"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted., 1 print : etching and drypoint on wove paper ; plate mark 28.5 x 36.6 cm, on sheet 30 x 38.7 cm., and Mounted on leaf 32 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Eliza Farren (left) as Almeida, and Bensley as Omar (right), in 'The Fair Circassian' face each other in profile. She bends towards him, clasping her hands; he stands erect holding out his right hand towards her. He holds in his left hand the end of a chain which is attached to his right wrist. Almeida's body from the waist upwards is not attached to her voluminous petticoats. Omar has a beard, he wears a feathered hat or turban and an ermine-bordered robe over a tunic."--British Museum online catalogue, description of an earlier state
Description:
Title etched in image, centered at top., Signed with the monogram of James Sayers., Later state; plate has been reduced along lower edge removing former inscription, a new inscription has been etched at top of image, and a detached eye has been added to the left of Bensley's profile. For the earlier state bearing the title "A puff off", see no. 6359 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., Five lines of verse etched below title: So Bensley stared with all his might, e'en till his eye-ball started, so Farren flew to meet his sight, but she had laced herself so tight, her top and bottom parted., and Mounted on page 48 with one other print.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Pratt, Mr. 1749-1814. (Samuel Jackson),, Farren, Elizabeth, 1762-1829, and Bensley, Robert, 1742-1817
Subject (Topic):
Actors and actresses, English, and Clothing & dress
"Two actresses in a prison scene from Gay's 'Beggar's Opera'. At their feet is a tombstone inscribed 'The Beggars Opera Captn Macheath by Mrs E . . . [erased]', 'Lucy by Mrs W . . . [erased]'; other erasures are followed by '"Here lies Gay"'. They are identified by Mr. Hawkins as Mrs. Edwards and Mrs. Webb. Macheath (right), in leg-irons and fashionably dressed, wearing a cocked hat and top-boots, the tight riding-dress showing a feminine figure with ample curves, stands with his hands raised as if singing. Beside and behind him stands Lucy, listening, with her hands on her hips. She is stout and middle-aged, a head taller than Macheath, and resembles Mrs. Peachum more than Lucy. In the background is a barred window (right). Across the top of the design is etched 'Motto for the Manager', and (on a scroll) '"Reddere personae scit convenientia cuique" Hor'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 51 with one other print.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
England
Subject (Name):
Gay, John, 1685-1732., Edwards, Mrs., and Wilmot, Mrs., active 1788-1812.
Subject (Topic):
Actors and actresses, English, Clothing & dress, Tombs & sepulchral monuments, Prisons, and Cells (Rooms & spaces)
"Two actresses in a prison scene from Gay's 'Beggar's Opera'. At their feet is a tombstone inscribed 'The Beggars Opera Captn Macheath by Mrs E . . . [erased]', 'Lucy by Mrs W . . . [erased]'; other erasures are followed by '"Here lies Gay"'. They are identified by Mr. Hawkins as Mrs. Edwards and Mrs. Webb. Macheath (right), in leg-irons and fashionably dressed, wearing a cocked hat and top-boots, the tight riding-dress showing a feminine figure with ample curves, stands with his hands raised as if singing. Beside and behind him stands Lucy, listening, with her hands on her hips. She is stout and middle-aged, a head taller than Macheath, and resembles Mrs. Peachum more than Lucy. In the background is a barred window (right). Across the top of the design is etched 'Motto for the Manager', and (on a scroll) '"Reddere personae scit convenientia cuique" Hor'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with engraving on wove paper ; plate mark 25.2 x 20.7 cm, on sheet 27.2 x 22.4 cm., and Mounted on verso of leaf 32 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
England
Subject (Name):
Gay, John, 1685-1732., Edwards, Mrs., and Wilmot, Mrs., active 1788-1812.
Subject (Topic):
Actors and actresses, English, Clothing & dress, Tombs & sepulchral monuments, Prisons, and Cells (Rooms & spaces)
"Two actresses in a prison scene from Gay's 'Beggar's Opera'. At their feet is a tombstone inscribed 'The Beggars Opera Captn Macheath by Mrs E . . . [erased]', 'Lucy by Mrs W . . . [erased]'; other erasures are followed by '"Here lies Gay"'. They are identified by Mr. Hawkins as Mrs. Edwards and Mrs. Webb. Macheath (right), in leg-irons and fashionably dressed, wearing a cocked hat and top-boots, the tight riding-dress showing a feminine figure with ample curves, stands with his hands raised as if singing. Beside and behind him stands Lucy, listening, with her hands on her hips. She is stout and middle-aged, a head taller than Macheath, and resembles Mrs. Peachum more than Lucy. In the background is a barred window (right). Across the top of the design is etched 'Motto for the Manager', and (on a scroll) '"Reddere personae scit convenientia cuique" Hor'."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 37 x 33.2 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
England
Subject (Name):
Gay, John, 1685-1732., Edwards, Mrs., and Wilmot, Mrs., active 1788-1812.
Subject (Topic):
Actors and actresses, English, Clothing & dress, Tombs & sepulchral monuments, Prisons, and Cells (Rooms & spaces)
