V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of a fair with the line of booths on the left and nearer the spectator. An embryo 'Great Wheel' is in action on the right, with four cars (or boxes with half doors) slung from cross-beams which pivet on a post, the motion being given by a crank at the hub, worked by a man standing on a little platform. Each car contains one elderly occupant, except one which has broken: a young girl falls through the air, a youth lies on his back below her. Spectators register alarm or amusement. An oyster-woman looks up from her stall (left). A well-dressed thief picks the pocket of a man absorbed in the accident, passing the plunder to a confederate leaning from the window of an inn on the extreme left. This has the sign of the crown, inscribed 'T. Slano'. In a first-floor window a couple are embracing. Adjacent booths belong to 'Polito': Harlequin, Punch, and other figures are performing, watched by a few spectators. In the foreground (right) a fat women sells sticks to men and boys who throw at objects (? gingerbread) poised on spikes. In the background is a rustic horse-race."--British Museum online catalogue, description of an earlier state
Description:
Title devised by cataloger., Printmaker from description of earlier state in the British Museum catalogue., Reissue; first half of imprint statement has been burnished from plate., Publication date based on earlier state with the complete imprint "Pubd. October 5th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11630 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.8., First series statement appears above image; second series statement appears below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed to plate mark on top edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 191., Temporary local subject terms: Oyster woman -- Ferris wheel -- Pick pockets -- Fair., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 36 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A view of a fair with the line of booths on the left and nearer the spectator. An embryo 'Great Wheel' is in action on the right, with four cars (or boxes with half doors) slung from cross-beams which pivet on a post, the motion being given by a crank at the hub, worked by a man standing on a little platform. Each car contains one elderly occupant, except one which has broken: a young girl falls through the air, a youth lies on his back below her. Spectators register alarm or amusement. An oyster-woman looks up from her stall (left). A well-dressed thief picks the pocket of a man absorbed in the accident, passing the plunder to a confederate leaning from the window of an inn on the extreme left. This has the sign of the crown, inscribed 'T. Slano'. In a first-floor window a couple are embracing. Adjacent booths belong to 'Polito': Harlequin, Punch, and other figures are performing, watched by a few spectators. In the foreground (right) a fat women sells sticks to men and boys who throw at objects (? gingerbread) poised on spikes. In the background is a rustic horse-race."--British Museum online catalogue, description of an earlier state
Description:
Title devised by cataloger., Printmaker from description of earlier state in the British Museum catalogue., Reissue; first half of imprint statement has been burnished from plate., Publication date based on earlier state with the complete imprint "Pubd. October 5th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11630 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.8., First series statement appears above image; second series statement appears below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed to plate mark on top edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 191., Temporary local subject terms: Oyster woman -- Ferris wheel -- Pick pockets -- Fair., and Watermark: 181[7?]
"The King (right), standing in profile to the left, holds out to Peter a rolled document inscribed 'Pension'. Peter, a thin elderly man, turns away, holding out both hands to ward off the gift. From his pocket projects a paper inscribed 'Odes'. Both wear bag-wigs, and old-fashioned dress with flapped waistcoats; the King wears a sword."-- British Museum online catalogue
Alternative Title:
Ah! let me Sire refuse it, I implore, ought not to be rich whilst you are poor
Description:
Title from British Museum catalogue; alternative title from text below image., Printmaker and date from British Museum catalogue, Frontispiece to: Pindar, P. Peter's pension. London : Printed by G. Kearsley ..., [1788], and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Wolcot, John, 1738-1819
"Two men stand in the pillory on a small platform (left); over their heads is a cask, inscribed 'Small Beer', erected on a pole. Over the head of one left is Judas, indicating Sir Cecil Wray, over the other 'J.. k-s..n' indicating John Jackson, steward of the Duke of Newcastle and a prominent supporter of Wray, see British Museum Satires No. 6492. A large key hangs from the corner of the pillory, the emblem of the back-stairs by which Pitt and his supporters were supposed to have obtained office, cf. British Museum Satires No. 6564. Behind (right) walks a procession of maidservants who look scornfully at the victims; one carries a flag inscribed 'Tax on Maid Servants'; others, a broom, a mop, and a shovel. Immediately behind the platform the heads of a crowd, a row of staves marking the constables who stand in front, are suggested. Fox (right) stands in the foreground haranguing the crowd; he holds a Union flag inscribed 'The Rights of the Commons'. Behind him is a mob of men waving their hats, among whom Sam House is conspicuous. The scene is by the hustings in Covent Garden, the portico of the church (right) being lighdy sketched behind Fox."--British Museum online catalogue
Alternative Title:
Rights of the commons
Description:
Title from British Museum catalogue., Text on flag within image: The rights of the commons., Reissue, with new imprint statement that is antedated. See British Museum online catalogue, registration no.: 1851,0901.144., Date of publication based on earlier state with the imprint "Publish'd as the act directs, May 7, 1784." See British Museum catalogue., Temporary local subject terms: Hustings -- Taxes: Tax on maidservants -- Brooms -- Mops -- Shovels -- Hats -- Election flags -- Election slogans: 'The rights of the Commons' -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Pillories -- 'Small beer' -- Key of the Back Stairs -- Allusion to secret influence -- John Jackson, Duke of Newcastle's steward., and Watermark in center of sheet.
