"Humphreys on the left, Mendoza on the right, squaring up in a boxing pen, with Trink in the left foreground holding a bottle, Jonson behind Humphreys, Moravia and Allen standing with pocket watches on the left and Jacobs and Isaacs standing behind Mendoza, a large crowd of spectators below."--British Museum online catalogue
Description:
Title from first words of descriptive text etched below image., Printmaker from British Museum online catalogue., Text below image continues: ... allowed by all judges of this gymnastic art to have been the most scientific ever exhibited ..., Figures in the design are identified by inscriptions etched at the bottom of the image; the Latin motto 'Sic transit gloria mundi' is etched below the four lines of descriptive text., Sheet trimmed within plate mark., Temporary local subject terms: Tom Tring, fl. 1788 -- Tom Johnson, fl. 1788 -- Jacobs -- Isaacs -- Moravia -- Allen -- Latin motto: "Sic transit gloria mundi" -- Spectators -- Boxing: Umpires -- Jews -- Boxing: Bottle holder -- Boxing ring., and Watermark: J Whatman.
Publisher:
Pubd. Jany. 11th, 1788, by S.W. Fores, No. 3 Picadilly, London
Subject (Geographic):
England
Subject (Name):
Humphries, Richard, -1827. and Mendoza, Daniel, 1764-1836.
A fashionably dressed woman sits (left) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor
Alternative Title:
Convenience of modern dress
Description:
Title etched below image.
Publisher:
Pubd. Feby. 15th, 1796, by H. Humphrey, New Bond Street
Subject (Topic):
Breast feeding, Carriages & coaches, Clothing & dress, Coach drivers, Hats, Infants, Jewelry, Interiors, Mothers, Parlors, Rugs, and Servants
"A plump woman kneels with clasped hands in profile to the left before an upright chair. She addresses 'Enchanting Pharaoh' (Faro), asks for ability to pay a debt of £5,000 to Captain Simper, for the frustration of a design upon her virtue, for protection for her Bank and especially for the protection of 'all our Honorable, and Right Honorable Fraternity from the Lectures of L-d K-n [Lord Kenyon], and all the dire horrors of the stocks and pillory!'."--British Museum online catalogue
Description:
Title printed in letterpress below image., Four paragraphs of letterpress text below title: Enchanting Pharaoh, thee I address ..., and Bottom edge of sheet trimmed with probable loss of printer's line: Spragg, printer, 27, Bow-Street, Covent-Garden.
Publisher:
Pub'd. August 1st, 1801, by R. Ackermann, No. 101 Strand and Printed by E. Spragg, No. 27, Bow-Street, Covent Garden
"Lady Archer sits in profile to the right before her dressing-table, applying rouge to her cheek with a brush. Her notoriously painted cheek is blotched with drink. She is dressed for driving, wearing a coat of masculine cut, and a skirt which is short enough to show stockings above laced half-boots. A high-crowned hat trimmed with feathers is poised on her hair; on her vulture-like nose glasses are perched, her profile being reflected in the draped mirror. Through an open window (left) appears her high phaeton."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 37 x 24 cm.
