King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial and "George IV leads a procession to the waterside to embark in the royal yacht, preceded by the Attorney-General with a 'Green Bag' [see No. 13735] under each arm, and a bottle of 'Milan Brandy' [see British Museum Satires No. 13755, &c.] in each hand. The latter, much caricatured and with a malevolent countenance, says: "The Tide is against His Ma--je--ty but should He be able to clear Cuckolds Point [cf. British Museum Satires No. 13769] no doubt he will easily weather Cape Horn." The King, wearing sailor's trousers, rollicks along between Lady Hertford and Lady Conyngham (see British Museum Satires No. 13847), arm-in-arm with both and looking towards the latter. He holds in one hand a purse inscribed '2/6', in the other a bottle: 'Decoction of Bergamy', and wears a long watch-ribbon inscribed 'Non mi ricordo' [see British Museum Satires No. 13827]. Both ladies carry reticules inscribed '2/6' [half a crown, cf. British Museum Satires No. 13826]. Lady Hertford: "I hope your Ma--je--ty will not forget your promise (when in Hertford) to take a peep in Y--amouth [sic] Roads--as the Sea breezes might be beneficial." Lady Conyngham: "Don't doubt us your Ma--je--ty we shall never be wanting to lend a Hand to raise the Royal G . . . e." Behind walk Sidmouth and Castlereagh, the latter wearing a triangular hat, holding a scourge and fetters and with a package inscribed 'Irish Wiskey Triangular Proceedings' [see British Museum Satires No. 14135] under his arm. Sidmouth carries a 'Royal Medecine Chest' under his arm, with a clyster-pipe (cf. British Museum Satires No. 9849) inscribed 'Portable Soup'; on his head is a commode-pan inscribed 'Stink Pot for the Radicals'. He says: "Take care of the Green Bags, Stow 'em safe-- for should the Sea Water touch them they'll rot sooner than is expected--and his Ma--je--ty would run the chance of loosing half a Crown" [see British Museum Satires No. 13826]. They are followed by Liverpool and Canning, both wearing, like the King, top-hats ornamented with crowns, to show they are the King's servants. Liverpool has a pen behind his ear and carries two bags, one inscribed 'Pursers Profits', the other 'Nip Cheese 75 Per Cent'. He says "one and one makes two. Canning carries a weathercock (cf. British Museum Satires No. 13737) and says: "A fine Breeze and we shall soon be out of the scent of Cotton Yard [see British Museum Satires No. 13824] theres a kind of Vapour gathering in that Quarter that's likely to be very offensive, unless the rubbish is shortly removed!!" In the foreground on the extreme left walks Sir William Curtis, in the sailor's dress of the Walcheren Expedition, see British Museum Satires No. 11353, &c. He has a vast paunch inscribed 'The Orphans Fund' [see British Museum Satires No. 13706] and 'Blubber', and carries a large turtle, a knife, and a long spoon. He says: "Who so blythe so blythe as we to take a voyage a voyage to Sea Along with his great Ma--j--ty." Behind is a man carrying on his head a basket of kitchen 'Stores': gridiron, kettle, &c. The yacht 'Royal George' is in the background (right), flying the Royal Standard and with sailors in the rigging."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Curtis," "Liverpool," "Sidmouth," "Londonderry," "Hertford," "Conyngham," and "Eldon" identified in ink below image; date "Sept. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by E. Pritchard, Islington Green
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Gifford, Robert Gifford, Baron, 1779-1826, Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Curtis, William, Sir, 1752-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Curtis, William, Sir, 1752-1829., George IV, King of Great Britain, 1762-1830., Gifford, Robert Gifford, Baron, 1779-1826., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., and Sidmouth, Henry Addington, Viscount, 1757-1844.
"Satire on George IV who greets Lady Conygham as she draws up in a carriage beside his cottage at Windsor."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 25 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Lady Conyngham" identified in pencil at bottom of sheet; figure of "Geo. IV" identified in ink below image. Date "20 Nov. 1820" written in ink in lower right corner.
Publisher:
Pubd. Novr. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
Windsor Great Park (England)
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Plate [171] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Chapter title-page to Bowyer's edition to Hume's 'History of England'; James II stepping into a boat on the left, at night, with one of the boatmen holding a flaming torch, while the abdicating king looks back over his shoulder at the group seeing him off."--British Museum online catalogue
Alternative Title:
Flight of James the Second and Flight of James II
Description:
Title from text above image., Sheet trimmed within plate mark on three sides., and Plate [171] in a volume bound to 50 cm.
Queen Caroline walks down a plank balanced between a jolly boat and the shore; she is assisted by her son-in-law Prince Leopald, dressed in black. A cheering crowd stands on the beach, waving their hats in the air, behind an officer who tips his hat at the Queen. Sailors push the boat onto the shingle while a ship called "Prince Leopold" (in reference to her son-in-law) is anchored in the distance
Description:
Title etched below image., Related to George Cruikshank vignette entitled "Queen Caroline landing at Dover" on the title page for: Nightingale, Joseph. Memoirs of Queen Caroline. London: J. Robins & Co. Albion Press, 1820., and Framed to 34 x 44 cm.
Publisher:
W.B. Walker
Subject (Geographic):
Great Britain. and Belgium.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Divorce, Arrivals & departures, British, Sailors, Ships, Queens, and Kings
Heading to printed verses. George IV has just come ashore, with a boat seen on the coast behind him and the royal yacht out in the water beyond; he carries a scepter in his right hand a large green bag on his back, the ties of which resemble antlers or horns above his head. A group of men with donkey ears greet him on the left; one man holds a flag showing two cows, and another a long document with the heading "Cows." Behind the King, on the right edge of the design, three men in uniform look on.
Description:
Title printed in letterpress below image., Date from manuscript annotation beneath lower right corner of image., Sheet trimmed within plate mark., Eight stanzas of verse in three columns below title, in letterpress: Pity the sorrows of a poor old man, Whose gilded yacht has borne him to your shore ..., Four lines of text, printed in italics, at bottom of third column: The above stanzas were lately picked up on the shore near Cowes. The lines that are left out were illegible, apparently from the manuscript, which was torn, having been used in keeping a pair of refractory whiskers in good order., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 75 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil below image; date "1821" written in ink beneath lower right corner of image.
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Moss, Thomas, 1738 or 1739-1808.
Subject (Topic):
Adultery, Arrivals & departures, Scepters, Bags, Boats, Yachts, Flags, and Military uniforms
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", and Mounted on page 25 of: Bunbury album.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", Mounted on page 35 of: Bunbury album., 1 print : stipple engraving with etching in sepia ink on laid paper ; circular image 30.5 cm, on sheet 40.9 x 36.4 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Plate [129] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Chapter title-page to Bowyer's edition to Hume's 'History of England'; James I on horseback, approaching from the left with courtiers behind him, and town representatives and populace crowded on the right"--British Museum online catalogue
Alternative Title:
Entry of James the First into London
Description:
Title from text above image., Sheet trimmed within plate mark on three sides., and Plate [129] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
