A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile on the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next to him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness, one turned away from the table, with outstretched legs in top-boots, yawns violently. From the left enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs, one of whom is toppling over with sleepiness
Description:
Title from caption below image., Statement of responsibility from impression in the British Museum. See British Museum online catalogue, registration no.: 1935,0522.8.169., Date of publication based on watermark., A copy in reverse of no. 6144 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., The Lewis Walpole Library impression: statement of responsibility has been erased from lower left corner of sheet., and Watermark partially trimmed: 1809.
Publisher:
publisher not identified
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
"The stage of Covent Garden Theatre is seen from the right with a small part of the pit in the left foreground; the boxes and galleries adjoining the stage form the background on the left. The pittites are standing and blow trumpets, spring rattles, ring bells, and shout. Those in the crowded boxes behave in the same way; with one exception all are men. Two men occupy each of the two boxes over the stage-door; they watch passively. The musicians' seats are empty, but candles burn beside their open music-books, and one of the orchestra stands facing the audience, threatening them with fist and baton. On the stage three men stand together addressing the audience. The man in the centre holds out a paper: 'Riot Act'; he says: "We shall Read the riot act". Behind them stands Kemble wearing a tail-coat and white trousers, appealing to the audience with his hands meekly together as if in prayer. Large notices and placards hang from the galleries and boxes: 'Old Prices' [five times]; 'Harris will but Kemble won,t'; 'No Kembles No more insults'; 'Kemble remember the Dublin Tin Man'; 'No Foreign Sofas'; 'Iohn Bull against Iohn Kemble'; 'No Catalani'; 'Old Prices' [three times]; 'No Italian Private Boxes'; '£6000 for Caterwauling'; 'Catalani', below a print of a cat dressed as a woman, and singing 'Me Yo' from a music-book; 'No Catalani!! Mountain-- Billington, and Dickons for ever'; 'Ol Price for ever No caterwauling'; 'Old Prices No Catalani'; a gigantic placard: 'Statement-- £ Subscribed -- £80-000 Fire Office -- 50-000 Old Materials -- 25-000 155-000 New Theatre ---- 150-000 Managers of it ---- 5-000' Held up by a 'John Bull' in the pit who blows a trumpet: 'No Catalani No Pigeon Holes Old Prices No Private Boxes'. A man shouts from a box: "Off Off Off Off"; he springs a rattle."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac and George Cruikshank in the British Museum catalogue., Date of publication from British Museum catalogue., and Matted to 47 x 54 cm, with a token for a box seat, Prince's side (BPS), New Theatre Covent Garden 1809.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Nares, John, 1754-1816., Billington, Elizabeth, 1765-1818., Catalani, Angelica, 1780-1849., Dickons, Maria, approximately 1774-1833., Harris, Thomas, -1820., Reed, James, active 1808., Mountain, Rosoman, approximately 1768-1841., and Covent Garden Theatre,
Subject (Topic):
Interiors, Stages (Platforms), Actors, Orchestras, Theater audiences, Theaters, and 1809
"The interior of a tent. Duroc, in his shirt, lies supported by a soldier on a wooden bed, while Napoleon (right) holds his right hand, turning away (to the right) and covering his face with his left hand. An officer stands solicitously beside the Emperor, supporting his left elbow. Another officer stands (left) behind the head of the low bed. On the extreme left a soldier bends over a table compounding medicaments. Duroc's coat and sword lie on a camp-stool, beside his hat and boots. A glimpse of the distant camp is seen on the extreme right, where a Mameluke stands by the tent holding Napoleon's horse. Duroc is addressing the Emperor, with his left arm extended. Their words are etched below the title: "Duroc, "My whole life has been consecrated to your service, nor do I regret its loss, but for the use it still might have been of to your Buonaparte, "Duroc!" there is a life to come; it is there you are going to wait for me, and where we shall one day meet again!" Duroc, "Yes Sire! but that will not be these thirty years, when you will have triumphed over your enimies [sic], and realised all the hopes of your country, I have lived an honest man: I have nothing to reproach myself with, ah! Sire! go away this sight gives you pain--Be, "Farewell then my friend"."--British Museum online catalogue
Alternative Title:
Dramatic effect, or, The death of General Duroc, Death of Genl. Duroc, and Death of General Duroc
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on bottom edge., and Watermark: 1809.
