Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., Polly portrayed by Lavinia Fenton., Ms. note in pencil Steevens's hand above print: £5.5.0; at top of print: 5., Ms. note beneath print in another hand in pencil: For Graphic illustrations of Hogarth ... its possession of Samuel Ireland, 1794, p. 58., and On page 233 in volume 3. Sheet trimmed to: 11 x 12.7 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., and Polly portrayed by Lavinia Fenton.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
"Mrs. Siddons as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Theater: actors in performance -- Literature: Richard Brinsley Sheridan, Pizarro, iii.3 -- Female costume: theater costume., Leaf 28 in an album with the spine title: Characatures by Dighton., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 22.3 x 17.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Siddons" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Siddons, Sarah, 1755-1831
Title from item., Date supplied by publisher., Place of publication derived from street address., Published in Le Charivari, ca. 1843-1844., Above image: Les Malades et les Médecins 25., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Theatre; Medical excuses.
Publisher:
Chez Pannier & Cie. Edit. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Excuses, Sexual harassment, Diet, Quacks and quackery, Actresses, and Physicians
An autograph letter signed from an itinerant actress Eleonora Garrell in a travelling theatre troupe, dated 13 December 1764 from the White Lion Inn in Halifax. An affectionate, teasing letter in which the writer reports on her employment with the "Scotch Company" and their meeting with a rival company "Mr. Whitley" in Leeds where they are both banned. She reports that she will be joining another company "Mr. Woodcock's" and reports about her ill-health
Description:
Surname may be Garrell?, In English., and For further information consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Farrell, Eleonora. and Whitley, James Augustus, ca. 1724-1781.
Read, Richard, approximately 1745-approximately 1800, printmaker
Published / Created:
[11 April 1778]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Anne Brown (later Cargill) as the character Louisa from Sheridan's comic opera 'The Duenna'; half-length, directed and looking three-quarters to right, smiling and lifting from her face with her left hand a voluminous veil, which covers her head and is draped about her shoulders and bosom; her right hand raised in front of her, with forefinger up; wearing low-necked dress with slashed sleeves, the cuffs trimmed with pointed lace, hair worn high; oval frame."--British Museum online catalogue
Description:
Title etched below image. and Laid in after page 192 in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. April 11, 1778, by J. Walker, No. 13, Parliament Street
Subject (Name):
Cargill, Ann, 1760?-1784, and Sheridan, Richard Brinsley, 1751-1816.
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
"Portrait of Anna Friedrike Heinel, in character; whole length, dancing, in costume; wearing layered skirt, bodice with garland, beads and feather in hair, and choker; after Brandoin."--British Museum online catalogue
Alternative Title:
Mlle Heinel in the character of a sultana and Mademoiselle Heinel in the character of a sultana
Description:
Title engraved below image., Printed on same sheet: The Pretty Savoyard girl., and Watermark: J Taylor.
Publisher:
Printed for R. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, as the act directs
