publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Alternative Title:
Pug's graces etched from his original daubing
Description:
Title etched below image., A satire on Hogarth by Paul Sandby., The number '3' in the imprint is etched backwards., Eleven lines of verse in two columns separated by a vignette below title: Behold a wretch who nature form'd in spight ..., Without letterpress on verso., Later state, with the key at the bottom containing eleven items. Cf. No. 3242 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and On page 289 in volume 3. Sheet trimmed to: 23.1 x 22.7 cm.
publish'd according to act of Parliamet [sic] 1753-4.
Call Number:
754.00.00.02.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Pug's graces etched from his original daubing
Description:
Title etched below image., A satire on Hogarth by Paul Sandby., The number '3' in the imprint is etched backwards., Eleven lines of verse in two columns separated by a vignette below title: Behold a wretch who nature form'd in spight ..., Without letterpress on verso., Later state, with the key at the bottom containing eleven items. Cf. No. 3242 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Window mounted to 39 x 29 cm.
Copy of Hogarth's self-portrait: Round frame with artist's implements
Description:
Title etched below image., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand centered above this print and one to right: See Mr. Nichols's book, 3d. edit. p. 297., and On page 147 in volume 2.
Publisher:
Publish'd according to act of Parliament by R. Sayer opposite Fetter Lane
"The Prince of Orange (left), dressed like a Dutchman in (English) caricature, kneels with arms extended imploringly at the feet of Princess Charlotte (a good portrait). He wears Apollo's wreath, decorated with small oranges, before him is his clumsy flower-pot hat, containing a paper: 'Rules for the game of ye Dutch Pins' (ninepins); beside this is a Jews' harp, a degraded form of Apollo's lyre. His breeches are enormously bulky, and a tobacco-pipe projects from a pocket. He sings: "Lovely Maid, assuage my Anguish! At your feet your true love sighs; Do not let your Dutchman languish, If you frown, alas he dies!" She answers, pointing to his breeches: "From what I feel, and what I see, There's nought about you that bewitches; Unless indeed a charm may be In a Dutchman's great big breeches!!!" She stands beside a table (right) at which she has been sitting. On this are her painting materials, pencil, brushes, cakes of water-colour, porcelain palette, and jar of water, with an open box. Her painting is on a sloping board: a fat Dutchman trudges off, a bundle at his back, in the direction of a sign-post pointing 'To Holland'; he grasps his head despairingly. Behind the Prince a French window with draped curtains gives on to a small balcony. By the window are flowering plants in a jardinière; a sofa stands against the wall; a patterned carpet completes the design."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. June 29, 1814, by Wm. Holland, 11 Cockspur St.
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, William II, King of the Netherlands, 1792-1849, Charlotte Augusta, Princess of Great Britain, 1796-1817., and William II, King of the Netherlands, 1792-1849.
"The artist in his studio scratching his head perplexed by a landscape composition."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum online catalogue, registration no.: 1998,1108.13., Sheet trimmed within plate mark, with some loss of portions of the text., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. Aug. 30, 1812, by T. Palser, Bridge Road, Lambeth
Subject (Topic):
Painters (Artists), Artists' studios, and Artists' materials
The figure of an artist in profile made from various artists' tools: the head is an artist's palette, paint brushes from a painter's box his hat, etc
Description:
Title from caption below image., Two lines of verse below title: On mind & matter there has been a great schism and here's the doctrine of materialism. T. H., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1824.
Publisher:
Published July 1, 1828 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Artists' materials, Artists, Palettes, and Arcimboldesque figures
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire on Hogarth, shown as a devil fanning the fire at the mouth of hell
Description:
Title from item., Printmaker identified in British Museum catalogue., Sheet trimmed to plate mark., Two columns of verse below image, beginning with title: The fly machine for Scotland performd if God permit by Briton. Places taken at the sign of the Treasury. --heep coals of fire on his head and the Lord with reward thee ..., Temporary local subject terms: Mouth of Hell --Engraving tool -- Brooms -- Newspapers: The Auditor ; The Briton -- Slang: coal, i.e., money., and On page 292 in volume 3. Sheet trimmed to: 25.8 x 18.3 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Howard, H. (Henry)
Subject (Topic):
Artists' materials, Bellows, Demons, Devil, Hell, and Slang
