Manuscript on paper of several treatises on orthography, including works by Sextus Pompeius Festus, Guarino da Verona, and Gasparino Barzizza
Description:
In Italian., Script: copied by two scribes: the first part copied by a scribe called Stephanus in Humanistica Semitextualis Libraria; according to Barbero this scribe is perhaps identifiable with Stefano Guarnieri; the last part is by a scribe writing a script halfway between Humanistica Textualis Libraria and Cursiva Libraria. The opening majuscules of paragraphs protrude into the margin., Red stroking of majuscules on pp. 1-11, 22-31, 44-51, 64-73, 88-93 only. There is ample space for headings and initials (with guide letters), but they have not been executed, except headings in Gothica Textualis on pp. 46, 49, 51, 66, 71, 92; plain red Gothic initials (4 lines) on pp. 46 , 49, 51, 66, 71, 92; a few initials have been entered at a later date., Manuscript on paper of 1) Sextus Pompeius Festus (2nd century), De verborum significatione, epitome by Paulus Diaconus (8th Century). 2) Guarinus Veronensis (Guarino da Verona, 1374-1460), De vocabulorum observatione (Lexicon Servianum). 3) Gasparinus Barzizius Pergamensis (Gasparino Barzizza, c. 1360-1431), De orthographia (alphabetical part; see article 4). 4) Gasparinus Barzizius, De orthographia (systematic part), incomplete., and Binding: parchment wrappers with turned edges.
Manuscript on paper of Treatises on Rhetoric and Epistulae including texts by Francesco Filelfo, Apollonius Dyscolus (?), and Trypho
Description:
In Greek and Latin., Watermarks: similar to Briquet Ciseaux 3668, Briquet Monts 11882, and unidentified grapes., Script: Written by one scribe in small, very even Greek minuscule. Letters with name of Filelfo on flyleaves at front and back are written in well-formed italic., Headpiece, 1-line initials and headings in faded reddish-brown., Water stains in the upper right corner of many folios; some loss of text., and Binding: Twentieth century. Block printed paste paper case.
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of Petrarch, Trionfi (ff. 1r-47r), and Dati, Sfera (48r-76r).
Description:
In Latin., Script: copied by two hands both writing Humanistica Cursiva: A, ff. 1r-47r (art. 1); B, ff. 48r-76r (art. 2), in a smaller handwriting., Decoration: In art. 1, space reserved for, but unfilled with, headings between all trionfi; but each trionfo opens with a 3-line blue plain capital. Space similarly reserved for, but unfilled with, headings in art. 2; but also 2- or 3-line blue capitals., and Binding: contemporary, blind-tolled calfskin over wooden boards, sewn on three double thongs. Both covers decorated with a frame and lozenge design. The remains of two brass clasps extant on the front cover.
Manuscript on paper of Franciscus Petrarca (Petrarch, 1304-1374), Trionfi, in the French translation by Simon Bourgouin, incomplete: ends with the translation of Triumph of Death, chapter 2, verse 27.
Description:
In French., Script: Copied by one hand in Gothica Semihybrida Libraria (Bastarda)., The first leaf is unfoliated and blank. The paper is at many places damaged by the acid ink., Apart from the calligraphic majuscules there is no decoration. The headings are generally in a more formal script than the text., and Binding: Early binding, grey leather over pasteboard covers, damaged; sewn on three split leather thongs. Remnants of a 19th century paper title label "Pétrarque [ ] Triomphes MS". Marks of two clasps.
Manuscript on paper of Hieronymus Stridonensis (St. Jerome, 347-420), 1) Epistula 79 (Ad Salvinam). 2) Epistula 123 (Ad Geruchiam).
Description:
In Latin., Script: Copied by one hand in Humanistica Textualis Libraria., Art. 1 opens with a 4-line Gothic flourished initial in blue with red penwork extending in the inner margin; art. 2 opens with a 4-line Gothic plain initial in red., and Binding: Twentieth century (?). Half binding was removed and the codex restored and rebound in 2000 by the Northeast Document Conservation Center. The new binding is grey cloth over heavy pasteboard. On the spine a new black leather title label with gold-tooled inscription "SANCTI JERONIMI EPISTOLAE MS 788". Among the flyleaves, the two following f. 50 are earlier than the others, which are yellowish machine-made paper belonging to the discarded binding. A modern hand wrote on the last front flyleaf r the title "Sancti Ieronimi epistolae ad Salvinam et Ageruchiam".
Manuscript on paper of 1) Hieronymus (347-420), Epistola 14 (Ad Heliodorum). 2) Hieronymus, Epistola 52 (ad Nepotianum). 3) Johannes Lange (1503-1567), Sibyllae Erythreae Vaticinium, translated from the Greek into Latin by Iohannes Langus
Description:
In Latin., Script: Copied by two hands in Humanistica Cursiva, with large interlinear spaces., Undecorated, except for a Gothic flourished initial in brown ink on f. 1r and a capital at the opening of art. 2, both probably later additions. In art. 3 the initial at the beginning of the text is not executed. The heading of art. 2 is partly in Capitalis., and Binding: Sixteenth century. Blind-tooled brown leather over pasteboard (very worn), decorated with a fleuron in the center of the covers, rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Monasticism and religious orders, and Manuscripts, Medieval
