Manuscript fragment on parchment of Jerome's Commentaria in Ezechielem
Description:
In Latin, Script: written in late Carolina minuscule., and Decoration: 1-line initials are in brown rustic capitals; two words in Greek majuscules with a line drawn above them; punctuated with the punctus and punctus elevatus; double quotation marks in the outer margin of the recto.
Manuscript on paper of Christoff Jordan von Martinsbuech, Cronica unnd Beschreibunge, was fur Bischove auch Ertzbischore das Hochloblich Ertzstifft und uralte Haubstat Saltzburg
Holograph manuscript on parchment and paper of Caspar Harttung vom Hoff of Gastein, Das Vade mecum, a commonplace book of alchemical and medicinal materials, consisting of mostly shorter prose and verse sections, often with excellent drawings, thirty-one in all, of alchemical equipment, written in 1557, and with additions written about fifty years later
Description:
In German and Latin., Script: Written in a small, neat gothic cursive, additions in a neat italic hand and a rather irregular and sometimes scrawling cursive gothic, both perhaps about 1625., and Binding: Nineteenth century. Straight-grained black morocco, gilt single-line perimetric border for each cover and spine, gilt dentelles, and border of the same tools at head and foot of spine, modern tan leather spine label, with legend: HARTUNG V. HOFF | VADE | MECUM | MANUSCRIPT | AUSTRIA 1557 |".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Harttung vom Hoff.
Subject (Topic):
Alchemy, Drawing, Handbooks, vade-mecums, etc, Manuscripts, Medieval, and Medicine
Manuscript on paper of Julius Caesar (100-44 B.C.), Commentarii de bello Gallico; with flyleaf notarial documents
Description:
Script: Copied by one hand (scribe named John for unknown commissioner), writing Gothica Hybrida Libraria and using some Capitalis majuscules (especially "a"); while the flyleaves are written in documentary Gothica Semihybrida., Decoration: Headings and explicit formula in purplish red, generally in imitation Capitalis; 3- (once 4-) line initials in the same colour, mostly in imitation Capitalis; running headlines in red on the recto pages, containing the number of the book in Roman numerals., Binding: Blind-tooled red leather over wooden boards, sewn on four double cords; both covers are decorated with frames of fillets; the central panel is decorated in Lederschnitt; plaited headbands; and two brass clasps attached to the rear board., and In Latin.
Manuscript on paper of Adolfus von Wein, Doligamus. The text, a series of fables concerning the deceitful conduct of women, is heavily annotated with interlinear glosses and lengthy explanatory prose passages inserted both between segments of the text and in the outer margins. With Albertus Magnus, attributed author, De secretis mulierum; and Pope Pius II (Aeneas Sylvius Piccolomini), Carmen in laudem Friderici Caesaris, a poem written in praise of Friedrich III (1415-93), King of the Germans and later crowned Holy Roman Emperor
Description:
In Latin., Watermarks: similar to Piccard, Ochsenkopf XIII.173 and XI. 201, and similar in design to Briquet Main 11090, 11092-93., Script: Written by a single scribe in inelegant gothic cursive, with a smaller script for commentary and interlinear notations., Crude decorative initials, 2-line, in red, some with foliage designs in body of letter; first letter of each verse stroked with red., Some loss of marginalia due to trimming on ff. 8v, 9r., and Binding: Twentieth century. Red paste-paper case with a black, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Adolfus, von Wien, 14th cent. and Frederick III, Holy Roman Emperor, 1415-1493.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Fables, Laudatory poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on paper of Pietro della Vigna, Epistolae. On ff. 120v-130v, mixed in with the letters, is an incomplete text of Thomas of Capua, Summa dictaminis
Description:
In Latin., Watermarks: similar to Piccard Anker VII.181-83, Briquet Monts 11813, and Briquet Indetermines 16061-63; unidentified letter P with forked descender., Script: Written in humanistic cursive script with gothic features., Headings and some marginalia in red (often faded), by two hands, the second of which ruled two parallel lines in lead for each line of headings that were added in a more upright gothic text hand., and Binding: ca. 1500, Northern Italy. Original sewing on three tawed skin, slit straps reinforced with fragments of a parchment manuscript (Lectionary?) set in channels on the outside of beech boards. The spine is lined with pieces of parchment manuscript, extending inside the boards between supports. Quarter bound in reddish brown leather with a blind-tooled floral roll along the edges (later but early?). Spine: multiple fillets at head, tail and outlining supports on the spine. Panels tooled with X's with fleurons around them and floral tools in squares on their points in the outer panels. Traces of two fastenings, the catches on the upper board. The lower board is cut in for straps. Title in ink near the head of the upper board ("Epistole Petr. de Vineis de gestis Friderici Romanorum Imperatoris II **") which is cracked and has been repaired.
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript fragment on parchment of an antiphonary written by the 12th- and 13th-century Lambach-based scribe Gottschalk. Among other items it contains: Epiphany (6 January); St. Agatha (5 February); St. Scholastica (10 February); Chair of St. Peter (22 February); St. Gregory (12 March); Annunciation (25 March); Maundy Thursday, compline; Good Friday; Easter; Exaltation of the Cross (14 September); St. Thomas (21 December); and St. Andrew (30 November).
Description:
In Latin., Script: written in late Caroline minuscule by Gottschalk, a scribe at Lambach in the twelfth and early thirteenth century., and Decoration: the responsorial liturgy of most feasts begins with a 3- to 5-line initial in red with red vine-stem decoration and violet bands and foliage drawn by Gottschalk; three historiated initials of a trumpeter, Prophet Isaiah, and Gregory the great; 1-line red capitals are present in many antiphons as are 1-line initials of responses in thick brown uncials traced or dotted with red; rubrics written in red rustic capitals; punctuated with the punctus; interlinear neumes in the St. Gall style; tonary letters are written in the outer margin of each folio drawn on tiers of a column representing architectural support.
Manuscript fragment on parchment of a gradual containing among other items: St. Ambrose (4 April); Sts. Tiburtius and Valerian (14 April); St. George (23 April); St. Boniface (5 June); Sts. Primus and Felician (9 June).
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: the 3- and 4-line initials at the beginning of Masses are in two styles: several initials are composed of hollow intertwining vines in red outline on a blue and green background; other initials are plain red square capitals; 1-line initials are in thick brown square capitals; 1-line initials of Psalm incipits are in brown rustic capitals; rubrics written in red rustic capitals; liturgical directions are in brown rustic capitals as are the first few words of each mass; punctuated with the punctus; interlinear neumes are in the St. Gall style; liturgical notes have been written in the morgin of fol. 3v in a fifteenth-century cursive gothic hand.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
