Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
In Latin., Watermarks, buried in tight binding: unidentified flower., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., and Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Vices, and Virtues
Manuscript on parchment of Gottofredo da Trani, Summa super titulis Decretalium. With medicinal recipes and a list of Roman emperors
Description:
In Latin., Script: Written in a rounded gothic bookhand, below top line; marginal annotations and finding aids by a contemporary hand in less formal script., 5 fine illuminated initials, 30- to 7-line, in blue or pink with white filigree on blue and red grounds framed in blue or red accentuated at the corners by gold dots. Infilled with intertwining or angular vines, some with biting head terminals, mauve or blue with white highlights and gold dots. Ascenders and descenders, red, mauve and blue terminating in spiralling serifs with biting animal heads or grotesques against cusped grounds. Two initials with vines issuing from upper and left corners, blue with white highlights ending in grotesques. 3- and 2-line calligraphic initials, red and blue with blue and red penwork. Plain initials alternating in red and blue. Headings in red; running titles (chapter numbers) alternating red and blue. Instructions to rubricator in lower margins., and Binding: Nineteenth century, France. Early sewing on five supports with 19th-century boards covered in parchment. Title on spine: "Gofredo de Trano/ Manuscrit".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Goffredo, da Trani, d. 1245.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript fragment of a bifolium, containing part of the text the Summa theologica, II. ii, Quaestiones 20-21 and 24, v-ix.
Description:
In Latin., Fragment recovered from a binding; damaged and incomplete., Layout: double columns of 54 lines each., Script: gothic bookhand., and Decoration: initials in red or blue with contrasting penwork.
Manuscript on paper of Leonardus de Giffono O.F.M. (d. 1407), Summula Ecclesiae sacramentorum, in fact a Confessionale or manual of penitence; with magical formulas against the plague, a table of contents, and additional prayers and indexes
Description:
In Latin and Italian., Script: The main text (artt. 2-3) is copied by a single hand in Gothico-Humanistica Libraria, while artt. 1, 4, 5 and 6 are written in Humanistica Cursiva by various hands., Decoration: Red headings; stroking of majuscules in red; red or blue paragraph marks; alternately red and blue 1-line versals with penwork in the contrasting color, and 1- or 2-line flourished initials in blue with red penwork. Note a 5-line brown initial, in art. 3 (f. 13r), on a red background decorated with gold penwork, with a coat of arms resting on two adossed green birds in the lower margin., and Binding: Original brown leather over wooden boards, sewn on two double cords. Both covers are blind-tooled with quadruple fillets, rope and flower motifs, and quadrangular small stemps. The remnants of two clasps are attached to the front cover, associated with brass catches fixed to the rear cover. The flyleaves (art. 7) are part of a single leaf from a 12th or 13th century manuscript on parchment, written in a late Beneventan script.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Giffono, Leonardus de, d. 1407.
Subject (Topic):
Manuscripts, Medieval, Sacraments, and Catholic Church
Manuscript on paper of Summulae naturalium, composed in 1408 by Paulus Nicolettus Venetus O.E.S.A. (1369/72-1429).
Description:
In Latin., Watermarks, obscured by text: similar to Harlfinger Chapeau 17 and unidentified ladder., Script: Written by several scribes in humanistic cursive script with gothic features, below top line; inital words of each section in gothic bookhand., Decorated title page, f. 1r, with border, in black and red ink composed of various decorative devices: in the upper margin a bar border with a central semicircle flanked by stylized scrolls in black and red. In the outer margin, a roundel, black with red and black frame, filled with a flower of 6 petals in red; the roundel flanked by stylized scrolls. In center of lower margin a medallion framed in narrow black and red bands containing a flaming heart pierced by an arrow and an open book, also flanked by stylized scrolls. Numerous decorated initials, 30- to 4-line, black and red with interior designs of lozenges, small flowers, and wavy lines of paper ground. Plain initials and paragraph marks in red. Guide letters for rubricator throughout., Worm-eaten; some minor loss of text., and Binding: Nineteenth century, England. Blind-tooled brown goatskin with the same gold-tooled title on the spine and both covers: "Summule Naturalium/ Paulus de Venetiis/ M. S. 1373". Bound by Riviere (London) before 1881. Red edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle., Venetus, Paulus., and Augustinians.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, Physics, and Scholia
Manuscript fragment on parchment of Dynus de Mugello's Super infortiato et Digesto Novo; the first part of the text of this fragment follows fairly closely to the printed text of the commentary by Dynus de Mugello, a teacher of law at Bologna, although in many minor instances it agrees more closely with the quotations attributed to Dynus by Albericus de Rosate in his commentary
Description:
In Latin., Script: written in a cramped and inelegant gothic script (scripture notularis)., and Decoration: two 2-line initials alternating red and blue decorated with red penwork; rubrics written in red gothic cursive; the lemmata are marked with alternating red and blue paragraph marks, and some are underlined in brown; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis
Description:
In Latin., Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Thomas, Aquinas, Saint, 1225?-1274.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Philosophy, Ancient, Scholasticism, and Scholia
Manuscript on parchment (goatskin) of Nicolaus de Osimo (Auximo) OFM (d. after 1453), Supplementum Summae Pisanellae, an alphabetically arranged supplement to the Summa de casibus conscientiae of Bartholomew of Pisa (Bartholomaeus de Sancto Concordio, d. 1347). Produced at the Franciscan convent of Santa Maria degli Angeli near Milan
Description:
In Latin., Script: Apparently 8 scribes, all writing Southern Gothica., Decoration: The decoration of artt. 1-4 consists of heightening of the majuscules in yellow; blue or red paragraph marks. In art. 3 the chapters normally open with a 2-line (rarely 3-line) flourished initial with penwork extensions in the left margin or in the intercolumnar space, alternately red with purple or blue penwork and blue with red penwork; the first lemma of each letter opens with a 3- or 4-line flourished initial filled with foliage and with more developed marginal extensions. The text opens on f. 5v with a 5-line dentelle initial with green and blue background heightened with gold and white, followed by 5 lines of text mostly in majuscules. The decoration of art. 7 is similar to that of art. 3 but less carefully executed., and Binding: Eighteenth century (?). White parchment over pasteboard, with two modern brass clasps fixed to the front cover. On the spine green leather label with gold-tooled title "SUMA MAGISTRA". On the bottom edge the title "Summa Pisa****" is written.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Osimo, -1453. and Franciscans
Subject (Topic):
Manuscripts, Canon law, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of Isidore of Seville (d. 636), Synonyma
Description:
Script: Copied by a somewhat uneven hand in bold and angular Praegothica., Decoration: Red headings; alternately res and blue-gree 1-line versals; alternately red and blue 3-line half inset initials, plain or flourished with penwork. A curious pointing hand on f. 24v., Binding: None., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Fathers of the church, Latin literature, Medieval and modern, and Manuscripts, Medieval
