Title from caption below image., Approximations of Chinese characters precede each line of text., Imprint statement erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chinese woman -- Dancing -- Stereotypes., Print numbered in pencil in upper right hand corner: 2., and Imprint statement erased from sheet.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from description of earlier state in the British Museum online catalogue., Later state, with former plate number "No. 4" removed and a new number etched in its place. For earlier state, see British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from unverified data in local card catalogue record., Plate numbered "230" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on bottom edge leaving thread margin., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: Waiters -- Male Costume, 1790 -- Apron -- Price of food., and Watermark: 1816.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from description of earlier state in the British Museum online catalogue., Later state, with former plate number "No. 4" removed and a new number etched in its place. For earlier state, see British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from unverified data in local card catalogue record., Plate numbered "230" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on bottom edge leaving thread margin., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Domestic service: Waiters -- Male Costume, 1790 -- Apron -- Price of food., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 7 in volume 4.
Cover title. Number of part printed above title., Engraved throughout., "This work appears to have been issued in four montly parts, each of four plates between May and August 1816, before being published as a complete suite. An advertisement on the final leaf of the 1820 edition of John Cawse's 'Introduction to the art of painting' shows that the work was still being issued in four parts at this late date, at a price of three shillings sixpence per part"--Cf. British Architectural Library., Illustrations numbered in upper right corner of each plate., Price on cover: Three shillings + sixpence., Publisher;s advertisements on wrappers., BAC: British Art Center has parts 1 and 2 only. Parts 3 and 4 missing. Original printed blue paper wrappers. Stitched. Ms. ownership inscriptions of Miss Homes Cone (one dated March 24 1817) on front covers of both parts. Publisher's advertisements inside front and back covers of both parts., and Stitched as issued in the original publisher’s wrappers. For further information, consult library staff.
Publisher:
Published by R. Ackermann, 101, Strand; and may be had of all the book and printsellers in the United Kingdom. [J. Diggens, Printer, St. Ann's Lane, London.]
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Architecture, Domestic, Cottages, and Landscape drawing, English
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.
Title assigned by cataloger., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Rustics -- Glass: liquor bottle -- Male dress: nightcap., Watermark: 1816., and On verso, a description in verse of the image: Plates 12, 3, 14 and 30. See how these rustics liquor love to quaff. They cry, who want it; having it they laugh ...
publish'd as the act directs June 1773. and [printed 1816]
Call Number:
773.06.00.24.1
Image Count:
1
Resource Type:
still image
Description:
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Wigs: toupée wigs -- Wigs: club wigs --Nosegays -- Female dress, 1773.., and Watermark: 1816.