"A tall imposing man, wearing a clerical wig and bands, mortar-board, gown, and cassock, stands directed slightly to the left, head in profile, one gloved hand on his breast, the right arm hanging by his side."--British Museum online catalogue and "He is William Cleaver (1742-1815), Principal of Brasenose College 1785-1809, who continually lived there, giving it a (temporary) leadership in scholarship and discipline, according to De Quincey. He was Bishop of Chester 1787, Bangor 1800, St. Asaph 1806. ... He was Lord Grenville's tutor, and was active in his election (see British Museum Satires No. 11384)."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 39 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.9 x 20.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Bishop of Bristol" in pencil in lower left corner of sheet.
"A tall imposing man, wearing a clerical wig and bands, mortar-board, gown, and cassock, stands directed slightly to the left, head in profile, one gloved hand on his breast, the right arm hanging by his side."--British Museum online catalogue and "He is William Cleaver (1742-1815), Principal of Brasenose College 1785-1809, who continually lived there, giving it a (temporary) leadership in scholarship and discipline, according to De Quincey. He was Bishop of Chester 1787, Bangor 1800, St. Asaph 1806. ... He was Lord Grenville's tutor, and was active in his election (see British Museum Satires No. 11384)."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., One line of text below title: Arrah! My dear honey, to be sure, I'd rather walk if it wasn't for the fashio of the thing., Plate numbered '238' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vehicles: sedan chair -- Irishmen -- Street vendors: pipe sellers., and Watermark: 1812.
Publisher:
Published 28th Jany. 1800, by Laurie & Whittle, 53 Fleet Street, London
A fashionable couple walk on a country road past a cottage. A woman carrying a small child and carrying bags on her back approach them from behind and one of her small children on foot doffs his cap and reaches out his hand for alms. Another small child, also cap in hand, hangs onto his mother's skirts. Also on the road, heading in the opposite direction is a wagon filled with recruits and soldiers and one woman holding onto a large trunk
Alternative Title:
Relieving the distressed travellers
Description:
Title etched below image., After a drawing by Robert Dighton, now at the Yale Center for British Art (Accession Number: B1986.29.78). The drawing is part of a set of "Twelve Illustrations to Contemporary Life and Diversions.", Date of publication based on watermark., and Watermark: [...] ons 1812.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 St Paul's Church Yard, London
Subject (Topic):
Travel, Children, Wagons, Recruiting & enlistment, and Soldiers
Title from item., Artist from British Museum catalogue., From the Laurie & Whittle series of Drolls, plate numbered: 395., Title from broadside poem written by C. Dibdin, Esq. in letterpress below image., and Watermark: 1812.
Publisher:
Publish'd June 3, 1805 by Laurie & Whittle, 53 Fleet Street
Title etched below image., Design attributed to Richard Newton based on the drawing from which this print was made., One of the series of Laurie & Whittle drolls., Two lines of text below image: A British tar coming to an inn on his road to Plymouth ..., Numbered '180' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Buildings: Country inns -- Horses -- Ostlers -- Sailors -- Naval uniforms: Sailor's uniform -- Bludgeons., and Watermark: 1812.
Publisher:
Published June 10th, 1797, by Laurie & Whittle, 53 Fleet Street, London
The plate on the right shows, a young Arawak woman, shown full-length and wearing a beaded apron and standing with her right foot posed on a small rock. She holds a parrot held high in her right hand and a bow and arrow in her left; in the distance another Arawak is shown ready to shoot his arrow and The plate on the left shows, a Arawak native slitting the throat of a large Aboma snake that is hanging from a branch of a tree, suspended by a rope around its neck. Two other Arawak natives pull at the rope to hoist the snake higher. A man in Western dress, his back to the viewer, directs the work of the natives from the ground (left foreground), his rifle resting against the trunk of the tree. On the right in the distance, a man sits in a boat on the river
Description:
Title from caption below image., The engravings are believed to have based on drawings by the author J.G. Stedman, two of the early plates acknowledging the attribution. Stedman was a friend of William Blake who may have assisted Stedman, an amateur artist., "Indian female of the Arrowauka Nation" first engraved by Benedetti and published "Decr. 1st, 1792, by J. Johnson"., and Copies of plates origingally printed for: Stedman, J. G. Narrative, of a five years' expedition, against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America. London : J. Johnson & T. Payne, 1806-1813.
Publisher:
Published by Longman, Hurst, Rees, Orme, & Brown, Paternoster Row
Subject (Geographic):
Suriname. and Guiana.
Subject (Topic):
Slavery, Indians of South America, Arrows, Bows (Weapons), Hunting, Parrots, and Snakes
In an elegantly decorated bedroom, a young woman with hair piled high in the fashion of the 1770s, holds tightly to a bedpost, while a man (her servant or husband) tugs on her stay-laces, and is in turn held around his waist by a female servant, who is also grasped by a small Black servant. The lady's lapdog looks on from the bed, while a monkey on the floor opens a book entitled "Fashion's victim: a satire"
Alternative Title:
Fashion before ease
Description:
Title from item., Date of printing based on watermark., Place of publication and publisher from British Museum catalogue., Imperfect, trimmed to design with loss of publication information and plate number., Originally issued by Carington Bowles after June 1777, then re-issued (with date burnished from the plate) by Bowles & Carver., Plate number: 362. Cf. Untrimmed impression in the British Museum., and Watermark: 1812.
Publisher:
Printed for & sold by Bowles & Carver ... No.69 in St. Pauls Church Yard, London
Subject (Topic):
Corsets, Fashion, Dogs, Monkeys, Beds, Bedrooms, and Tug of war
