Satire on Hogarth, shown as a devil fanning the fire at the mouth of hell
Description:
Title from item., Printmaker identified in British Museum catalogue., Sheet trimmed to plate mark., Two columns of verse below image, beginning with title: The fly machine for Scotland performd if God permit by Briton. Places taken at the sign of the Treasury. --heep coals of fire on his head and the Lord with reward thee ..., Temporary local subject terms: Mouth of Hell --Engraving tool -- Brooms -- Newspapers: The Auditor ; The Briton -- Slang: coal, i.e., money., and Window mounted to 39 x 28 cm., mounted again to 44 x 33 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Howard, H. (Henry)
Subject (Topic):
Artists' materials, Bellows, Demons, Devil, Hell, and Slang
A young Macaroni with an elaborate wig and enormous bow at his neck sits in an artist's studio as his portrait is painted by an artist, a caricature of Richard Cosway R.A., with an equally elaborate hair style. Both are fashionably dressed. The artist sits at his easel, his hand filled with paint brushes and an palette; the canvas faces the viewer so that the portrait is visible. On the wall in the background are two portraits, one of another dandy and one of a woman in an elaborate hat; the paintings hang on either side of a round mirror
Alternative Title:
Billy Dimple sitting for his picture
Description:
Title from item., Engraved by Earlom after drawing by Dighton. See British Museum catalogue., Later state, with altered imprint statement and added plate numbering. For an earlier state with the imprint "Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London, published as the act directs, 25 Sepr. 1772", see Lewis Walpole Library call no.: 772.09.25.01.1+, Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1792. See: Plomer, H.R. Dictionaries of the printers and booksellers., Plate numbered '257' in lower left corner., Temporary local subject terms: Furnishings: round mirror -- Portrait paintings -- Artist's implements: palette and brushes., and Watermark.
Publisher:
Printed for Bowles & Carver, Map & Printsellers, No. 69 in St. Pauls Church Yard, London
A full-length image of an artist whose body is composed of artists' tools: his legs are formed form those of an easel, his torso is covered (formed by?) a pallette, a box filled with paint brushes form his hat. The figure walks in a park, a milestone on the left reads: IV Miles from Hyde Parck
Description:
Title from item. and Subject identified on verso in an unknown hand as Hogarth.
Publisher:
publisher not identified
Subject (Topic):
Arcimboldesque figures, Artists, and Artists' materials
Title etched below image., Publication date inferred from the earliest issue of the periodical for which this plate, originally published without title and statement of responsibility in 1763., Cf. No. 4086 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Window mounted to 19 x 25 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764 and Churchill, Charles, 1731-1764
Title from text engraved around image., Printmaker's name in scratch-proof letters., Place of publication based on printmaker's known place of business., and Tim Bobbin is a pseudonym of John Collier.
Publisher:
publisher not identified
Subject (Name):
Bobbin, Tim, 1708-1786, and Bobbin, Tim, 1708-1786.
Subject (Topic):
Artists' materials, Artists' brushes, and Palettes
Caricatured portrait of William Hogarth. An ugly boy wearinga fool's cap and bells and dressed in a girl's clothes is seated in a chair painting Hogarth's portrait of John Wilkes. He is seated before an easel in mid-stroke painting the image of John Wilkes holding the Cap of Liberty; he holds a paint brush and palette in his hands as he turns to talk to a gentleman leaning against the artist's chair (right foreground). Under the chair is Hogarth's dog Trump. In the background is a caricature of Hogarth's "Sigismunda" being a grotesque skiethc of Mrs. Hogarth and with an indecent suggestion
Alternative Title:
Wm. Hogarth Esqr and William Hogarth Esquire
Description:
Title engraved above image., Note below image: Drawn from the life & etch'd in aqua-fortis., Original drawing has been ascribed to Paul Sandby., Sheet trimmed to plate mark., and On page 294 in volume 3. Sheet trimmed image with all text except title: 30.9 x 22.5 cm.
