Title caption above image., Date based on the date of the Battle of Dettingen: June 17, 1743., Sheet trimmed within plate mark., Eight lines of text below image describing the scene: Belgrade, so called for being in the noted Battle of Belgrade in Hungary : She came to the Brigade of English Horse Guards at Waesbaden on the Rhine in Germany, and continued faithfully serving them with provisions &c. : And was remarkable for exposing her person even in the very heat of action, by assisting the wounded and distressed : Clumsey (her dog) is remarkable that being at the Battle of Dettingen when the two Armies faced each other a few minutes before the attack begun there came a French dog from the enemies front and immediately our English dog met it in the interval fell upon him and beat him back into his line after which he quietly return'd to us., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Reduced copy in Portraits, memoirs, and characters, of remarkable persons, from the revolution in 1688 to the end of the reign of George II. Collected from the most authentic accounts extant / by James Caulfield ... London, H. R. Young and T. H. Whitely, 1819-20., Temporary local subject terms: Reference to the Battle of Belgrade, 1739 -- Liquers: barrels of brandy carried on the battlefield -- Uniforms: army nurse's uniform., and Mounted to 37 x 25 cm.
Publisher:
publisher not identified
Subject (Name):
Great Britain. Army
Subject (Topic):
Dettingen, Battle of, Karlstein, Unterfranken, Germany, 1743, Austrian Succession, War of, 1740-1748, Campaigns, Mascots, and Rescue dogs
"Satire on the effect of the death of the Emperor Charles VII on the imperial electors and other protagonists in the War of the Austrian Succession. The scene is divided into two parts: on the left the scene of Marshall de Belle-Isle's arrest beside a crenellated wall, and on the right the interior of a room draped with a curtain in which the corpse of Charles VII lies in a partially open coffin with "Car VII Imp 1745" written on its lid. On the left, Marshall de Belle-Isle on his horse says “I'll Tallard 'em”, his brother grasps the horse's tail in order to cut it off, saying "We'll dock the Han[ove]r Horse Brother". Beside him, Johann Hermann Myer, the arresting officer, says "I am a Bailiff of Consequence"; in the front an English cook remarks "Good English Beef" while behind the horse's head a French cook, holding a spoon to hismouth, says "Soup Maigre Pope's Eyes". Two men stand on top of the wall, one say “He'll serve ye Lyon so". In the interior on the right, Maria Theresa dances to the tune of "Thieue and Cordelier" and the deceased Emperor's son, Maximilian III Josef of Bavaria, "to Short for is Age", shown as a child (although he was actually 17 years old), approaches her, hat in hand, asking "Spare his remains". She replies "Then Vote for ye Grand Duke", referring to her hisband, Francis Stephen. The protagonists are grouped near the coffin: a man smoking a pipe and holding seven arrows in his hand represents the Netherlands and says "Seven to one we are easy"; Frederick the Great, Elector of Brandenburg, asking "Who'll be my Candidate”, beside him Cardinal Tencin whispering "Put up the weakest"; a soldier, the Elector Palatine, Charles VI Theodore, weeps into his handkerchief saying "Damm Bohemia I have lost my Interest"; George II of England, Elector of Hanover, holds a purse saying "I'll pay my Friend's Expenses"; the Archbishop Elector of Trier, Franz Georg von Schonborn-Buchheim, saying "Drive off ye French”, holds a paper lettered “The Day of Election is -"; the Archbishop Elector of Mainz, Johann Friedrich Karl von Ostern, reading a paper lettered "10000 masses", says "I am quite expos'd"; the Archbishop Elector of Cologne, Clemens Augustus of Bavaria, brandishes a scroll and says "My Brother was a Tool: But he's dead"; a Russian in furs (identified by Stephens as the Empress Elisabeth) says "A Kingdom for an Empire" to an elegant man probably intended for Louis XV; the latter, saying "Monsieur may put up ye poor Pallintine" points towards Charles VI Theodore, and holds the arm of the mournful Frederick Augustus II of Saxony, King of Poland (Stephens transposes the identities of these two men) who is saying "Poland a third time let the Saxon be Emperor"; Francis Stephen seated beside Frederick Augustus holds his hand to his mouth and says "I represent my Wife. . ." Above the coffin is a grotesque face with huge open mouth surmounted by a laurel wreath on top of which are three feathers and a bird, beside the head is a bundle of fasces. Three columns of verse beneath starting "For what have these Gentry these four years been fighting ..." suggest that the war has settled nothing."--British Museum online catalogue
Alternative Title:
Emperor's funeral, with Belleisle's progress to captivity
Description:
Title engraved below image., Publisher's advertisment following imprint: ... where may be had 30 more different sorts., and Twelve lines of verse in three columns below image: For what have these gentry these four years been fighting? For what have their servants been treating and writing? ...
