"Portrait of Swift seen half length, within oval frame, panelled corners, directed towards left, facing towards and looking towards left, wig, bands, black gown; after face and title altered from Benjamin Pratt, and arms and inscriptions erased."--British Museum online catalogue
Alternative Title:
Jonathan Swift S.T.D.
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Later state of a plate, engraved by John Simon and published circa 1715 by William Sarson, that originally depicted the clergyman Benjamin Pratt and had the title "The Reverend Mr. Benjamin Pratt A.M." The face was altered to that of Jonathan Swift by the engraver Peter Pelham, and the original inscription was erased and replaced. See: Smith, J.C. British mezzotinto portraits., Date of publication from the British Museum online catalogue, registration no.: 1935,0413.132., Twelve lines of verse in two columns below title: Four brillant [sic] gems, in this great genius shine, The scholar, poet, statesman and divine ..., Window mounted to 51 x 36 cm., and Mounted opposite page 2 (leaf numbered '30' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
John Bowles
Subject (Name):
Swift, Jonathan, 1667-1745, and Pratt, Benjamin, 1676 or 1677-1715.
Portrait of Isaac de Benserade, bust-length, looking to right, with long wig, in oval; illustration from Perrault's 'Les Hommes illustres' (Paris, Dezallier, 1696-1700), volume II.--British Museum online catalogue
Photograph portrait of African American author James Baldwin by Anthony Barboza, 1975. The photograph belongs to Barboza's Black Borders series of portraits of Black artists
Description:
Anthony Barboza (1944-) is an African American photographer, historian, artist, and writer. He was born in New Bedford, Massachusetts, and moved to New York City to study photography. In 1963, he joined the Kamoinge Workshop photography collective, and became president of the collective in 2004., Caption in English., Title from caption., Place of creation supplied by cataloger., and Date of creation from caption.
Subject (Geographic):
United States
Subject (Name):
Baldwin, James, 1924-1987 and Barboza, Anthony, 1944-
Subject (Topic):
African American authors, African American photographers, and Authors
Jones, J. (John), approximately 1745-1797, printmaker
Published / Created:
[17 January 1786]
Call Number:
Portraits B747 no. 4+
Image Count:
2
Resource Type:
still image
Abstract:
"Portrait of James Boswell after Reynolds (Mannings 214); half-length, turned to left, eyes to front; wearing plain, unbuttoned coat and waistcoat; curtain and landscape behind; lettered state before title erased."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Unframed in February 2023. Printed label of the Rowley Gallery in Kensington, London, and a second label with a 20th century ink inscription, affixed to backing of former frame., and Watermark: Whatman.
Publisher:
Pubd. as the act directs Janry. 17, 1786, by I. Jones, No. 63 Great Portland Street, Mary-le-bone
"Portrait of Joseph Richardson, half-length, directed to the left, looking towards the viewer, in double-breasted jacket; after Sir Martin Archer Shee; finished state."--British Museum online catalogue
Description:
Title from text below image, Frontispiece to: Literary relics of the late Joseph Richardson, Esq. ... London : Printed for J. Ridgway, 1807., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 438 (leaf numbered '52 in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
J. Ridgway
Subject (Geographic):
Great Britain.
Subject (Name):
Richardson, Joseph, 1755-1803, and Richardson, Joseph, 1755-1803.
Opposite page 11. Bibliographical and literary anecdotes by William Bowyer, printer, F. S. A., and
Image Count:
1
Resource Type:
still image
Abstract:
"Medley print with a portrait of and verses by Alexander Pope. In the centre, a portrait of Pope in informal dress, presented as if lying above other prints, anti-clockwise from right: a coin of Quenn Anne; an extract from "The Rape of the Lock" with an illustration of "The Fop"; an extract from "Windsor Forest" with a view of formal gardens; decorative scroll work, lettered, "[G A] Delin. Sculp. 1731"; two columns of verse headed "An Encomium on Mr Pope and his Poems by his Grace ye late Duke of Buckingham"; country people dancing around a may-pole. Beneath lie a sheet of music, a sheet printed in gothic letter; two sheets of engraved lettering only partly visible."--British Museum online catalogue
Alternative Title:
Encomium on Mr. Pope and his poems / by his Grace [the] late Duke of Buckingham
Description:
Title from engraved text beneath portrait at center of design., Later state of a print published in 1731 by Henry Overton. Cf. No. 1880 in the Catalogue of prints and drawings in the British Museum, v. 2., "Sayer acquired the stock of Henry Overton II c.1764. This print must have been published after 1766 when Sayer's address changed to No.53 Fleet Street, but before 1774 when he went into partnership with John Bennett."--Curator's comments, British Museum online catalogue, registration no.: 2000,0930.45., Mounted to 29 x 22 cm., and Bound in opposite page 11 in an extra-illustrated copy of: Nichols, J. Bibliographical and literary anecdotes by William Bowyer ...
Publisher:
Printed for Robt. Sayer, at No. 53 in Fleet Street
Subject (Geographic):
England.
Subject (Name):
Pope, Alexander, 1688-1744,, Anne, Queen of Great Britain, 1665-1714,, and Pope, Alexander, 1688-1744.
Subject (Topic):
Authors, British, Poets, Coins, Gardens, May poles, and Dance
"Satire on John Rich and his new theatre in Covent Garden with a procession moving from left to right across the east end of the market square and entering the colonnade leading to the theatre. John Gay is carried on a porter's back preceded by a crowd, one of whom cries "Gay for ever". He is followed by Rich, as Harlequin, driving an open carriage drawn by six satyrs, with Columbine and a spotted dog (a disguise adopted by Rich as Harlequin in "Perseus and Andromeda", 1730). Two authors bow obsequiously to Rich, another wheels a barrow of plays towards the theatre, bootblacks also bow, but in the lower right-hand corner, Alexander Pope defecates on sheets from the Beggar's Opera (the great triumph of Rich and Gay). Actors in costume, some identified in the verses below, follow the carriage, and a cart containing properties including "A Box of Thunder and Lightening", brings up the rear. Beyond the main procession is a large crowd of admirers and a closed carriage; St Paul's church in the background is clearly identifiable."--British Museum online catalogue
Alternative Title:
His triumphant entry into Covent-Garden
Description:
Title etched above image., Signed twice: once in the shadowing lower left of design (illegible) and again above first stanza., Formerly attributed to Hogarth. See Paulson., First recorded as having been published in 1811 by Robert Wilkinson. See British Museum online catalogue., "Price 6d."--Lower right., Three columns of ten lines each etched below image: Not with more glory through the streets of Rome ... For such a day he sees not ev'ry year., In Steevens's hand in pencil above the print: A pretended Hogarth which nevertheless has sold for £4.4.0. See Nicholss book, 3d edit. p. 161., and On page 54 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Name):
St. Paul's Church (Covent Garden, London, England),, Gay, John, 1685-1732,, Hall, John, active 1734,, Quin, James, 1693-1766,, Pope, Alexander, 1688-1744,, Rich, John, 1692-1761,, Ryan, Lacy, 1694?-1760,, and Walker, Thomas, 1698-1744,
