Manuscript on paper and parchment containing texts on St. Jerome
Description:
In Italian., Script: copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial. The lower margin of f. 62 torn off., The manuscript contains: 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing., and Binding: quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: "Vita / di S. / Girola." On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription "JO." written in black ink. Possibly the binding once belonged to another manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
Manuscript, on vellum, in several hands, containing several Middle English devotional texts. The Abbey of the Holy Ghost is followed by The Meditation of St. Anselm; The Five Sorrows of the Virgin; and an explanation of how to say the Psalter of the Virgin. These are followed by a poem to the VIrgin ("Mari moder well [th]e bee"); a six-line political poem referring to Edward IV ("The lyon sens thre days"); and a recipe for a medicine for pestilence, in a later hand
Description:
In Middle English., Script: several hands., Decoration: Abbey of the Holy Ghost has initials in blue with red penwork., and Binding: modern full red morocco.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Edward IV, King of England, 1442-1483 and Mary, Blessed Virgin, Saint
Subject (Topic):
Allegory, Devotional literature, English (Middle), English literature, English poetry, English prose literature, Manuscripts, Medieval, Women, and Conduct of life
Manuscript on parchment (thin, good quality) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Written for King Matthias Corvinus of Hungary (1458-90), perhaps by Italians at his palace of Buda
Description:
In Latin., Script: Written by a single scribe in a well formed humanistic script., Twelve initials, 7- to 2-line, at beginning of each book (2 at the beginning of the Annales), gold edged in black, with white vine ornament, against a panelled ground of blue, green and mauve, with white dots, outlined with one or two thin white and one black line; ivy, drawn or pen, with triangular gold leaves or dots, projecting from corners into margins. On f. 1r, the initial includes a putto in the vinework; in the lower margin, coat of arms of Corvinus, type A (quarterly, first and fourth barry of 8 gules and argent [Hungary]; second and third gules, a lion rampant and queue-fourche argent [Bohemia]; an inescutcheon azur with raven sable holding an annulet or, with bordure or [Hunyadi family]. Workmanship of fair quality; style Northern Italian (?)., and Binding: Fifteenth century. Sewn on three tawed, slit straps laid in channels in beech boards. The straps are pegged and the channels filled in with plaster as are the endband grooves and the edge channels cut out for the clasps. The primary endband is plain, wound, and sewn on a tawed core and the secondary is beaded and colored. The core is laid in a groove and pegged. The square spine is given a slightly round shape by the bevelling of the boards and is lined with a tawed skin. Covered in dark, brick-red goatskin with a cusped shield azur, charged with a crow sable (Hunyadi family), in the center of each board; blind-tooled rope work, punch dots and other ornamentation gilt, gold-tooled or painted. "Cornelius Tacitus" is tooled along the head of the lower cover and is also written down the fore-edge with black ink. There are four fastenings, the brass catches on the lower board, with three of them covered over with added leather. The clasps are the same color as the cover and are reinforced with parchment. They are pegged in channels at the edges of the board, underneath the cover. The clasps and a little leather of the spine and the upper board are wanting.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Matthias I, King of Hungary, 1443-1490. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript fragment, on vellum, in a single hand, containing Book I, verses 455 and following of this long narrative poem
Description:
In Middle English., Layout: double columns of 56 lines., Script: cursive English bookhand., and Decoration: two large initials in gold; numerous smaller initials in red or blue.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript, on vellum, in a single hand, of a complete version of this long narrative poem
Description:
In Middle English., Layout: double columns of 35 lines., Script: English bookhand., Decoration: decorated borders at the beginnings of Books II-IX; numerous gold initials., and Binding: early nineteenth-century vellum; leather spine labels, gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript fragment, on vellum, in a single hand, of Book III, verses 1717-1913, of this long narrative poem
Description:
In Middle English., Layout: double columns of 49 lines., Script: cursive English bookhand., and Decoration: two initials in burnished gold on colored grounds, with foliate sprays.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript, on vellum, in a single hand, of portions of Books I, VII, and VIII of this long narrative poem
Description:
In Middle English., Layout: double columns of 98 lines., Script: English bookhand., Decoration: illuminated initial on f. 1; numerous penwork initials., and Binding: modern wrappers; modern case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript on paper of The Life, Araignment, and Death, of the famous learned, Sir Thomas More Knight: Somtymes Lord Chauncellor of England. On f. iii verso, engraving of Sir Thomas More, half-length, to right, standing, pointing to scroll in right hand
Description:
In English., Watermarks: Heawood, Coat of Arms 481., Script: Written in neat chancery script., Illuminated title-page, f. iii recto: double blue frame with sprigs of berries and leaves on both sides and gilt designs above and below. Gold initial on f. 1r marks the beginning of text., and Binding: 17th-18th centuries. Part of a book rebound in limp vellum, gold-tooled, with holes for two ties.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
More, Thomas, Saint, 1478-1535. and Roper, William, 1496-1578.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on paper composed of two parts. Part I: The Mirrour of the Blessed Lyf of Jesu Christ (Meditationes vitae Christi), tr. Nicholas Love. Includes Adam of Dryburgh (Adam Scotus) O. Praem, later O. Carth. (d. 1212), De instructione animae; ends incomplete in I.4. Part II: The Thirty-Nine Articles (doctrinal formulas accepted by the Church of England), articles 1-19 only, in diagram form, all pages being organized in three sections titled "the truth", "the creed", and "errors".
Alternative Title:
Meditationes vitae Christi. English
Description:
In English and Latin., Script: Part I: Written by two scribes in Gothica Cursiva Libraria (Secretary very close to Anglicana). Part II: Written in careful Gothica Cursiva (Secretary)., Majuscules are heightened in red (?) up to f. 8v. Red paragraph marks (?). Plain red 2- to 4-line initials. A 4-line red (?) flourished initial with rather coarse penwork in (?), including a human head and a fish, on f. 1r., and Two parchment fly-leaves of the original binding are inserted after f. 100: they have been taken from a 13th-century manuscript and contain fragments of Codex Iustiniani, VI.3.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Church of England.
Subject (Topic):
Devotional literature, English (Middle), Manuscripts, Medieval, and Theology, Doctrinal