Publisher:
Pubd. June 9th, 1813, by Wm. Holland, No. 11 Cockspur Street
Subject (Name):
Duroc, Géraud Christophe Michel, duc de Frioul, 1772-1813 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Death and burial, Generals, French, Military officers, Soldiers, Military camps, Deathbeds, War casualties, Wounds & injuries, and Medicines
"Five horses with human heads, ridden by jockeys, race for the half-open door of the Treasury (left), across a wide cobbled pavement. The Regent and Lady Hertford with Lord Hertford standing behind holding his Lord Chamberlain's wand, stand on the pavement (left) watching the finish. The winning horse, Liverpool, is a piebald, with an earl's coronet round his neck, and branded 'H'. Next is Wellesley, a marquis's coronet round his neck, ridden by a jockey in oriental dress with a jewelled turban, who looks over his shoulder, saying: "Come Grey push on you'll let Pye Ball win else." Next is Moira, a blue ribbon round his neck representing the Garter granted on 12 June (which he had refused on 28 Feb., see 'Corr. of George IV', i. 29, 34-5), close behind is Grey; last is Grenville. Lady Hertford, as umpire, exclaims: "Bravo Pye Ball you have fairly won." Lord Hertford cries: "Huzza Pye Ball for ever." The Regent turns to a stout John Bull, to say: "Come Johny out with your Cash your favorite has lost you see." John puts out a protesting hand, saying, "No No D--e if I do! I'm off, why its a proper cross and Jostle I d'ont like the Umpire neither." John wears a top-hat and top-boots, his pockets bulge with money-bags, and he holds a cudgel. In the roadway is a cob or pony with the face of Sheridan, branded 'P R', ridden by the stout Yarmouth, from whose pocket projects a paper: 'The Milling Hero a Poem', see No. 11746, &c.; he is too large for his mount, and says: "Softly! Softly! poor Old Sherry, Oh my poor bones are in danger!" The animal kicks, saying: "It's a d--d dirty Job to carry such a -- but as I carried your Master [the Regent] through before you hold fast and I'll take you to the end." In the foreground (right) a man stands full-face, shouting; he holds a tall pole on which is a placard: 'The Treasury Sweepstakes for high-bred Hunters 4 Heats The M-ch-ss of H--s Pyebald Colt Liverpool ------- 1, dr, dr, 1 Iohn Bulls favorite ch. f. Moira -------dr, 2, 1, 3 The Fox Clubs b. f ----Grey ----4, 3, 2, dr The East-India Company's Oriental filly Wellesly 3, 1, 3, 2 The well known Pit [Pitt] bred horse Grenville 2, 4, 4, 4 This match was very hardly contested, the Jockey Club decided that the first heat was unfairly won, and the last it is supposed will be subject to a similar decree; but the P-- R-- to whom the decision of the Club was referrd overruled the first objection. Bets at starting 2 to 1 on Moira; and at the commencement of the third heat 2 to 1 on Moira against the field Same Day The Exchequer plate for Colts half bred The Earl of Liverpool's black Colt Vansittart 1, 3, 3, 1 Marquis of Wellesleys gr C. Grant 3, 1, 2, 3 Earl Moirds ch. G Huchisson 2, 2, 1, 2 This Race like the preceeding one has excited much difference of opinion amongst the members of the Club. N.B A match will be made before the Club breaks up between the R--s old Hack and any Noted Horse that may be chosen to start against him, the Hack will carry double and any bet staked on his winning Mac Sycophant [McMahon] Secty.' Beside this notice are betting men. Three say: "How pye Ball dashes in, he has jockey'd them there he goes!"; "Da--me Johny seems in a Passion"; "Aye he 's [word scored through] Humbugg'd! The other spectators: Why the knowing ones are taken in"; "dish'd by Jupiter" [the Prince], and, "I rather think they are dish'd by Juno, she seems to be umpire." In the background are other spectators, on foot, on horseback, and in a coach."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Plate from: Town talk; or, Living manners, v. 2, page 437.
Publisher:
Pubd. July 1st, 1812, for the proprietors of Town talk
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Wellesley, Richard Wellesley, Marquess, 1760-1842, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Treasury
Subject (Topic):
Buildings, John Bull (Symbolic character), Horse racing, Jockeys, Signs (Notices), and Staffs (Sticks)
"Three tax-collectors beset a house door, on which is a plate: 'Doctor Humbug', and above: 'Advice Gratis.' An elderly man holds the knocker, a ring in a lion's mouth, and looks up at the window above where two heads peer out: a grotesque aged couple wearing nightcaps. On the lintel stands a pestle and mortar, inscribed 'Hippocrates.' On the house are two bills: 'The Goodwill of this House to be disposed of for Particulars enquire' - and 'The Budget opened or how to raise the Wind for the Year 1805.' The tax-collector holds a large open book: 'Window Tax Income Property House Tax'; under his arm is another book;..'Tax-Servants-Horses.' Papers inscribed 'Tax' and 'Taxes' project from his coat-pocket. Beside him, a man holding a paper points his pen viciously at the open window. A third man stands close behind holding a large book inscribed 'Dog Tax.' On the extreme left a woman carrying an infant begs, looking up at the window; a little boy beside her holds out his hat for alms to the tax-collector. On the right a fat man gapes up at the window while a little boy picks his pocket of a hankerchief. The house is at a corner, and from its wall a lamp with oil, spilling it on the people below. In the background (right) are tall, old-fashioned houses, all the windows, except in the top floor and attics, are 'Block'd Up'; one is 'To Lett.'"--British Museum catalogue
Alternative Title:
Clamorous tax gatherers
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Watermark: 1809.
Publisher:
Pubd. Feby. 3, 1805, by Howitt, N. 73, Wardour Street, Soho
Subject (Topic):
Beggars, City & town life, Pickpockets, Poor persons, and Taxes
A dinner of mostly elderly men has dissolved into a brawl with wigs flying in every direction as they pummel each other with their fists or any tool at hand. In the center a man crawls on his hands and knees, blood pouring from both nostrils, his opponent ready to land him another blow. The one young man of the party dances merrily on top of the table flourishing a bowl in one hand and a spoon in the other as the dinnerware scatters in every direction
Description:
Title etched below image., Possibly a reissue; the year in Rowlandson's signature appears to have been altered from "1810" to "1811." See British Museum catalogue., A publication date of 1810 is given by Grego, who is perhaps describing an earlier state., Text below title: The assemblies of women are too frequently marked by malice to each other, and slander to the absent, the meetings of men by noise, inebriety and wrangling., Sheet trimmed within plate mark., and Watermark: 181[?].
