Manuscript fragment on parchment of a group of sermons, including: Hildebert of Le Mans, Sermones de tempore; Unidentified sermon on John the Evangelist; and Unidentified sermon on the Circumcision (1 January).
Description:
In Latin., Script: written in an informal gothic script (approaching a littera textualis currens)., and Decoration: spaces have been left at the beginning of homilies for 2-line initials, but they have not been added; 1-line initials are in brown; punctuated with the punctus; a contemporary hand has made some corrections to the text in a darker ink.
Manuscript fragment on parchment of a selection of sermons by Stephen Langton, including: an unidentified sermon on St. Paul; Sermon on the Conversion of St. Paul (25 January); unidentified sermon on the Annunciation (25 March); and Sermon on John the Baptist (24 June).
Description:
In Latin., Script: written in small gothic script (littera textualis)., and Decoration: 2-line and 6-line sermon initials are in red, except for the initial on fol. 1r, which is a 1-line capital in brown ink; 1-line initials are brown; rubrics in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation in the same ink as the text.
Manuscript on paper of Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), 1) Sermones de diversis, nos. 1-32 and 40-42. 2) In psalmum XC sermones XVII. 3) Super "Missus est" homiliae (In laudibus Virginis matris).
Description:
In Latin., Script: Two hands writing careful Gothic scripts: A (ff. 3r-71v) Cursiva Libraria; B (ff. 72r-136r) Hybrida Libraria., Paragraph marks and underlining in red. Red stroking of majuscules. Red plain initials (2-3 lines; 4 lines f. 3r, 7 lines f. 73r); red flourished initials with black penwork (9 lines, f. 72r, 7 lines and of a less careful execution f. 116v). All initials have guide letters in the margin., Most pages slightly damaged by the acid ink. Water stains at the bottom of the outer margins of the leaves in the final quires., and Binding: Original brown leather over heavy wooden boards, sewn on four split leather thongs; plaited leather headbands; spine missing. The covers are blind-tooled with frames and lozenges of triple fillets and the following stamps: a lare and a small lozenge-shaped fleur-de-lis; a large and a small rozette; a circular Pascal Lamb; a rectangular stamp with inscription "MARIA". Remnants of two brass clasps attached to the front board.
Manuscript on paper of a collection of sermons. The author is nowhere mentioned; the sermons are all in the learned style of Caracciolo (Robertus Caracciolus, Robertus de Licio OFM, 1425-1495), but only a few of them can be identified, so the authorship of most is not certified. With a list of impediments to Communion. The margins, inserted leaves and leaflets are covered with abundant additional material and notes in the same and in other contemporary hands, generally in Latin, some in Italian. In the text, the additions, and the notes a very large number of classical, patristic and medieval authors are quoted
Description:
In Latin., Watermarks: Bird, Briquet 12202; Human head, Briquet 15705; Hunting horn, var. Briquet 7698; Standing human figure, var. Briquet 7537; unidentified watermark., Script: Copied by one hand writing a very small and highly abbreviated Gothica Hybrida Currens. The additional texts and notes covering margins and inserted leaves are in the same type of script by the same and various other contemporary hands; the writing in the margins is in horizontal or in vertical sense., Red paragraph marks and underlining. Headings in larger size or in fancy Capitals, heigthened in red., and Binding: Nineteenth century. Quarter binding of brown marbled paper (spine) and green paper covers over cardboard. On the spine brown paper label with handwritten title “Sermones. / Mss.”.
Manuscript on paper (sturdy, brown; no identifiable watermarks) of a collection of religious texts including: Anastasius of Sinai, Quaestiones; St. John Chrysostom, Homiliae in Matthaeum 1-15; St. Basil, Ascetica. With other religious tracts, sermons, philosophical notes, and a commentary on the Gospel of John, mostly unidentified
Description:
In Greek., Script: This codex is composed of three distinct sections. Part I (ff. 1-133): Written by two scribes. Scribe 1 copied ff. 1r-133v in a neat scholarly hand characterized by extensive abbreviations; Scribe 2 added notes on f. 4 in a more cramped minuscule. Part II (ff. 134-223): Completed by a single scribe in minuscule. Part III (ff. 224-228): Written by a single scribe in tiny minuscule similar to that of Scribe 1. Signature added later., Part I: Small initials and chapter headings, in red. Part II: Some rubrication., The codex is stained throughout; mending tape and worm holes frequently render the text illegible., and Binding: 16th-17th centuries. Four chain-stitched supports link the quires and are laced into square-edged, flush, wooden boards with grooved edges. Colored, beaded endbands are sewn on fine cords attached to the boards. There are two twisted thread placemarks attached to the headband. The edges are bright yellow; the spine round and smooth with a spine lining extending across about one third of the outside of the wooden boards. Covered in dark brown goatskin, blind-tooled with an x surrounded with diamond-shaped tools stamped at random, within an outer border. One board is mended and both have small lumps in corners and center where bosses would normally be, underneath the present cover. There are traces of plaster where the leather is worn through over the lumps. There are two pins in the edge of the upper board, three corresponding holes going through both board and pastedown in the lower. Straps wanting. Flyleaf of the 11th century from a Latin liturgical manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407.
Subject (Topic):
Asceticism, Catenae, Christian philosophy, Manuscripts, Medieval, Religious literature, Greek (Hellenistic), and Sermons
Manuscript on paper (with parchment of poor quality for inner and outer bifolios of each gathering) of a collection of sermons and materials for the construction of sermons
Description:
In Latin., Watermarks: unidentified crown in gutter., Script: Written by two scribes in Secretary script: Scribe 1 (pp. 1-141) uses a looped d; Scribe 2 (pp. 142-502) uses an unlooped d., Flourished initials, 3- to 2-line, red with blue designs and vice versa throughout manuscript. Brackets, initial strokes and underlining, in red, throughout. Opening words or line of each sermon in a careful text hand., and Binding: Nineteenth century. Half bound in brown calf, blind-tooled, with a gold-tooled title ("Sermones") on spine; dark blue cloth sides. Impression of oval label in upper register of spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Conrad, of Saxony.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers
Description:
In Latin., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., and Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions "SERMONES" / and "IOANNES / CHRYSOSTOMUS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, de Padua, d. 1328., John Chrysostom, Saint, -407., and Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons, Latin
Manuscript on paper (sturdy, polished). Pages 99-170 contain Sermons and Lives of Saints for December 20 to February 2. Notations within the codex concerning the appropriate time for reading each item (e.g., "at the table") suggest that the collection was intended to be read aloud in a monastery
Description:
In Greek., Watermarks consisting of a hat surmounted by six-pointed star, with countermark of cloverleaf plus the letter P and unidentified letter., Script: Written by a single scribe in a bold and carefully executed minuscule., Large initials, 7- to 5-line, skillfully drawn in red with many floral appendages, occur at the beginning of each sermon. Long rubricated incipits and small initials throughout the codex., Most pages are water- and wax-stained; some leaves have been repaired, others remain torn., and Binding: Twentieth century. Brick-red goatskin, blind- and gold-tooled by the same binder as MS 241.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
