"A London scene: in the foreground men and women flee diagonally from right to left towards the spectator away from a bullock (right) in the middle distance, pursued by men with sticks. The fugitives include a little chimney-sweeper on the extreme left, a stout citizen wearing a high hat, an old military officer on crutches, a woman who has fallen to the ground, a Billingsgate woman with a basket of fish on her head, the contents about to fall, a would-be beau crouching behind a barrel and taking snuff. The bullock has tossed a dog into the air. The background of houses with an open space enclosed by railings suggests Smithfield Market."--British Museum online catalogue
Description:
Title from item., After Dighton. See British Museum catalogue., Temporary local subject terms: Beaux -- Chelsea pensioners' uniform., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, published as the act directs
Subject (Geographic):
England and London.
Subject (Name):
Smithfield Markey,
Subject (Topic):
Animal fighting, Barrels, Bulls, City & town life, Crowds, Fishmongers, Food vendors, Markets, Military uniforms, and British
A gentleman sits on a barrel in a farm yard playing his trumpet. The pigs, chickens, geese, a cat and dog and the run away in terror; a cow looks on the scene with a worried expression; chickens on the roof line of an outbuilding look as if they are about to take flight like the doves leaving the dovecote that is tumbling down in the background. The farmer in a smock and his family and dog also run away in the distance
Alternative Title:
Affected musician
Description:
Title engraved above image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Six lines of verse in two columns below title: The ancient Orpheus play'd such rigs, in music, he could charm the pigs ..., Plate numbered '252' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: farm cottage
Publisher:
Published 1st Decr. 1800 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Barrels, Birdhouses, Dwellings, Donkeys, Musical instruments, Poultry, Swine, and Trumpets
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[29 June 1741]
Call Number:
741.06.29.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Thomas Topham, taken on 28 May 1741; full length, standing slightly to right on high scaffold, preparing to lift three hogsheads full of water in Bath Street, London, in honour of Admiral Vernon's attack to capture Cartagena; after a drawing by Leigh."--British Museum online catalogue
Alternative Title:
Representation of Thomas Topham the strongman ...
Description:
Title etched below image., Printmaker from the Catalogue of engraved British portraits., "Price six-pence"--Following imprint., and Watermark: Countermark "IV".
Publisher:
Publish'd according to act of Parliament, June 29, 1741, and sold by W.H. Toms, engraver, in Union Court, Holbourn
Subject (Name):
Topham, Thomas, approximately 1710-1749, and Vernon, Edward, 1684-1757.
"The Treasury tub" on a stand in the middle of the image, is fitted with a siphon signed "Premier," from which other pipes extend toward Charles Fox, with a fox's head, on the left, and Lord North on the right. Fox, with a sealed cask by his side and holding a jug, complains that the tub appears to be empty from frequent use by the two of them and their friends. North, pouring from a jug into the cask by his side, expresses his contentment with its fullness. The "National tub" under the stand remains empty and "Fox and North, as two cellarmen, are filling casks from "The Treasury Tub" which lies on a wooden stand in the centre of the design. A siphon inscribed "Premier" is inserted in the top of the cask, from which branch a number of curving pipes, or cocks; through these the cellarmen divert its contents to receptacles for their own use. The "National Tub" which stands under the tap of The "Treasury Tub" (or cask) is empty. Fox sits on the left in profile to the right, with a fox's head, curled wig, and long bushy queue, holding a jug on his knee and leaning forward; he says, "The cask sounds empty & well it might be my Lord for we & our Friends have long been drawing from it". The cocks which extend towards him from the siphon are inscribed, "C Fox's Cock, Cock Royal", and "This Cock for Private Services". A cask at his side, in allusion to his gambling habits, is inscribed, "For C. Fox to be left at the Rattle Box Hazard Row till called for". North (right), very stout, in profile to the left, leans backwards pouring liquor from a jug through a funnel into the mouth of his cask, which is inscribed, "For Mr Deputy Secretary to be left at the Vicar of Bray'[s] Head - Bushy Park", indicating that he is a turn-coat and a mere deputy to Fox. The pipes which extend towards him from the siphon are described "Lord No . . .h's Cock; Election Bribe & Pension Cock" and "Admiralty". His lips are pouted towards his own cock and he is saying (in the metre of the Vicar of Bray): "A Plenum in my Cask I shew, with Plus & Plus behind Sir; and now that Cask runs minus low A Vacuum some will find Sir.""--British Museum catalogue
Alternative Title:
Tale of a tub
Description:
Title from item., Thos. Snoozel is perhaps Thomas Cornell. See British Museum catalogue., Sheet trimmed to plate mark.., and Mounted to 30 x 35 cm.
