Charles James Fox, brandishing a whip, is depicted riding the old White Horse of Hanover into a ravine, with the words "Aut Cromwell aut nihil...", a saddle bag labelled "enjoyments" before him, and a basket behind, labelled "hopes and expectations" which contains George III's head on a pike, a crown pierced by a sword, and a torn Magna Carta. Refers to Fox's alleged sympathies with French and Spanish interests
Description:
Title from item. and Printmaker from British Museum catalogue.
Publisher:
Pubd. June 3d, 1783, by J. Williams, Strand, No. 227
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and George III, King of Great Britain, 1738-1820
Subject (Topic):
Politics and government, Horseback riding, and Clothing & dress
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The guests sit at a long narrow table which stretches across a magnificent room with an ornate ceiling and chimney-piece flanked by draped canopies resembling high curtained beds with domed testers. Two men and a pretty young woman serve wine, one drawing a cork, the others spilling wine over the guests. Another slatternly waiter removes a soup-tureen, spilling its contents in the face of an elderly guest. A woman and a little girl with a begging dog play tambourine and triangle. The women diners are in full dress, decolletee and with feathers in their hair; some of the men wear bag-wigs. There are two monks, and some ill-bred gormandizing is going on. In the foreground is a large cluster of bottles inscribed 'Frotignac [sic]', 'Claret', 'Burgundy', 'Bla . .', 'Ro . . Vin de Paris'. The figures are caricatured, except for the young women. The scene is a combination of pomp with confused disorder, and of noisy joviality with self-centred gormandizing."--British Museum online catalogue, description of an earlier state
Alternative Title:
French ordinary in Paris
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information based on earlier state with the imprint "Pubd. May 30, 1810, by Thos. Tegg, 111 Cheapside, London." Cf. No. 11625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "20" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Companion print to: Paris dilligence., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 188., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Sheet trimmed within plate mark on bottom edge., and Leaf 19 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The guests sit at a long narrow table which stretches across a magnificent room with an ornate ceiling and chimney-piece flanked by draped canopies resembling high curtained beds with domed testers. Two men and a pretty young woman serve wine, one drawing a cork, the others spilling wine over the guests. Another slatternly waiter removes a soup-tureen, spilling its contents in the face of an elderly guest. A woman and a little girl with a begging dog play tambourine and triangle. The women diners are in full dress, decolletee and with feathers in their hair; some of the men wear bag-wigs. There are two monks, and some ill-bred gormandizing is going on. In the foreground is a large cluster of bottles inscribed 'Frotignac [sic]', 'Claret', 'Burgundy', 'Bla . .', 'Ro . . Vin de Paris'. The figures are caricatured, except for the young women. The scene is a combination of pomp with confused disorder, and of noisy joviality with self-centred gormandizing."--British Museum online catalogue, description of an earlier state
Alternative Title:
French ordinary in Paris
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information based on earlier state with the imprint "Pubd. May 30, 1810, by Thos. Tegg, 111 Cheapside, London." Cf. No. 11625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "20" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Companion print to: Paris dilligence., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 188., 1 print : etching on wove paper, hand-colored ; sheet 25 x 38 cm., and Imperfect; sheet trimmed within plate mark with loss of plate number.
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., 1 print : etching on wove paper, hand-colored ; sheet 35.5 x 24.6 cm., Sheet trimmed within plate mark on three sides; window mounted to 51 x 36 cm., and Mounted opposite page 594 (leaf numbered '28' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., and Printseller's stamp in lower right of plate: S.W.[F.]
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate numbered "148" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Leaf 89 in volume 3.
The Duke of Clarence dressed as a rough sailor, stands full-face with folded arms (three-quarter length view only), looking to the right with a belligerent stare. He wears a shapeless hat, a naval coat, striped trousers, a handkerchief knotted round his neck. Etched below the image: "Damn all Bond St Sailors I say, a parcel of smell smocks! they'd sooner creep into a Jordan than face the French! dam me!"
Description:
Title etched below image., Enlarged copy of Naval eloquence, by the same printmaker., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 28th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Jordan, Dorothy, 1761-1816. and William IV, King of Great Britain, 1765-1837
"Burke stands full face, frowning; his right arm rests along a high pedestal inscribed 'G.R' which supports a bust of George III. In his right hand is a book: 'Burke on the French Revolution'. His left arm hangs by his side, in his left hand are the staff and cap of 'Liberty'. The right half of his dress is whole, the coat gold-laced, the pockets brimming over with coins. The left half is ragged, his empty pocket hangs inside out. The head of the King, in profile to the right, wears an arrogant frown. In the background is a mountain, evidently Parnassus, crowned with a windmill) on one sail of which Fame is precariously poised. Trees and foliage complete the background."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., One line of text below title: "I preserve consistency by varying my means to secure the unity of my end." Burkes Reflections, p. 354., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Busts: bust of George III -- Mountains: Parnassus -- Buildings: windmills -- Symbols: figure of Fame -- Literature: allusion to Edmund Burke's Reflections On The French Revolution -- Poverty -- Money: coins -- Spectacles.
Publisher:
Pubd. Novr. 16th, 1791, by H. Humphrey, No. 18 Old Bond Street