Publisher:
Publish'd according to Act of Parliament by J. Pridden in Fleet Street
Subject (Name):
Wilkes, John, 1725-1797, Hogarth, William, 1697-1764, and Hogarth, Jane Thornhill, 1709?-1789
Subject (Topic):
Artists' materials, Dogs, Painters (Artists), Liberty cap, and Legislators
Caricatured portrait of William Hogarth. An ugly boy wearinga fool's cap and bells and dressed in a girl's clothes is seated in a chair painting Hogarth's portrait of John Wilkes. He is seated before an easel in mid-stroke painting the image of John Wilkes holding the Cap of Liberty; he holds a paint brush and palette in his hands as he turns to talk to a gentleman leaning against the artist's chair (right foreground). Under the chair is Hogarth's dog Trump. In the background is a caricature of Hogarth's "Sigismunda" being a grotesque skiethc of Mrs. Hogarth and with an indecent suggestion
Alternative Title:
Wm. Hogarth Esqr and William Hogarth Esquire
Description:
Title engraved above image., Note below image: Drawn from the life & etch'd in aqua-fortis., Original drawing has been ascribed to Paul Sandby., and Sheet trimmed to plate mark.
Publisher:
Publish'd according to Act of Parliament by J. Pridden in Fleet Street
Subject (Name):
Wilkes, John, 1725-1797, Hogarth, William, 1697-1764, and Hogarth, Jane Thornhill, 1709?-1789
Subject (Topic):
Artists' materials, Dogs, Painters (Artists), Liberty cap, and Legislators
An invitation to accompany the Society of Painters at St Lukes Feast on Thursday 24 November, 1687 in Painter Stayner's Hall; with a cartouche illustrated with an allegory of the arts with painting in the center, with winged Fame holding a laurel crown In the top corners are emblems of painting and architecture and on the bottom, drawing (disegno) and sculpture as a putto
Alternative Title:
Sr., you are desired to accompany the Society of Painters ... and Sir, you are desired to accompany the Society of Painters ...
Description:
Title from item., Artist from manuscript annotation on earlier state in the British Museum., Later state of the plate, with alterations to allow the invitation to be used for a variety of events; portions of the engraved text have been removed to create spaces for manuscript additions. For an earlier state with engraved text specific to a St. Luke's Feast on 24 November 1687, see British Museum online catalogue, registration no.: 1977,U.1223., Date from British Museum online catalogue., and Mounted on board to: 39 x 30 cm. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Worshipful Company of Painters.
Subject (Topic):
Allegories, Artists' materials, Angels, Artists, and Putti
Churchill (right) in the form of a huge bear, wearing clerical neck-bands, as in Hogarth's "The Bruiser", turns a snarling fiercely at a small dog (Hogarth) like his Trump. The bear has one raised paw and the other rests on a piece of paper entitled "Epistle to Wm. Hogarth", beside a pen and ink well. The dog barks back at the bear, his front paws rest on an artist's palette with the words "Line of beauty" written across it. Etching in the left background, are the words "Pannel Painting."
Alternative Title:
Poet and the painter
Description:
Title and date from British Museum catalogue., Additional title from local card catalog., Sheet trimmed to plate mark., and On page 291 in volume 3.
Publisher:
publisher not identified
Subject (Name):
Churchill, Charles, 1731-1764 and Hogarth, William, 1697-1764
Title from description in the British Museum catalogue for the original version of the print., Publication date based on an adverstisement of the series in Robert Sayer's catalog for 1766. See no. 1858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Slightly reduced copy in reverse, without attribution and with different verses, of a print published ca. 1730. Cf. No. 1863 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: Now gentlemen - see, here's a piece! I hope you'll all bid up for this, two guineas, thirty shillings, twenty sure gentlemen, that will content ye ..., and Temporary local subject terms: Paintings: Anthony Van Dyck, 1599-1641 -- Paintings: Adriaen van de Velde, 1636-1672, or Cornelius van de Velde, 1699-1729 -- Lighting: trident-like torch -- Reference to South Sea Company -- Reference to East India Company -- Artist's implements: palette and brushes -- Lions -- Monkeys -- Bulls -- Cats -- Sheep -- Goats.
Publisher:
publisher not identified
Subject (Topic):
Art auctions, Auctioneers, Jewelry, Paintings, Torches, and Artists' materials
