"Companion plate to British Museum Satires no. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires no. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires no. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Published circa November. See British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., Mounted on page 36 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; sheet 27.1 x 21 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
"Companion plate to British Museum Satires no. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires no. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires no. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Published circa November. See British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., and Watermark: J. Whatman.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
"Caroline Norton with Lord Melbourne on her lap, as a lamb with human head; watching them from behind a tree is Mr Norton as a ram with cuckold's horns. One of a number of satires in 1836 referring to the scandal of Lord Melbourne's relationship with Caroline Norton (1808-1877), the abused wife of George Norton, who cited Melbourne in court."--British Museum online catalogue
Description:
Title from text below image., Date of publication from the British Museum online catalogue, registration no.: 1868,0808.9512., and Printseller's label on verso: Sold by A. Lesage, Printseller & Framemaker, 21 Hanover Street, Edinburgh.
Publisher:
publisher not identified
Subject (Name):
Melbourne, William Lamb, Viscount, 1779-1848, Norton, Caroline Sheridan, 1808-1877, and Norton, George Chappele, 1800-1875
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A dying and aged man reclines in an arm-chair, facing his lawyer who is writing at a table, evidently on the will; beside him is a treasure-chest. A pretty young woman leans over the scarcely conscious man, taking his chin, while her lover, a young military officer wearing a cocked hat, watches her through an eye-glass from behind the curtains of a bed."--British Museum online catalogue
Alternative Title:
Will of her own
Description:
Title etched below image., Temporary local Medical Library subject terms: Bonaparte, Napoleon (1761-1821) -- Jaffa., and Probably a later impression from a worn plate, with some areas of aquatint lightly printed.
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Cuckolds -- Phrases: horned cattle (Cf. King's speech, Jan. 9, 17700 -- Eight-oared barge -- Gaff-rigged cutter -- Skiff -- Female dress: fan -- Farmyard -- Trades: applewoman -- Pets: English spaniel., and Watermark: Strasburg lily.
"The King, dead drunk and much dishevelled, is carried to bed by three fat and tipsy peeresses, wearing coronets; the foremost, who supports his legs, probably Lady Conyngham (cf. British Museum Satires No. 13847), says: "I'm as great as the Queen." The other two, one flourishing a candle, the other a full glass, sing: "We'll drown her in the bowl the bowl" [cf. British Museum Satires No. 12181]. Behind them is a table with decanters and a melon; a bottle is in the King's chair; broken bottles lie on the floor. On the right is the bed; in a chamber-pot are papers: 'The Queens Affair' and 'State Papers'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Later state; publisher's street address "24 Little St. Martins Lane" has been scored through and partially burnished from plate but is still legible at end of imprint statement. For an earlier state with unmodified imprint, see no. 14017 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Dec. 12, 1820, by John Marshall Junr
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
A pretty young woman sits on the knee of an officer (left) wearing a gorget and cocked hat. She looks over her shoulder to speak to her elderly husband who leaves the room (right) supported on crutches: "Pray my Dear go and speak to Sir John in the mean while the Captain & I will push the point in this Quarter." He answers: "I'll go this momment. now is the Golden instant so dont be Idle but exert yourselves to have the affair well done & quickly." Over the doorway is a stag's head with antlers. The captain says: "Thanks, Sir. I trust your good Lady will Succeed in her Undertaking
Description:
Title etched below image., Printmaker from British Museum online catalogue., State with street address '20 Strand' burnished from plate., and Mounted to 38 x 28 cm.
Publisher:
Pubd. Sepr. 24, 1802 by T. Williamson, London
Subject (Topic):
Adultery, Couples, Horns (Anatomy), Military uniforms, British, Sofas, and Spouses
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.
The fifth of a series of six scenes showing a courtship between two monkeys in human clothing. A second monkey dressed as a fine gentleman prepares to cut off the tail of the suitor as his paramour looks on with arms raised in distress
Description:
Title from caption below image. and Publication date from unverified data from local card catalog record.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Adultery, Envy, Gardens, and Revenge
"A fashionably dressed man rides a stag with the head and bust of a pretty young woman with dark ringlets and roses in her hair. A lean German runs after him, holding out a pair of large antlers, saying, O, ho! my-lor, here de Horn my-lor--she friget [sic] de horn, take dem, A, ha! par-blue, by Gar I vil have de damage. The rider, turning his head in profile, and warding off the gift, answers: No. No. Baron, you may keep them yourself, and welcome, the horns become you; my dear can do without them. The German wears flat fur cap with peak, tight fur-bordered coat. The other wears bell-shaped top-hat, blue frogged coat, and white trousers. His rein is a scarf inscribed £2,500 round his mount's chest. The animal, its hind-legs splashing the German with mud, reaches a high wall fringed with spikes, inscribed Bancus Regis, resembling that of the King's Bench prison, but here indicating the Court of King's Bench. On it, below a large inscription: Hunts Matchless Blacking [see British Museum Satires No. 15150] are many bills: [1] Coy of Sussex stolen or strayed a handsome Doe of the Roebuck breed, with black hair and scut, is supposed to be stolen by some poacher. Her owner a poor foreigner says her value is £10.000--. [2] Just Published--Crim Cram. [3] The Prodigal a New farce. [4] --Theatre, Chip of the Old Block or the Amours of one of the Peers. [5] Richmond Steam Boat the Venus with excellent accomodation & a high Poop:-- 16 Horse power. [6] Astley's, The Dejected Baron after which Mr Ducrow will manage His Celebrated Horse Pegassus. [7] Try Dr Eady [a notorious quack]. [8] Sermons By the Revd Mr Irvine. [9] Just Published, A Moral Lesson, or the Horn Book for the rising generation by a young lady."--British Museum online catalogue and "A satire on the suit of crim. con. brought by Michael Henry, Baron de Robeck, against Lord Sussex Lennox (1802-74). His wife, Mary Margaret, 2nd d. of Valentine Browne (who had married him in 1820 when under fifteen), married Lennox, Apr. 1828, on the dissolution of her first marriage."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably published by Thomas McLean, who was located at 26 Haymarket in 1827. See British Museum catalogue., Sheet trimmed within plate mark., and Matted to: 31 x 46.5 cm.
Publisher:
Pubd. July 1827 for the auther [sic], 26 Haymarket, London
Subject (Name):
Lennox, Sussex, Lord, 1802-1874. and Robeck, John Michael Henry Fock, Baron de, approximately 1790-1856.