Publisher:
Pubd. Sepr. 29th, 1791, by H. Humphrey, No. 18 Old Bond Street
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of four designs divided by intersecting lines. 'Spring'. An ugly tailor kneels with clasped hands at the feet of a plain woman, who holds up a fan encouragingly. A card of patterns hangs from his pocket. He says: "Oh you bewitching Angel behold at your feet a Swain as tender as a Veal Cutlet, You are the very Broad Cloth of perfection--have pity on me Adorable Mrs Griskin." She answers: "You enchanting Devil I do not know what to say to you. however Mr Thimble--that Mole between your eye-brows-- put me so much in mind of my poor departed Husband, that I think I cant refuse you." 'Summer'. The pair walk arm-in-arm in a landscape. He has become plump and wears trousers in place of the breeches worn in the other three designs. She flourishes a parasol. A dog follows. He says: "O thou wert born to please me My Life my only Dear." She answers: "Ay now you look a little stylish You are a--Charming Man who would not be married." 'Autumn'. They face each other defiantly, she holds a letter beginning 'Dear Mr Thimble,' and shrieks: "Here you feller here's a pretty commence. An interspected letter from one of your Naughty Women I knew you was going to Gallivant." He answers: "Well Ma'am, since you come for to go to that, who was it Galivanted with Mr Dip the Dyer to White conduit House last Sunday answer me that however I'll have a separation." 'Winter'. The pair are seated each side of a writing-table at which a lawyer sits reading a paper: 'Articles of Seperation between Jeremiah and Tabitha Thimble'. Her hands are in a muff; she says with a painful smile: "I never felt myself so Comfortable in all my Life." He has grown thin and sits with clasped hands, saying, "O Blessed day for Jerry Thimble I hope to pass the next Year in Peace and quietness"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 15th, 1814, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 286., Temporary local subject terms: Male Costume, 1814: Trousers -- Fans -- Tailors -- Female Costume, 1814: Fur muff -- Parasols -- Dogs -- Lawyers -- Furniture: Writing-table., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.2 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 34 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of four designs divided by intersecting lines. 'Spring'. An ugly tailor kneels with clasped hands at the feet of a plain woman, who holds up a fan encouragingly. A card of patterns hangs from his pocket. He says: "Oh you bewitching Angel behold at your feet a Swain as tender as a Veal Cutlet, You are the very Broad Cloth of perfection--have pity on me Adorable Mrs Griskin." She answers: "You enchanting Devil I do not know what to say to you. however Mr Thimble--that Mole between your eye-brows-- put me so much in mind of my poor departed Husband, that I think I cant refuse you." 'Summer'. The pair walk arm-in-arm in a landscape. He has become plump and wears trousers in place of the breeches worn in the other three designs. She flourishes a parasol. A dog follows. He says: "O thou wert born to please me My Life my only Dear." She answers: "Ay now you look a little stylish You are a--Charming Man who would not be married." 'Autumn'. They face each other defiantly, she holds a letter beginning 'Dear Mr Thimble,' and shrieks: "Here you feller here's a pretty commence. An interspected letter from one of your Naughty Women I knew you was going to Gallivant." He answers: "Well Ma'am, since you come for to go to that, who was it Galivanted with Mr Dip the Dyer to White conduit House last Sunday answer me that however I'll have a separation." 'Winter'. The pair are seated each side of a writing-table at which a lawyer sits reading a paper: 'Articles of Seperation between Jeremiah and Tabitha Thimble'. Her hands are in a muff; she says with a painful smile: "I never felt myself so Comfortable in all my Life." He has grown thin and sits with clasped hands, saying, "O Blessed day for Jerry Thimble I hope to pass the next Year in Peace and quietness"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Septr. 15th, 1814, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "253" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 286., Temporary local subject terms: Male Costume, 1814: Trousers -- Fans -- Tailors -- Female Costume, 1814: Fur muff -- Parasols -- Dogs -- Lawyers -- Furniture: Writing-table., 1 print : etching, hand-colored, on wove paper ; sheet 26 x 36 cm., and Manuscript "110" in upper center of plate.
"Tierney (not caricatured) stands directed to the right, with left hand raised in reproof to the knife-grinder (right), who pushes his barrow with a shuffling gait. The latter's hat, coat, and breeches are torn and he has a fixed, insinuating grin. Behind him is the door of an alehouse, the sign of the Chequers hanging from a beam inscribed 'Best Brown Stout'. On the lintel is 'Dealer in Brandy Rum & Gin'. Tierney has short hair, wears a round hat, double-breasted coat, and half-boots, and holds a stick. Behind him a street recedes diagonally to the right, the nearest house inscribed 'Tierney & Liberty'. In front of this is a coach with an earl's coronet, and two footmen standing behind; a horseman advances towards it from the right. Beneath the title is etched in two columns the well-known parody of Southey by Frere and Canning published in the second number of the 'Anti-Jacobin' (27 Nov.). ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray, after Sneyd. See British Museum catalogue., Explanation added after the title: Vide Anti-Jacobin, p. 15., Two columns of verse below title: Friend of Humy.: "Needy knife-grinder! Whither are you going? Rough is the road, your wheel is out of order ...", To the left of the verse, etched vertically: To the independent electors of the Borough of Southwark this print is most respectfully dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Literature: Quotation from Anti-Jacobin, No. 2, Nov. 27, 1797, p. 15 -- Allusion to Robert Southey's Sapphics -- Allusion to Thomas Paine's The Rights of Man -- Slogans: Tierney & Liberty -- Trades: knife-grinders -- Kknife-grinder's wheelbarrow -- Allusion to Southwark's independent electors -- Vehicles: coaches -- Footmen -- Southwark -- Alehouses -- Signs: chequerboard sign -- Street scenes.
