An admission ticket to a performance on 30 November 1789 at Blenheim Palace in Oxfordshire, the residence of the Duke and Duchess of Marlborough. Such private theatricals at country houses became increasingly popular during the eighteenth century, with plays starting in earnest at Blenheim in 1786 and becoming so successful that a greenhouse was converted into a proper theater
Alternative Title:
Fourth night. Blenheim. Monday, November 30, 1789, will be performed ...
Description:
Letterpress ticket on card, printed on recto only. and Traces of glue on verso, probably formerly mounted in an album. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and Oxfordshire.
Subject (Name):
Conway, Henry Seymour, 1721-1795. and Burgoyne, John, 1722-1792.
Subject (Topic):
Aristocracy (Social class), Social life and customs, and Amateur theater
An admission ticket to a performance at Dalby Theatre 14 July 1803, the private playhouse of Edward Hartopp at his seat Little Dalby Hall in Leicestershire. Edward Hartopp's private theatricals seem to have been staged sporadically from 1777, becoming larger and more elaborate at the beginning of the nineteenth century
Description:
For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and Leicestershire.
Subject (Name):
Hartopp, Edward, 1758-1808. and Thomson, James, 1700-1748.
An admission ticket to a performance at Dalby Theatre 19 July 1803, the private playhouse of Edward Hartopp at his seat Little Dalby Hall in Leicestershire. Edward Hartopp's private theatricals seem to have been staged sporadically from 1777, becoming larger and more elaborate at the beginning of the nineteenth century
Description:
For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and Leicestershire.
Subject (Name):
Hartopp, Edward, 1758-1808. and O'Keeffe, John, 1747-1833.
A playbill recording a performance of Wild oats by John O'Keeffe (1747-1833) and Cross purposes by William O'Brien (d. 1815), on 19 July 1803 at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire. Edward Hartopp's private theatricals seem to have been staged sporadically from 1777, becoming larger and more elaborate at the beginning of the nineteenth century. Edward Hartopp, his son, Mr. Bilsborrow, and two of the Misses Hamilton are listed as performers
Description:
A playbill, including cast lists. and For further information, consult library staff.
Publisher:
Clementson, printer, Melton
Subject (Geographic):
England and Leicestershire.
Subject (Name):
Hartopp, Edward, 1758-1808., O'Keeffe, John, 1747-1833., and O'Brien, William, -1815.
Title from item., Handbill, on card stock., Verso blank., Printed card advertising a Regency private theatrical performance. A location of London is suggested by the identity of one of the performers. "Mrs. Weippart," Penelope Weippert, née Blane (-1846), wife of John Michael Weippart (1775-1831), harpist, was a professional actress connected with the Theatre Royal on the Strand., Signed at the end: Stage carpenter, Mr. Riordan., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Foote, Samuel, 1720-1777. and Colman, George, 1762-1836.
Two works in two separate hands, recording the orders and rules of a fictitious noble order created for ladies' amusement, presumably by someone well acquainted with the customs and using her knowledge to arrange a masque for the amusement of her circle of friends in the months leading to the coronation of George III, possibily at her home in Yorkshire. The first work entitled "The Order for the installation of one of the Ladies of the most noble Order of the Needle instituted in 1761" (pages 2-4) is followed by "The Rules of the most Noble Order of the Needle Instituted on July 25th 1761" (pages 4-8), both written in black ink
Description:
Miss Frankland remains unidentified but is likely a descendant of the family of Lady Elizabeth Russell Frankland (1666-1733), the granddaughter of Oliver Cromwell, and her husband Sir Thomas Frankland (1665-1726) of Thirkleby Park, North Yorkshire. Lady Frankland was the sister of John Russell (-1735), the stepfather of Mary Joanna Russell., Mary Joanna Cutts Revett Russell (1707-1764) was the daughter of Colonel Edmund Revett (-1709) and Joanna Thurlbarne Revett (-1764), the step-daughter of John Russell (-1735), and the wife of Lieutenant Colonel Charles Russell (1701-1754). The Russell family acquired Chequers, their family home in Buckinghamshire, through John Russell's 1715 marriage to Joanna Revett., In English., Titles from captions at the head of each of the two works., "By Miss F-nkl-d" on first page, upper right corner, suggests the author of the first manuscript, "The Order for the installation," as a member of the Frankland family., The second work is attributed to Mary Joanna Russell based on a manuscript also entitled "The rules of the most Noble Order of the Needle" in the British Library (Add MS 69390). The online record for that copy states that it was drawn up by Mrs. Russell for her daughter and nieces and their friends., One signature, sewn and unbound, with watermarked laid paper, horizontal chainlines; crowned watermark with lion rampant, countermark 'EH'. Pages with text are unnumbered; final 8 pages are blank., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820
Subject (Topic):
Coronation, Amateur theater, Masques, and Satire, English
An image of a semi-naked woman, paritally covered in drapery, flying amongst the clouds. In her left hand she holds a banner. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary manuscript note "Dalby Theatre. July 9th. The Castle spectre, with a farce call'd Transformed or no?". For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary ms. note: Dalby Theatre July 15. Isabella with Lovers quarrels. For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary ms. note: Dalby Theatre July 15. Romeo & Juliet with The commissary. For further information, consult library staff.
An image of a mad Medea [?], hair flowing and left breast bare, holding a dagger in her right hand and held above her head, posed read to strike. In her left hand she holds a chalice. There is a column to her left in the background. Used as a ticket for a production at Dalby Theatre, the private playhouse of Edward Hartopp (1758-1808) at his seat Little Dalby Hall in Leicestershire
Description:
With contemporary manuscript notes "21st July. Macbeth, with High life below stairs" on recto, and "Admission ticket, not transferable" on verso. For further information, consult library staff.
