Manuscript on parchment (shiny) of Juvenal, Satirae I-XVI. Many lacunae in text, but missing passages often added in by 15th-century hands
Description:
In Latin., Script: Written by a single scribe in a small bookhand; interlinear glosses and scholia by same scribe in a cramped and abbreviated script, ff. 2 and 4 in two sizes of humanistic bookhand., Red initial, 4-line, infilled with modest arabesque motifs; spaces left for other initials at beginning of each satire; rubrication for scholia on ff. 2. Simple drawing of racecourse in circus appears on f. 9r., and Binding: 18th-19th centuries (?). Brick-red goatskin, blind-tooled.
Manuscript on paper (thick) of Macrobius, Saturnalia
Description:
In Latin with passages in Greek., Watermarks, in gutter: unidentified mountain; a dragon perhaps similar in design to those produced in Ferrara in 1440s-50s, cf. Piccard Drache II.538-72., Script: Copied in humanistic cursive by a single scribe, above top line., Headings and some plain initials in red., Ink has corroded through many leaves; minor loss of text., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same style as MS 450 and Marston MSS 72, 86, 181, 182 for the Guarnieri-Balleani library (Iesi), with the first three probably by the same binder. Written in ink on tail edge: "MACROB". Two front parchment endleaves, presumably reused from the early binding given the patterns of rust stains and wormholes, consist of undated ecclesiastical records from the diocese of Cesena.
Manuscript on parchment (greatly trimmed) of a fragment of a Book of Hours. The twenty-six folios are the only fragment known to remain of the Book of Hours of Blanche of Burgundy (d. 1348), Countess of Savoy and granddaughter of Saint Louis of France, which was executed in Paris in the atelier of Jean Pucelle. The manuscript received additional texts and miniatures in the third quarter of the fourteenth century, when it was owned by Charles V, King of France, 1364-80.
Description:
In Latin., Script: Written in gothic bookhand; ff. 1r, 1v, 4r, and 4v added in the third quarter of the fourteenth century by Jean L'Avenant., Contains fifty of the original two hundred and fifty-five miniatures, the majority executed between Pucelle's death in 1334 and Blanche's death in 1348, the remainder between ca. 1370 and 1378, the terminus ante quem being the death of Charles's wife, Jeanne de Bourbon, represented on one of the destroyed leaves. All of the miniatures are in tricolor quatrefoils, the first, earlier set against pink or blue grounds with white filigree, gold frames and gold leaves on hair-line stems, the later miniatures with the grounds in pink or blue imitation relief., Each folio with a 3/4 bar border, detached from initial, pink, blue and gold with ivy terminals, or a single bar with ivy attached to initial, in inner margin; some with grotesque terminals, and birds and hunters in the margins and bas-de-page. 2-line initials, with heads, ivy, the arms of Savoy (ff. 2r, 14r, 18v, etc.) or the arms of Burgundy (f. 3v); blue or pink with white highlights on gold grounds. 1-line initials, blue or gold with red or black penwork. Line endings, red, blue and gold, on ff. 1 and 4 only. Rubrics throughout., and Binding: Eighteenth century. Red-brown sheepskin heavily gold-tooled with floral borders and corner fans, the center filled in with a circle made up of fan tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pucelle, Jean, fl. 1320. and Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on parchment, in a single hand, of the complete text of Hilton's Scale of Perfection. Volume also contains the complete text of Hilton's brief tract, Of angels' song
Description:
In Middle English., Ownership inscription of John Price on recto of front flyleaf., Ownership inscription of Samuel Courthope Bosanquet on recto of second front flyleaf., Layout: single columns of approximately 30 lines., Script: English bookhand., Decoration: blue initials with red penwork., and Binding: contemporary white tawed leather over wooden boards; remains of hardware. Modern case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hilton, Walter, -1396.
Subject (Topic):
Devotional literature, English (Middle), English literature, English prose literature, Manuscripts, Medieval, and Mysticism
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript on paper (thick, rough) of passages drawn mainly from Aristotle on natural and moral philosophy, logic, music, metaphysics, physics, ethics, and politics. The main portion of the codex (ff. 44r-294r) was written in Cracow in 1422 by a student of Magister Paulus de Worczin
Description:
In Latin., Watermarks: unidentified bull's head., Script: Written primarily (ff. 44-294) by a single person in a cramped running script, with many abbreviations and in a more elegant display script for some headings and colophon; several other writers are responsible for arts. 1-4., Plain initials, headings, and paragraph marks, in red, for ff. 1r-29v. Spaces left for initials and rubrics on ff. 44r-294r., and Binding: Fifteenth century. Original sewing on three double, twisted, tawed thongs which are laced into wooden boards of unequal shape and thickness. Plain, wound endbands sewn on tawed cores are laced into the boards from the spine edge. The cover is adhered to the square spine and kermes pink placemarks to the fore-edge. One quarter covered in brown calf, blind-tooled with lines forming triangles, and very small flowers. One fastening, the catch on the upper board, the brown calf strap attached to the lower with a metal plate. Parchment labels at head of front board. Lower joint repaired, strap wanting.
Subject (Geographic):
Connecticut, New Haven., and Kraków (Poland)
Subject (Name):
Aristotle.
Subject (Topic):
Education, Humanistic, Learning and scholarship, Manuscripts, Medieval, and Philosophy
Manuscript on parchment of Petrus Comestor (Manducator), Historia Scholastica
Alternative Title:
Historia scholastica
Description:
In Latin., Script: copied by two scribes (Scribe 1: ff. 1r-47r; Scribe 2: ff. 47r-179v) in proto-gothic script., Large initial on f. 1v embodying 9 miniatures (depicting, top to bottom, God the Father enthroned, Noah and the Ark, Abraham and Melchisidech, Abraham and Isaac, Elijah pouring water around his altar, a king kneeling before an altar, a prophet, David playing the harp, and Petrus Comestor at work). 19 large decorative initial letters in light green, dark green, yellow, blue, and red with interlace and leafy decorations, often employing zoomorphic ornamentation. Hundreds of smaller painted initials., and Binding: 18th century. Brown calf, with gilt embossed ornamentation on spine and the legend: "Historia | Scholastica | Petri | Manducatori" and a label with the printed number 3742.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