Publisher:
Pubd. Decr. 4th, 1797, by H. Humphrey, 27 St. James's Street
"Major Scott (right) hauls at a broad ribbon round Hastings's neck by which he is being drawn up to a gibbet. The ribbon, which passes over a pulley, is inscribed 'Defence of W. Hasti--gs Esqr'. To each of Hastings's feet a large money-bag is attached inscribed respectively 'Rupees' and 'Pagodas'. Hastings looks with terror towards an Indian with a noose round his neck who emerges from flames and smoke, saying, "I am Nuncomar's Spirit, Hast**gs - follow me!". Small demons in the flames show that Nuncomar is in Hell. The top of the gibbet is decorated with the mask of Burke looking towards Hastings with a satisfied smile. The King and Queen stand together on the left, mourning the fate of Hastings. The Queen is much caricatured as a lean hag, clasping her hands and turning up her eyes; she is pregnant. Under the King's arm is a large packet inscribed 'Bulse'. Hastings, Scott, and the King wear oriental dress with turbans, that of the King surmounted by a crown. In the background an oriental town is in ruins but flies the British flag; tiny corpses lie in front of the buildings, two of which are Chinese pagodas resembling the one at Kew."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., and Temporary local subject terms: Trials: Warren Hastings -- Ghosts: Nuncomar -- Bulse -- Rupees -- Pagodas.
Publisher:
Pubd. June 9th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Scott, Major 1747-1819 (John),, and Nandakumara, Mahārāja, d. 1775
"A strip design. Beneath the figures are inscriptions indicating their identity. The procession is preceded on the extreme right by Hall the apothecary, one of Fox's chief supporters in Westminster, who holds the abortive 'Regency Bill'. A medical instrument protrudes from his coat-pocket; he is 'Apozem, Clerk, & Apothecary'. ... After him in priest's robes and wearing a Jesuit's biretta walks Burke, 'Ignatius Loyola' (cf. BMSat 6026), holding an 'Ode upon his Majesty Recovery'. ... The coffin is carried on the shoulders of six men with bulls' heads, hoofs, and tails, wearing coronets and shedding tears; three only are depicted, though the hoofs of the three on the left side of the coffin are indicated; it is 'The Body of the deceased supported by six Irish Bulls'. They wear a duke's, an earl's, and a baron's coronet, and say: "[1] Pullalaloo - Pullalalo - oh.', [2] Oh! - Ogh! - Oh!; [3] Oh Pullalalo - ogh". On the coffin is a coronet with the Prince's feathers flanked by an empty purse and dice and dice-box. Four ragged little girls holding nosegays walk as pall-bearers, two before the coffin and two behind it. They are '(bis) Unfledg'd Noviciates of Sf Giles's or, Charley's delight'. ... They are followed by Mrs. Fitzherbert in long trailing weeds, a rosary and crucifix hanging from her waist. She is 'Chief Mourner - The Princess of W-----s'. ... She clasps her hands despairingly. ... She is followed by Sheridan and Fox, wearing cloaks and carrying hats with mourning-scarves; they are: 'Second Mourners', 'The Rival Jacobites'. ... The next couple are Weltje and a hairdresser, Mails. ... The procession is followed by a nude and very emaciated demon (left), playing the fiddle and capering as he sings, grinning. He is the 'Blue and Buff Train Bearer.' ..."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Tempoary local subject terms: Bills: withdrawal of the Regency Bill -- Irish Commissioners.
Publisher:
Pubd. April 29th, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Ignatius, of Loyola, Saint, 1491-1556., Hall, Edward, active 1784-1793, Burke, Edmund, 1729-1797, Fitzherbert, Maria Anne, 1756-1837, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lothian, William John Ker, Marquis of, 1737-1815, and Weltje, Louis, 1745-1810
Subject (Topic):
Devil, Hats, Funeral processions, and Mourning clothing & dress
