Manuscript on paper made by an unknown Venetian mathematician, astronomer and cartographer. This manuscript is highly interesting for the excellent drawings of contemporary Mediterranean sailing-ships
Description:
In Italian., Script: Written by one hand in Gothico-Humanistic Cursive, which in the maps alternates with Capitalis. Headings in Capitalis inscribed on scrolls or tablets., Maps, borders and decorations in colours. Clumsily drawn human and animal figures., and Binding: Original limp vellum. On the spine is written "G***ctrica MSS". On the rear cover are a pen-drawing, upside-down, of the same decorative device as on f. 2r, and a sketch of city gates.
Subject (Geographic):
Connecticut, New Haven., and Islands of the Mediterranean.
Subject (Topic):
Atlases, Illumination of books and manuscripts, Medieval, Manuscript maps, Manuscripts, Medieval, and Sailing ships
Manuscript on paper of Atto recitabile da fare avanti che nella compagnia si dieno panellini benedetti composto dal Cecchi
Description:
In Italian., Script: the original text copied by a single hand, writing Humanistica Cursiva. The changes and additions are written in Humanistica Cursiva Currens under Gothic influence., and Binding: early paper binding.
Manuscript on parchment of 1) Lactantius, Divinae institutiones; 2) Augustine, Enchiridion, with preceding table of contents; 3) Bonaventure, Lignum vitae, Breviloquium, and Hymn on the Cross; 4) hymns, and a few works regarding different saints
Description:
In Latin., Script: the manuscript proper (artt. 4-11), is copied by two hands very close to each other: A copied ff. 1r-151r (upper half), 151v-155r, and 156v in Gothica Semitextualis Libraria; B copied ff. 151r (lower half) and 155v-156r. Art. 1 is copied by a 15th century hand using deviant spellings. Art. 2 is in 16th century Humanistica Cursiva. Art. 3 (the endleaves) is in large Carolingian handwriting., Decoration: Red headings and stroking of majuscules; red line-fillers for verses; red or blue paragraph marks. The text copied by hand B as well as the additional artt. 1 and 2 are undecorated. Art. 3 (the endleaves) has red heading and red stroking., and Binding: contemporary, undecorated white leather (deerskin?) over wooden boards, sewn onto three split leather thongs. The remains of a leather strap are attached to the front board and closes over a pin (lost) in the center of the rear board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Bonaventure, Saint, Cardinal, approximately 1217-1274.
Subject (Topic):
Christian literature, Latin, Fathers of the church, and Manuscripts, Medieval
Manuscript on parchment of Petrus Riga, Aurora, as well as Aegidius Parisiensis, De poenis inferni, and an unrecorded poem on the vices and virtues
Description:
Script: main text copied by three hands writing Gothica Textualis Libraria: scribe A (ff. 1r-198r and 243r-279v6); B (ff. 198v-204v) wrote larger and bolder; C (ff. 205r-242v and 279v7-360r)., Decoration: headings in red, partly written in the margins, missing after f. 350r. Line fillers at the end of almost every line. Guide letters; flourished initials., Binding: 19th century, signed by P. Lefebvre: dark blue straight-grained leather over cardboard, the covers decorated with simple frames of gold-tooled fillets., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Riga, ca. 1140-1209. and Abbaye de Cîteaux.
Subject (Topic):
Versions, Christian poetry, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on parchment, composed of three parts, of Petrus Riga, Aurora, Biblia Versificata (a Latin verse translation of the Bible). Parts I and III in the same format and possibly from the same manuscript
Description:
In Latin., Script: Parts I and III (ff. 1-72 and 113-136): Copied by multiple scribes in small gothic bookhand, with first letter of each verse usually aligned on the second vertical bounding line. Part II (ff. 73-112): Written by multiple scribes in a larger module and a neater gothic script than that in Parts I and III; each verse is justified by the placement of the final letter along outer vertical ruling. Script has often been retraced., Parts I and III: Red initials, plain or with modest designs throughout. Headings in red often added to right of text. First letter of each verse stroked in red or ochre, often by drawing a single line the length of the written space. Part II: Plain initials and headings in red throughout., and Binding: Nineteenth century, Belgium. Tan calf over wooden boards, blind-tooled with the Arenberg arms on the sides. Title on spine: "Sacrae Scripturae excerptae/ Circa 1225-50". Remains of old fore-edge tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Riga, ca. 1140-1209.
Subject (Topic):
Versions, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Pedro Lopez de Ayala, Aves de caça.
Description:
In Spanish., Script: Written by a single scribe in a careful italic script., Crude initial and heading (in gold and subdued water colors) on f. i recto and f. 1r; other small initials, 4- to 1-line, in similar colors throughout text. Headings in red; initials of each paragraph in blue or red., Waterstained throughout., and Binding: Seventeenth century. Black goatskin, blind-tooled. Fragments of manuscripts (covered by paper pastedowns) serve as binding reinforcements.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Manuscript fragment on parchment of the Babylonian Talmud, Tractate Ḥullin, which covers a discussion of mutual exclusion, the father's responsibility for his minor daughter, levirate marriage obligations, when the ram's horn (shofar) is blown, and when the separation (havdalah) prayer is said at the end of a festival
Description:
In Aramaic and Hebrew., Script: written in semi-cursive script., and 1 column. 26 lines. Dry-point ruling.
