, Show windows, Stores & shops, and Tableware
"A corner of the stage at Drury Lane slants diagonally from left to right, showing part of the orchestra and pit (right) with part of two stage-boxes on the extreme right. The stage manager, Raymond, stands addressing the clamorous audience, while on the left a young man with ass's ears sits on a donkey which flourishes its heels so that they strike the lowered stage-curtain. The donkey brays "Ih ho Ih ho Ih ho," its hind-quarter is branded 'My Pegasus Buz'. Its rider recites: "Nor ever here your smiles would be represt, "Knew you the rival flames that fires our breast, "Flame, Fire and Flame!--sad--woe Neddy! Ladies and Gentlemen, My Papa's Pegasus is so full of fire and spirit that very few are capable of mounting him. for my self I never spoke but once & that was-- Unce logos but if you will give me leave to get on with my Papas Monologue I am positive you will pronounce it the prettiest piece of poetry produced for the purpose." Raymond says: "Ladies and Gentlemen, it was never the intention of the Proprietors to introduce Assess [sic] on these boards but as you seem entertained with their braying if it [is] your wish, we will procure some trainers from the other House as we are really ignorant in the management of thes [sic] Animals." Greeted by derisive cheers from the audience, Dr. Busby, also with ass's ears, leans from the upper stage-box, saying, "Ladies and Gentlemen, only hear My Son speak my Monologue written by myself the only one fit to be heard the committee are as ignorant of good Poetry a[s] I am of true criticism. I am a great writer reviews my sons works very clever indeed--writes my own life--well worth reading--my Life of Lucius Otrigger will astonish you now pray hear my Son speak my Monologue!--." A man behind him shouts: "Bravo! Go on! Go, on," and one in the crowded lower box applauds: "Bravo Apollo go on Go . . ." In the foreground a man in the pit shouts pointing to the ass: "Why don't you come down and get up behind don't you see he wants ballast." Six others address the son: "When you have done there--set those Epigrams to Music young Apollo!"; "Off Off Off Off"; "he will be off presently if Neddy kicks so!"; "Go on Go on"; "Speak out you should have brought your Voice with you"; "hear him hear him." The orchestra is empty of performers, but the music scores are headed 'The Judgement of Midas' [O'Keefe's play]. Three large papers lie on the stage inscribed respectively: [1] 'A Lord [Byron] and a Doctor once started for Fame Which for the best Poet should pass The Lord was cried up on account of his name The Doctor cried down for an Ass--' [2] 'Doctor Buz he assures us on Drury new Stage No Horses or Elephants, there should engage But pray Doctor Buz, how comes it to pass, That you your own self should produce there an Ass' [3] 'Old Buz against Quadrupeds, war did wage, And swore on Drury's board's such Mum'ry ne'er should pass But forcing his own Pegasus on Drurys stage The Critic Audience christen'd Buz an Ass.' Behind Raymond is the lower part of the verd-antique pillar which flanked the curtain, and on the right the large ornate lamp, of quasi-Egyptian design in which three hawk-headed monsters support an inverted tripod, the base of a ring of lamp-jets."--British Museum online catalogue
Alternative Title:
Poet in a pet : with a chip of the block, mounted on Papa's Pegasus
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., Text following title: vide opening of New Drury Lane Theatre., and Laid-in to a piece of later paper.
Publisher:
Pubd. Octr. 21, 1812, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Raymond, James Grant, -1817, Busby, Thomas, 1754-1838, Busby, George Frederick, active 1812, Byron, George Gordon Byron, Baron, 1788-1824., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Interiors, Theater curtains, Theater audiences, and Donkeys