"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from text above image., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, After Jefferyes Hamett O'Neale? See British Museum online catalogue., and On page 294 in volume 3. Sheet trimmed to: 32 x 21 cm.
Publisher:
Now showing away at Sumpters political theatrical booth facing St. Brides Church, Fleet Street. No more than sixpence a pass, my masters
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from text above image., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, After Jefferyes Hamett O'Neale? See British Museum online catalogue., Manuscript notes in Bowditch's hand on second mount., and Mounted twice.
Publisher:
Now showing away at Sumpters political theatrical booth facing St. Brides Church, Fleet Street. No more than sixpence a pass, my masters
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
Title etched below image., Printmaker from British Museum catalogue., False imprint?, Sheet trimmed to plate mark., and "Price 1s. done from [the] French"--Following title.
Publisher:
Avec priuilege du Roy
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
An artist with a crazed look on his face paints at his easel the picture of Hebrew prophet (?) with wild hair and clenched fists. The artist is only half-dressed, his foot in the contents of an overturned chamber pot. He is surrounded by other pursuits of genius: a violin, scientific and medical equipment, a Roman bust, a French horn, a pile of books, etc. On the wall are three drawings: an air balloon, a dancer, and a portrait of Peter Jesta. He sits at the foot of a bed where his pretty wife sleeps peacefully, unaware that her young child is pouring out wine into a glass while a slightly older child sits with bellows before a stove, the spout of a kettle dangerously aimed in her direction
Description:
Title etched below image., Two lines of verse below title: Want is the scorn of every wealthy fool, and genius in rags is turn'd to ridicule. Juvl. Satires., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 2nd, 1812, by T. Rowlandson, N. 1 James Street, Adelphi
Burgess, Thomas, approximately 1730-1791, printmaker
Published / Created:
[1754?]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
Description:
Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and On page 295 in volume 3. Formerly dated "1762" in local card catalog.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
Subject (Topic):
Artists, Journalists, Supernatural beings, and Peacocks
Burgess, Thomas, approximately 1730-1791, printmaker
Published / Created:
[1754?]
Call Number:
754.00.00.03
Image Count:
1
Resource Type:
still image
Abstract:
Satire on the conflict between artists campaigning for a public academy and those who were opposed. William Hogarth (A), shown as the leader of the latter group, rides a peacock. He is followed by (B) probably intended for the journalist Bonnell Thornton, dressed as Mercury, holding a paper lettered "Sr by G[o]d they laugh at us", and (C) Thomas Burgess, a young artist "who etch'd the Club of Artists" [BM Satires 3278]; (D) consists of a group of young followers sheltering behind the peacock's tail. Opposite them stands another group, a "New Club", led by (E) the "Chairman" holding a gavel, probably Francis Hayman, and (F) an older man holding a candle described as a "comic Poet study'd Painter and Chapman". Behind them stand (G), "a Swiss Operator", (H) "a great Projector", (I) "Toast Master General" and others only partly visible; those at the back of this group have peacock feathers in their hats. On the ground between the groups sits (T) "a late Author & Publisher of Scandal". To the right, a child (U) holding a lantern has climbed a tree in search of "Impartiality". Above flies Fame (W) "inspiring the Heros". A zodiacal arc on the left includes a pair of clasped hands (a symbol for mutual trust) lettered "Unknown"."--British Museum online catalogue
Description:
Title etched above image., Date from British Museum catalogue is "1762", but the British Museum online catalogue comments (April 2022) suggests 1754 as a more likely date of production., "P. 6d.", Lettered with title above and ten lines of description in lower margin, ending 'Sing Tantararara'., Sheet trimmed to plate mark., and Contemporary inscription in lower margin identifies Hogarth as the subject: Hogarth is here introduced with many [illegible].
