Manuscript on paper (sturdy). Pages 9-1315 contain Sermons and Lives of Saints for March 25 through August 29. The manuscript is composed of three parts; the second two serve to complete a text that was either unfinished or damaged
Description:
In Greek., Watermarks: anchor within a circle and surmounted by a six-pointed star, all three parts with assorted countermarks., Script: Part I (pp. 1-1315, skips 399): Executed by a single scribe in large bold minuscule. The scribe of Part II notes on p. 1315 that this portion was completed by Cyrillus in 1585 at the monastery of St. Simon Petras, with the subvention of Constantinus. Cyrillus' own signature occurs on p. 1323. Part II (pp. 1315-323): Written by a single scribe in a smaller, more calligraphic minuscule than Part I. Part III (pp. 1324-1334): Executed by a single scribe who signed and dated the section on p. 1334: Ioasaph, 15 January 1651., Part I: Intricate headpiece of vine-tendrils within rectangular blocks, outlined in black and filled with red, yellow, and pale gold (p. 9). Large initials, 10- to 8- line, of similar design and colors, appear for each new text together with narrow headpieces. Some instructions for the rubricator remain along upper and lower edges. Part II: Simple headpiece in black and red (p. 1316); one ornamental initial, 5-line, sprouting floral motifs on same page, in red. 2-line initials in gold. Part III: Headpiece of plaited design, in red and burnt orange (p. 1324); single decorative initial, 9-line, at beginning of text., and Binding: Nineteenth century. Half bound in purple calfskin with watered cloth sides. "Lectionary. Greek MS. Mt. Athos 1555" on spine.
Subject (Geographic):
Connecticut, New Haven., and Athos (Greece)
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
Manuscript on paper of 1) Table of Contents. 2) Praefatio in Gregorii Nazianzeni orationes, translated into Latin by Rufinus of Aquileia (Rufinus Aquileiensis, c. 345-411). 3) Gregory of Nazianzus (Gregorius Nazianzenus, d. c. 390), Apologeticus, Latin translation by Rufinus of Aquileia. 4) Gregory of Nazianzus, De epiphaniis sive de natali Domini. 5) Gregory of Nazianzus, De luminibus, quod est de secundis epiphaniis. 6) Gregory of Nazianzus, In semetipsum de agro regressum. 7) Gregory of Nazianzus, Ad cives Nazianzenos gravi timore perculsos et praefectum irascentem. 8) Gregory of Nazianzus, De Pentecoste et de Spiritu Sancto. 9) Gregory of Nazianzus, De reconciliatione et unitate monachorum. 10) Gregory of Nazianzus, De grandinis vastatione. Ends incomplete. 11) Gregory of Elvira (Gregorius Illiberitanus, d. after 392), De fide orthodoxa. Missing beginning. Often ascribed to Gregory of Nazianzus and erroneously considered a Latin translation by Rufinus of Aquileia
Description:
In Latin., Watermark: var. Briquet 2482., Script: Copied by one hand in small Humanistica Cursiva Libraria., Pale red headings. Plain initials (Capitals) in pale red ink, 2-3 lines., The paper is at places slightly damaged by the acid ink., and Binding: Nineteenth century. English brown polished calf over pasteboard, both covers and turn-ins framed with gold-tooled fillets. Back repaired. Gold-tooled title on spine "GREGORI NAZIANZENIS OPUSCULA LATINA INTERPRETE RUFFINO. M.S. CART 1494". Grey paper endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory, of Nazianzus, Saint.
Subject (Topic):
Doctors of the Church, Manuscripts, Medieval, Sermons, and Theology
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Published / Created:
28 January 1495.
Call Number:
Mellon MS 22
Image Count:
80
Resource Type:
unspecified
Abstract:
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise
Description:
In Latin and Greek., Script: Written by a single scribe in a good humanistic cursive., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands.
Subject (Geographic):
Connecticut, New Haven., and Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Illuminated manuscript, on vellum, of the Sextus liber decretalium, with the commentary of a Johannes Andreae
Description:
In Latin., L1r contains a pecia copyist's notation: "F xviii.", Bifolium formerly used as an archival wrapper., Layout: Principal text in double columns of up to 30 lines; surrounding commentary in 89 lines., Script: rounded gothic (two sizes)., Decoration: two historiated initials against burnished gold., and Binding: modern boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303.
Subject (Topic):
Manuscripts, Medieval and Manuscripts, Renaissance
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
In Latin., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue., and Binding: Fifteenth century (?), Italy. Limp vellum case, restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Scholia
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of La Sfera, by either Gregorio Dati (1362-1435), or Leonardo Dati O.P. (1360-1425).
Description:
In Latin., Script: copied by a single hand in Southern Gothica Semitextualis Libraria; the first majuscule of each strophe written between the double bounding lines. The four books open with a 3-line red plain initial with or without interior reserved shapes., and Manuscript on paper of La Sfera, by either Gregorio Dati (1362-1435), or Leonardo Dati O.P. (1360-1425). A contemporary hand has numbered the Books in the following way: Book I (f. 1r): “Terzo”; Book II (f. 7r): “Quarto”; Book III (f. 13r): “Primo”; Book IV (f. 19r): “Secondo”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dati, Gregorio, 1362-1436. and Dati, Leonardo, d. 1425.
Manuscript on parchment of John Lydgate (1375?-1449?), Siege of Thebes
Description:
In Middle English., Script: Copied by one hand in Gothica Cursiva Antiquior Libraria/Formata (Anglicana). The scribe has been identified as being Stephen Doddesham, a Carthusian monk, first in Witham Priory, afterwards in the Charterhouse at Sheen, near London, d. 1481/1482., Red headings and running titles. The latter are preceded by alternately blue paragraph-marks with red penwork and golden paragraph-marks with blue penwork. 6-line foliate initials in pale blue and pink with left-margin floral borders extending into the upper and lower margins, at the beginning of Parts II and III (ff. 13v and 33v); the same type of initial with similar but four-margins border at the opening of the Prologue (f. 1r). There were only two 3-line dentelle initials with short marginal extensions, namely on f. 20v (now cut out, v. 1569, speech of Adrastus) and 25r (v. 1901, speech of Tideus)., and Binding: Nineteenth century. White parchment over pasteboard by Edward Parry. On the gold-tooled spine two bordeaux leather labels with gold-tooled inscriptions: "DESTRUCTION / OF / THEBES / BY/ LYDGATE" and "MANUSCRIPT".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Carthusians.
Subject (Topic):
English poetry |y Middle English, 1100-1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, English (Middle)
