Caricature of a coat of arms for Queen Caroline and Bergami with the central figure with a satyr's face, a hat "Caroline Bergami gratia -- Half a crown", and white robes richly decorated with scenes from their life on an escutcheon with Chastity and Innocence as supporters, all surrounded by rich red robes lined with ermine. The scenes include: Adam and Eve, two heads peeping from a tent, a scene with Bergami kneeling before the Queen leaning in to kiss, a plump Queen jumping up like a jack-in-the box, the two in costume dancing, the Queen riding an ass. Other suggestive decorative details include ostrich plumes, ribbons with medals engraved "Night of the Dunghill" (Bergami) and Knight of the Thistle with a shield "The Times ... Lies ... Bribery". At the base, Knight of the Bath with a scene with Bergami reaching towards the Queen in her bath above a medallion "Knight of St. Columbine and Penance" surrounded by a banner "My fancy's so free, I rove like a bee."
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Later state, with publication line corrected. For an earlier state with the day of publication etched twice, see Lewis Walpole Library call no.: 75 H89 821., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Caricature of a coat of arms for Queen Caroline and Bergami with the central figure with a satyr's face, a hat "Caroline Bergami gratia -- Half a crown", and white robes richly decorated with scenes from their life on an escutcheon with Chastity and Innocence as supporters, all surrounded by rich red robes lined with ermine. The scenes include: Adam and Eve, two heads peeping from a tent, a scene with Bergami kneeling before the Queen leaning in to kiss, a plump Queen jumping up like a jack-in-the box, the two in costume dancing, the Queen riding an ass. Other suggestive decorative details include ostrich plumes, ribbons with medals engraved "Night of the Dunghill" (Bergami) and Knight of the Thistle with a shield "The Times ... Lies ... Bribery". At the base, Knight of the Bath with a scene with Bergami reaching towards the Queen in her bath above a medallion "Knight of St. Columbine and Penance" surrounded by a banner "My fancy's so free, I rove like a bee."
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Early state, with day of publication etched twice in imprint statement. For a later state with "1st" altered to "the", see Lewis Walpole Library call no.: 821.05.01.05., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and 1 print : etching on wove paper, hand-colored ; sheet 26.5 x 21.7 cm.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and 1 print : etching with stipple on wove paper, hand-colored ; sheet 26.8 x 21.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
"Bedroom scene. A powerfully built man in greatcoat and top-boots throws a dandified youth out of a window, with stern concentration. The houses opposite, lit by a full moon, show that the ground is far below. The victim's head and shoulders are outside; he desperately clutches sash and sill, kicking violently. A terrified woman stands by the bed. Her huge bonnet hangs on the wall. In the struggle the dressing-table glass has been thrown to the floor, where it lies, with lighted candle and watch and seals. Stick, hat, and gloves are on the floor, the victim's hat and coat on a chair."--British Museum online catalogue
Description:
Title from caption above and below image., Publication date from British Museum catalogue. Cf. No. 14591 in the Catalogue of prints and drawings in the British Museum., and Watermark: J. Whatman Turkey Mill 1829.
"Two elderly men ('cits') stand submissively, while young wives hold large antlers to their foreheads. One (left) flourishes her husband's wig."--British Museum online catalogue
Description:
Title engraved below image., One line of text below title: "Very unhappy but it can't be help't." We were rather too old, brother, before we married. -vide the Progress of an Old Bachelor., One of the series of Laurie & Whittle drolls., Numbered '233' in lower right of plate., and Temporary local subject terms: Cuckolds -- 'Cits' -- Female dress, 1799 -- Male dress, 1799 -- Architectural details: panelled walls.
Publisher:
Published 12th July 1799, by Laurie & Whittle, No. 53 Fleet Street, London
Consequence of invading matrimonial rights & privileges
Description:
Title from caption below image., Four lines of verse below title: "These little quarrels often prove to be but new remits of love ...", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
Publisher:
Pubd. by Pyall & Hunt, 18, Tavistock Street
Subject (Topic):
Adultery, Couples, Fighting, Fishing, Fishing & hunting gear, and Wigs
A vertically divided bust portrait shows on the left the Prince of Wales, on the right Mrs. Robinson. On the far left, below the Prince's feathers, is the head of the despairing King; on the far right is Thomas Robinson, the "King of cuckolds" on whose extensive horns rests a tray with busts of Lord North, Charles Fox and Col. Tarleton
Description:
Title from item. and Publication date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830., George III, King of Great Britain, 1738-1820., Robinson, Mary, 1758-1800., North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., Tarleton, Lieutenant-General 1754-1833. (Banastre),, and Robinson, Mary, 1758-1800
"A young woman sits up in bed to pull the nose of a fat 'cit' who sits beside her, putting her left arm round his neck. His hat and stick lie on the ground. Behind (right) a young man in his shirt, wearing his hat and carrying shoes and coat, &c, slips from the room."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from British Museum catalogue., One of a series of "Drolls.", and Watermark: fleur-de-lis.
Publisher:
Published 1st May, 1790, by Robt. Sayer, Fleet Street, London
Subject (Topic):
Adultery, Beds, Floor coverings, Spouses, and Staffs (Sticks)
"The Prince of Wales (right), rising from his chair, kicks over a tea-table, the crockery sliding to the ground, and lying broken on the floor. The Princess sits on a settee on the opposite side of the table, her infant in her arms. She is comely, and melancholy, with downcast eyes, and plainly dressed except for the three feathers in her hair. Behind the Prince (right), Lord Jersey, with horns on his head, opens a door, pointing behind him to Lady Jersey, who lies on a sofa in an indecorous attitude. He says: "My Wife is waiting for you in the next room". The Prince grasps a document in each hand; the inscription on one has been erased, on the other (left) it is 'Thoughts on Despotism'. From his coat-pocket issues 'A Map of Jersey' (cf. BMSat 8807), under his feet are papers: 'Joe the Dustman', 'The History of Kings', 'Marriage a La Mode', 'The Tender Husband a Farce'. He says: "Marriage has no restraints on me! no Legal tie can bind the will - tis free & shall be so ------ " The Princess says: "Obey, Alass the Task's Seviere how can the Female Mind with pleasure yield when every look's a Frown!!! Alass poor Babe!!!" On the wall is a picture of the King and Queen on horseback, with a signpost pointing to Windsor, apparently copied from 'The Constant Couple', BMSat 6918, except that the Queen is in back view, her head turned to the King. On the frame: 'The little Wants, dislikes, preferences, antipathies, fancies, whims, & even impertinence of Women must be officiously attended to, flattered & if possible guesed at, and anticipated by a well bred Man.'"--British Museum online catalogue
Alternative Title:
Symptoms of love in high life
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Cuckold's horns -- Separation between the Prince and Princess of Wales -- Interiors: sitting rooms -- Dishes: tea service -- Furniture: sofa -- Pictures amplifying subject -- Footstools., Watermark: J Whatman., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. May 31, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