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764, Burgess, Thomas, approximately 1730-1791, Hayman, Francis, 1708-1776, and Thornton, Bonnell, 1724-1768
Subject (Topic):
Artists, Journalists, Supernatural beings, and Peacocks
A copy after the 1734 print from a design by W. Hogarth. The artist Jonathan Richardson, seated at a table, looks through a telescope that is aimed at the bare bottom of his son who stands on the table before him. Through his son the father looks at a volume of "Virgil [A]enid" which lies open on the shelf above. With his right hand he writes with a quill pen on a sheet of paper with the heading 'Note'. On the other shelves along the wall are paintings and small statuary; on the wall below the shelves is a portrait of Milton. On the floor in the lower right edge is an artist's palette and an easel. A dog jumps and barks at the son's feet
Alternative Title:
Complicated Richardson
Description:
Title from caption above image., Signed within image: WH f. [i.e., Wm. Hogarth fecit]., Text below image: "I know well enough my eye is no eye at all. I must apply to my telescope. My son is my telescope, tis by his help I read [the] learned languages.", Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. i, p. 86., Ms. note in pencil in Steevens's hand above print: £14-0--0., and On page 233 in volume 3. Sheet trimmed to: 19.7 x 12.6 cm.
A copy after the 1734 print from a design by W. Hogarth. The artist Jonathan Richardson, seated at a table, looks through a telescope that is aimed at the bare bottom of his son who stands on the table before him. Through his son the father looks at a volume of "Virgil [A]enid" which lies open on the shelf above. With his right hand he writes with a quill pen on a sheet of paper with the heading 'Note'. On the other shelves along the wall are paintings and small statuary; on the wall below the shelves is a portrait of Milton. On the floor in the lower right edge is an artist's palette and an easel. A dog jumps and barks at the son's feet
Alternative Title:
Complicated Richardson
Description:
Title from caption above image., Signed within image: WH f. [i.e., Wm. Hogarth fecit]., Text below image: "I know well enough my eye is no eye at all. I must apply to my telescope. My son is my telescope, tis by his help I read [the] learned languages.", and Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. i, p. 86.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The design is surrounded on the upper and side margins by a festooned curtain; from this, in the upper corners, smiling heads look out supporting a chain of prints, small copies of plates in the volume, overlapping one another. These form a border to the central figure, who stands, like a showman, addressing the spectator, arms extended, opera-hat in his right. hand. He resembles the man who stands chapeau-bras in British Museum satire No. 10889. Behind him (left and right) stand six grinning figures, men and women, who listen to him. All seven are grotesque figures with large heads, typical of Woodward's 'Lilliputians' (cf. Museum Satire No. 9635). He says (the words etched above his head across the centre of the design): "Ladies and Gentlemen having compleated the first volume of the Caricature Magazine I am desired in the names of the Proprietors. Publisher Artists &c. as also from myself and large-long [see British Museum Satire No. 10604, &c], and small headed Bretheren to return you our sincere thanks for the kind reception we have experienced, in this the commencement of our exertions, and at the same time to assure you that neither pains nor expence shall be spared to merit your future patronage, you are requested to be as early as possible in giving your orders for the first number of the second volume, for the present Ladies and Gentlemen we most respectfully take our Leave." At the base of the design, flanking a tablet on which the title is etched in small letters are (left) ink-stand, book: 'Sketches from Nature', and a rolled print or drawing. On the right are painting materials: palette, with brushes, and mahl-stick, small bags of (powdered) colour, porte-crayon, and another print or sketch. ..."--British Museum online catalogue
Alternative Title:
Ladies and gentlemen, having compleated the first volume of Caricature magazine ...
Description:
Title etched below image., Printmaker from British Museum catalogue., Design incorporates small representations of prints included in the Caricature magazine; see British Museum catalogue for identifications of the depicted prints., Central figure is most likely a caricature of G.M. Woodward., Tailpiece to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Sheet trimmed within plate mark on bottom edge., Watermark: Basted Mill., and Leaf 99 in volume 1.
Publisher:
Published 1st Septr. 1807 by Thos. Tegg, 111 Cheapside
Subject (Name):
Woodward, G. M. approximately 1760-1809 (George Moutard),