Publisher:
Publish'd as the act directs, June 26th, 1783, by H. Humphreys, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, House, Samuel, -1785, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Servants, and Political elections
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A corner of a theatre made of timber fills the greater part of the design. Flames stream from windows on the first floor under which runs a balcony giving access to the door. From the door a staircase slants to the ground. A terrified crowd rush through the doorway and precipitate themselves headlong down the stairs, to fall in a heap at the bottom. A young woman drops from the balcony, two men standing below grip her legs, an elderly musician assists her, losing his fiddle. Another woman climbs over the balcony rail. There are other (comic) incidents. The theatre is placarded 'Cockburns Company'. A large playbill is inscribed 'Last Night--Pizzarro [see British Museum Satires No. 9396, &c.]--Don Juan--A Shower of Real Fire and a View of the Infernal Regions'. In the background (left) fugitives run in frantic haste across the grass towards a row of booths, inscribed 'Pinello', 'Genello Compan[y]', 'Cromer', where players and spectators watch the conflagration."--British Museum online catalogue
Description:
Title devised by cataloger., Printmaker and date of publication from British Museum catalogue., Probably a reissue; first half of imprint statement has been burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", Watermark: 1817., and Leaf 37 in volume 1.
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital., and 1 print : etching with stipple, hand-colored ; plate mark 250 x 305 mm.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
"In the upper part of the design the Recording Angel (or Truth) draws or engraves on an oval shield which she rests on a pedestal. On it are depicted French soldiers bayoneting defenceless Turks (apparently adapted from BMSat 10062). In the background are the head of a Sphinx, and clouds. Against the pedestal on which Truth stands rests a picture, filling the lower part of the design. Napoleon kneels on a rock, extending imploring arms towards Nilus, a nude and muscular figure seated on rock from which water gushes. Nilus veils and averts his head. In the background are pyramids and palm-trees."--British Museum online catalogue
Alternative Title:
Frontispiece, Britannicus to Buonaparte : an heroic epistle
Description:
Title devised by cataloger; varying form of title from British Museum catalogue. and Frontispiece to the second edition of Britannicus to Buonaparte, an heroic epistle, with notes / by Henry Tresham.
Publisher:
Publish'd Novr. 1st, 1803, for the author by I. Hatchard, No. 199 Piccadilly, London
"A sculptured monument to Sir George Savile against a stone wall. A life-like half length figure of Savile looking to the right is set in an alcove with inscriptions above and below. Above: 'The Guardian Genius of that Good Man and Upright Senator \ Sir George Saville Bart \ Hovers with anxiety over The Tomb; not without Hopes, that his Countrymen \ may e're it be too late, see the Necessity of Peace, - the Improbability of \ the Present Ministers making it, - & the Benefit which would result, from a Temperate Reformation of those Abuses, "from which {to use his own memorable words) \ it was notorious, that all our Calamities Sprung."!!!' Below: 'Fuimus Troes, fuet [sic] Ilium et ingens Gloria Teucrorum. Virgil Here lie the Remains of the \ - Requisition, - \ The last Hopes of the Independent Gentlemen of Yorkshire; \ in full Confidence \ that when Corruption shall have ceased to prey upon the \ Human Frame, that it will rise again to \ - Immortal Glory.- \ Reader, \ You will no longer doubt the just Cause or upright \ Intention of this Requisition, when you learn, that \ the Merchants of Leeds, its greatest Enemies, have \ Thought that an Elegant Monument should be dedicated \ to it's \ Memory. \ "Your Cause of Sorrow must not be measured by his \ "Worth, for then it hath no End." Shakespere Mackbeth \ "Quis Desiderio sit Pudor aut Modus \ "Tam chari Capitis." Horace.'"--British Museum online catalogue
Description:
Title, printmaker, and questionable date of publication from British Museum catalogue., Probably commissioned by the Yorkshire Reform movement. See British Museum catalogue., and Temporary local subject terms: Monuments: sepulchral monument to George Savile, 8th Bt. -- Literature: Shakespeare's Macbeth, v.8.44 -- Literature: Virgil, Aeneid.
Title, printmaker, and date of publication from Grego., Twenty-four images of characters, individually titled: King; Queen; Lord Flutter; Lady Careless; Sir Timy. Spruce; Miss Busy; Lord Zealous; Lady Flutter; Jemmy Dazzle; Miss Sparkle; Sir Simon Solid; Mr. Nimble; Dolly Diligent; Lady Peaceable; Capn. Dash; Lady Lydia Blaze; Giles Diligent; Priscilla Prudent; Sir Peter Puff; Lady Racket; Major Matchless; Mrs. Friendly; Sir Chas. Worthy; Miss Gadabout., Playing cards?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
