"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 32.9 x 25.2 cm, on sheet 35.7 x 27.4 cm., and Mounted on leaf 64 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 46 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., Watermark: J. Whatman., and The ladies are identified in ink on the back of the print: Ldy. Cecilia Johnson, Mrs. Hobart, Ldy. Archer, Ldy. Edgcumbe.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
Plate [105] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Lady Jane Grey set against memorial altar and statue; portrait bust length to left; wearing French hood, necklace and brocaded dress; after H Holbein; to right, fire burning on plinth on which a scene of idolatory is carved; above, statue (Fortitude) pointing upwards; at foot of altar, sacrificial lamb tied up ready to be slaughtered."--British Museum online catalogue
Alternative Title:
Portrait of Lady Jane Grey, beheaded 1554, aged 17
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [105] in a volume bound to 50 cm.
Title from item., Date derived from printmaker's date of death., Place of publication derived from nationality of printmaker., Sheet trimmed around title., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Nurses & nursing; Religion & medicine., and In pencil above title: Maryet [or Marget?].
Publisher:
publisher not identified
Subject (Topic):
Medicine, Religious aspects, Catholic Church, Nuns as nurses, Physician and patient, Death, Dead persons, Hospital wards, Physicians, Grief, Nuns, and Altars