Publisher:
Bickham May's Buildings, Covent Garden ...
Subject (Name):
Charles VII, Holy Roman Emperor, 1697-1745, Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Elizabeth, Empress of Russia, 1709-1762, Maximilian III Joseph, Elector of Bavaria, 1727-1777, Tencin, Pierre Guérin de, 1679-1758, and Belle-Isle, Charles Louis Auguste Fouquet, duc de, 1684-1761
"Satire on the effect of the death of the Emperor Charles VII on the imperial electors and other protagonists in the War of the Austrian Succession. The scene is divided into two parts: on the left the scene of Marshall de Belle-Isle's arrest beside a crenellated wall, and on the right the interior of a room draped with a curtain in which the corpse of Charles VII lies in a partially open coffin with "Car VII Imp 1745" written on its lid. On the left, Marshall de Belle-Isle on his horse says “I'll Tallard 'em”, his brother grasps the horse's tail in order to cut it off, saying "We'll dock the Han[ove]r Horse Brother". Beside him, Johann Hermann Myer, the arresting officer, says "I am a Bailiff of Consequence"; in the front an English cook remarks "Good English Beef" while behind the horse's head a French cook, holding a spoon to hismouth, says "Soup Maigre Pope's Eyes". Two men stand on top of the wall, one say “He'll serve ye Lyon so". In the interior on the right, Maria Theresa dances to the tune of "Thieue and Cordelier" and the deceased Emperor's son, Maximilian III Josef of Bavaria, "to Short for is Age", shown as a child (although he was actually 17 years old), approaches her, hat in hand, asking "Spare his remains". She replies "Then Vote for ye Grand Duke", referring to her hisband, Francis Stephen. The protagonists are grouped near the coffin: a man smoking a pipe and holding seven arrows in his hand represents the Netherlands and says "Seven to one we are easy"; Frederick the Great, Elector of Brandenburg, asking "Who'll be my Candidate”, beside him Cardinal Tencin whispering "Put up the weakest"; a soldier, the Elector Palatine, Charles VI Theodore, weeps into his handkerchief saying "Damm Bohemia I have lost my Interest"; George II of England, Elector of Hanover, holds a purse saying "I'll pay my Friend's Expenses"; the Archbishop Elector of Trier, Franz Georg von Schonborn-Buchheim, saying "Drive off ye French”, holds a paper lettered “The Day of Election is -"; the Archbishop Elector of Mainz, Johann Friedrich Karl von Ostern, reading a paper lettered "10000 masses", says "I am quite expos'd"; the Archbishop Elector of Cologne, Clemens Augustus of Bavaria, brandishes a scroll and says "My Brother was a Tool: But he's dead"; a Russian in furs (identified by Stephens as the Empress Elisabeth) says "A Kingdom for an Empire" to an elegant man probably intended for Louis XV; the latter, saying "Monsieur may put up ye poor Pallintine" points towards Charles VI Theodore, and holds the arm of the mournful Frederick Augustus II of Saxony, King of Poland (Stephens transposes the identities of these two men) who is saying "Poland a third time let the Saxon be Emperor"; Francis Stephen seated beside Frederick Augustus holds his hand to his mouth and says "I represent my Wife. . ." Above the coffin is a grotesque face with huge open mouth surmounted by a laurel wreath on top of which are three feathers and a bird, beside the head is a bundle of fasces. Three columns of verse beneath starting "For what have these Gentry these four years been fighting ..." suggest that the war has settled nothing."--British Museum online catalogue
Alternative Title:
Emperor's funeral, with Belleisle's progress to captivity
Description:
Title engraved below image., Publisher's advertisment following imprint: ... where may be had 30 more different sorts., Twelve lines of verse in three columns below image: For what have these gentry these four years been fighting? For what have their servants been treating and writing? ..., and With spine title: Caricatures anglaise 1740.
Publisher:
Bickham May's Buildings, Covent Garden ...