Publisher:
Pub May 24 1783 by Thos. Snoozel, at the Cock & Bottle Maiden Head Thicket
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
"A tun of 'Wine' lies on solid trestles inscribed 'Treasury Bench'. From its huge bung-hole emerges the naked body of Pitt, as Bacchus, crowned with vine branches. He leans back tipsily, a brimming glass in each hand. Behind him stands Dundas as Silenus, fat, and partly draped in tartan; his right hand grasps Pitt's shoulder, in his left he holds up a brimming glass. He also is crowned with vine branches. Bunches of grapes hang down from a vine above their heads and are indicated as a background to the cask whose trestles are on a dais covered with a fringed carpet. Opposite the tun stands John Bull in profile to the left, looking up at Pitt, hat in hand; in his left hand is a lank purse, under his arm three empty bottles. He is a yokel, with lank hair and hydrocephalic head, wearing a smock and wrinkled gaiters. He says: "Pray Mr Bacchus have a bit of consideration for old John; - you know as how I've emptied my Purse already for you - & its waundedly hard to raise the price of a drop of Comfort, now that one's got no Money left for to pay for it!!!" Pitt says: "Twenty Pounds a T-Tun, ad-additional Duty i-i-if you d-d-don't like it at that, why t-t-t-then Dad & I will keep it all for o-o-our own Drinking, so here g-g-goes old Bu-Bu-Bull & Mouth!!! - "."--British Museum online catalogue
Alternative Title:
Triumph of Bacchus & Silenus and Triumph of Bacchus and Silenus
Description:
Title etched below image., Temporary local subject terms: Wine duty, 1796 -- Mythology: Bacchus -- Silenus -- Containers: wine casks -- Allusion to Treasury., and Watermark: I Taylor.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Dionysus (Greek deity)
Subject (Topic):
John Bull (Symbolic character), Taxes, Wine, Grapes, Barrels, and Purses
"A tun of 'Wine' lies on solid trestles inscribed 'Treasury Bench'. From its huge bung-hole emerges the naked body of Pitt, as Bacchus, crowned with vine branches. He leans back tipsily, a brimming glass in each hand. Behind him stands Dundas as Silenus, fat, and partly draped in tartan; his right hand grasps Pitt's shoulder, in his left he holds up a brimming glass. He also is crowned with vine branches. Bunches of grapes hang down from a vine above their heads and are indicated as a background to the cask whose trestles are on a dais covered with a fringed carpet. Opposite the tun stands John Bull in profile to the left, looking up at Pitt, hat in hand; in his left hand is a lank purse, under his arm three empty bottles. He is a yokel, with lank hair and hydrocephalic head, wearing a smock and wrinkled gaiters. He says: "Pray Mr Bacchus have a bit of consideration for old John; - you know as how I've emptied my Purse already for you - & its waundedly hard to raise the price of a drop of Comfort, now that one's got no Money left for to pay for it!!!" Pitt says: "Twenty Pounds a T-Tun, ad-additional Duty i-i-if you d-d-don't like it at that, why t-t-t-then Dad & I will keep it all for o-o-our own Drinking, so here g-g-goes old Bu-Bu-Bull & Mouth!!! - "."--British Museum online catalogue
Alternative Title:
Triumph of Bacchus & Silenus and Triumph of Bacchus and Silenus
Description:
Title etched below image., Temporary local subject terms: Wine duty, 1796 -- Mythology: Bacchus -- Silenus -- Containers: wine casks -- Allusion to Treasury., 1 print : etching on wove paper, hand-colored ; plate mark 35.1 x 24.8 cm, on sheet 39.0 x 28.2 cm., and Mounted on leaf 7 of volume 4 of 12.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Dionysus (Greek deity)
Subject (Topic):
John Bull (Symbolic character), Taxes, Wine, Grapes, Barrels, and Purses
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., 1 print : etching with engraving on laid paper ; sheet 25.8 x 14.9 cm., and Imperfect; sheet trimmed within plate mark on top edge with loss of title.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
