An invitation to accompany the Society of Painters at St Lukes Feast on Thursday 24 November, 1687 in Painter Stayner's Hall; with a cartouche illustrated with an allegory of the arts with painting in the center, with winged Fame holding a laurel crown In the top corners are emblems of painting and architecture and on the bottom, drawing (disegno) and sculpture as a putto
Alternative Title:
Sr., you are desired to accompany the Society of Painters ... and Sir, you are desired to accompany the Society of Painters ...
Description:
Title from item., Artist from manuscript annotation on earlier state in the British Museum., Later state of the plate, with alterations to allow the invitation to be used for a variety of events; portions of the engraved text have been removed to create spaces for manuscript additions. For an earlier state with engraved text specific to a St. Luke's Feast on 24 November 1687, see British Museum online catalogue, registration no.: 1977,U.1223., Date from British Museum online catalogue., and Mounted on board to: 39 x 30 cm. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Worshipful Company of Painters.
Subject (Topic):
Allegories, Artists' materials, Angels, Artists, and Putti
20 demons teasing me, Vingt démons me turlupinant, and Twenty demons teasing me
Description:
Title in English and French from "Five Hundred Years of Medicine in Art"., Place of publication derived from artist's place of residence., Artist's name and date etched in plate at top center., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and "James Ensor 1895" in pencil at lower right. Title in pencil verso.
Group portrait of nine men seated around a table set with fruit and decanters; they are served by a black page. Boswell is on the left, with Johnson to his right talking to Edmund Burke; Reynolds is seated across from Johnson and listens with a trumpet to his ear. Garrick to the left of Reynolds faces the viewer, while Pasquale Paoli to his left observes Johnson conversing at the far end of the table. Charles Burney across from Paoli also follows the same conversation, as he rests his right hand on his chin. Next to Paoli, Warton leans toward Oliver Goldsmith who sits at the head of the table on the right; Warton holds his hand up towards his mouth as if to keep his words confidential. The room is richly decorated with a Japanese screen on the right, curtains, a miniature portrait, and a portrait bust on a pedestal on the left; Reynolds' pictures of Puck (Mannings 2142) and the Infant Academy (Mannings 2092) hanging on the wall and a bright chandelier hangs above the table
Description:
Title from later state in the British Museum., Also etched below is a facsimilie the nine individuals' signatures., and Tear badly repaired with tape, lower right corner. For further information, consult library staff.
Publisher:
Published July 1st 1848 by the proprietors Wm. Walker, 64 Margaret St., Cavendish Sqre., & Owen Bailey, 128 Seymour St. Euston Sqre
"Double portrait of the ladies Yorke after Reynolds (Mannings 1956); as children, whole-length to front, in garden beside sphinx on pedestal; Lady Annabel Grey standing at left with dove perched on her right hand, Lady Mary Jemima running towards her holding another dove, dog at her heels."--British Museum online catalogue
Alternative Title:
Ladies Yorke and Two daughters of Philip Yorke Viscount Royston and the Marchioness of Grey, 1761
Description:
Title and publisher from British Museum description., Title, imprint, and date from Smith: Ladies Yorke., Sheet trimmed with loss of imprint., Description based on imperfect impression; sheet trimmed within plate mark resulting in probable loss of imprint. Bottom corners trimmed at an angle., and With title added in Horace Walpole's hand below image: "The two daughters of Philip Yorke Viscount Royston and the Marchioness of Grey, 1761." Also added in his hand are the names of the two girls below each portrait: "Lady Annabella married Lord Polwarth" and Lady Mary married Lord Grantham."
Publisher:
Publish'd accordg. to act of Parliament by Ed. Fisher in Great Newport Street, Leicester Square
Subject (Name):
Grantham, Mary Jemima Robinson, Lady, 1757-1730, and De Grey, Amabel Hume-Campbell, Countess, 1751-1733,
Drawing of Edward Courtney, first Earl of Devonshire, standing in front of a ruined tower
Description:
Title supplied by cataloger., Drawing that was later used for an engraving published in: Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v.1, opp. p. 128., The engraving which is based on this drawing states: "from an original by Sr. Antonio More at the Duke of Bedford's at Woburn." Cf. Anecdotes of painting., and George Vertue, English artist, 1684-1756.
Drawing of Francis Cleyn, formerly Franz Klein, painter and tapestry designer born in German and raised at the Danish court. After travelling in Italy, he moved to England in 1623 and worked in the Court of Charles I.
Alternative Title:
Francis Cleyn
Description:
Title supplied by cataloger., Drawing that was used as a basis for an engraving of Cleyn in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 127., and George Vertue, English artist, 1684-1756.
"Portrait of George Morland; half length, to the left, holding drawing of woman, head turned to look at viewer; after Muller; illustration to Cunningham's 'Lives of the Painters' (London: 1830)."--British Museum online catalogue, description of published state
Description:
Title from published state., Artist and printmaker from statements of responsibility on published state: Robt. Muller ; W.C. Edwards., Proof before letters. For the published state with the imprint "London, Published by John Murray, Albemarle St., 1830," see British Museum online catalogue, registration no.: 1927,1126.1.30.58., Proof state of a plate from: Cunningham, A. The lives of the most eminent British painters, sculptors, and architects. London : J. Murray, 1830-39 (v. 2, opposite page 222)., Window mounted to 51 x 36 cm., and Mounted before page 687 (leaf numbered '130' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Plate lettered in the top center 'H': Reverse copies of details from figures from the lower right corner of Hogarth's "Beer Street". Numbered 1: Two fisherwomen, one with a large basket of fish on her head, read a sheet titled "A new ballad on the herring fishery by Mr. Lockman"; 2. A sign painter smiles as he dips his brush in the paint on his palette; the edge of the sign visible upper left
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Drawing of Hendrick Cornelisz Vroom (1566-1640), Flemish born painter who worked briefly in England. Best known for his marine painting and designs for tapestries illlustating the great English naval victories of 1588 over the Spanish Armada
Alternative Title:
Hendrick Cornelius Vroom
Description:
Title and artist from engraving based on this drawing, in Anecdotes of painting in England. Engraving by T. Chambars identifies artist as: Is. Oliver pinxt., Slight corrects in brown ink., Drawing that was used as a basis for an engraving of Vroom in: Anecdotes of painting in England / by Mr. Horace Walpole. Strawberry-Hill : Printed in the year MDCCLXIII, [1763], v. 1, opp. p. 144., and George Vertue, English artist, 1684-1756.
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and On page 184 in volume 2. Sheet trimmed to: 40 x 34.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