Subject (Name):
Charles VII, Holy Roman Emperor, 1697-1745, Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Elizabeth, Empress of Russia, 1709-1762, Maximilian III Joseph, Elector of Bavaria, 1727-1777, Tencin, Pierre Guérin de, 1679-1758, and Belle-Isle, Charles Louis Auguste Fouquet, duc de, 1684-1761
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and Watermark: Strasburg lily with initials L V G below.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and With spine title: Caricatures anglaise 1740.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
"Satire on the ambitions of European powers ranged against Maria Theresa in the early stages of the War of Austrian Succession, and on Robert Walpole's preoccupation with his own precarious position as well as his lack of support for Austria; an adaptation of British Museum Satires No. 2463. The ships at sea in the foreground of the earlier state have been replaced by the naked figure of Maria Theresa (then Queen of Hungary) sitting on a chair, one leg having been amputated and replaced by a wooden stump; a cloth around her hips is lettered, "Hungary & Lindtz". Her clothing has been pulled off by her enemies: Frederick the Great of Prussia pins down her cap, labelled "Silesia", with his halberd; the figure on the ground, previously identified as Theodore of Corsica holds her necklace labelled "Buta" [Buda]; the King of Spain holds a string by which he has pulled off her shift, labelled, "Just Rights"; the word "Doteingness" has been removed from Cardinal Fleury's walking frame and a string attached to his wrist has pulled off the Queen's petticoat, labelled "Austria/Netherlands" which she tries to hold on to; Walpole's paper is now lettered, "Place Bill", he now says "King LOGG listen to the Cardinal" a label at his feet reads, "If I get off now thanks to ye Priest Successor of Richlieu", and his string is now attached to the foot of the City of London alderman, whose label "Sturdy Beggar" has been removed; the Dutchman holds a string to which is attached the Queen's tippet labelled "Munich"(?) and he now says, "But We Design to be on our Guard & remain neuter"; the labels "Bohemia" and "Grand Duke" have been removed from two figures in the background; The figure formerly identified as Austria is now "Bohemia" and holds a string pulling the Queen's robe which is labelled "Prague", "Sultzback" and "Breslau". The verses below have been erased and replaced by twelve stanzas. The lettering is otherwise unchanged."--British Museum online catalogue
Alternative Title:
Queen of Hungary stript
Description:
Title from item., Also attributed to George Bickam the Younger., Bickham's name and date burnished from plate and replaced with that of Richardson's, along with alterations to design. See British Museum catalogue nos. 2463 and 2512., Image enclosed within decorative scroll., Twelve lines of verse in four columns below image: Who are all these that look so fine-a 'Tis P-----a, R----a, F----e, H-L---d and Spine-a ..., and Temporary local subject terms: War of the Austrian Succession, 1740-1748: stripping of the Hungarian Empire -- Birds: goose -- Go-carts -- Male dress: royal robes -- Female dress: royal robes -- Furniture: chair.
Publisher:
Sold at [the] Blackmoos head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Fleury, André Hercule de, 1653-1743, and Neuhof, Théodore-Antoine, baron de, 1690-1756
Subject (Topic):
Austrian Succession, War of, 1740-1748, Geese, Clergy, and Seesaws
Monseirs pounded in Prague and Monsieurs pounded in Prague
Description:
Title from item., Publication date from British Museum catalogue., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
Prague (Czech Republic)
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Lobkowicz, Ferdinand-Marie, prince de, 1726-1795, Charles VII, Holy Roman Emperor, 1697-1745, Francesco III d'Este, Duke of Modena and Reggio, 1698-1780, Broglie, Victor François, Duc de, 1718-1804, and Stair, John Dalrymple, Earl of, 1673-1747
Subject (Topic):
Austrian Succession, War of, 1740-1748 and Campaigns
Monseirs pounded in Prague and Monsieurs pounded in Prague
Description:
Title from item. and Publication date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
Prague (Czech Republic)
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Lobkowicz, Ferdinand-Marie, prince de, 1726-1795, Charles VII, Holy Roman Emperor, 1697-1745, Francesco III d'Este, Duke of Modena and Reggio, 1698-1780, Broglie, Victor François, Duc de, 1718-1804, and Stair, John Dalrymple, Earl of, 1673-1747
Subject (Topic):
Austrian Succession, War of, 1740-1748 and Campaigns
