"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
A ring of satirical representations of the twelve zodiac signs surround a basket in which the traditional signs have been thrown. On the basket is a sign 'Old Signs to be sold cheap'.
Alternative Title:
Signs of the zodiac
Description:
Title from text above and below image., Possibly by Robert Seymour?, Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Window mounted to: 25 x 36 cm.
"A young woman shown half-length to right with her back to the viewer, wearing a spotted neckerchief and a straw hat over her cap, looking over her shoulder towards the viewer, holding a basket over her arm and holding up three fruits; in an oval."--British Museum online catalogue, description of a later state
Description:
Title from text below image., For a later state bearing the imprint of Bowles & Carver, see British Museum online catalogue, registration no.: 2010,7081.1688., and Plate numbered "372" in lower left corner.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Pauls Church Yard, London
Subject (Topic):
Young adults, Women, Baskets, Fruit, Peddlers, and Food vendors
A view of pastryman, shown from the side and slightly behind, full-length walking to the right with a basket of breads or patries covered with a cloth, balanced on his head. He wears an apron and carries a walking stick
Description:
Title engraved below image., Illustration to Old cries of London, Spectator, v. xxv, p. 12., Sheet trimmed within plate mark on right edge., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published as the act directs, Sepr. 11, 1792, by J. Caulfield, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two young women standing at the corner of a customs' house with a sign lettered 'Qui si paga la gabella', one carrying a basket, in profile on the right, reaching out one arm to the other, who has a staff on the crook of her arm and her hands joined under her apron, both wearing hats slanted over their foreheads, gowns with laced bodices and fichus, with a dog in the right foreground and view of mountains behind to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Mounted on page 45 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 26.9 x 18.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs, 3d Feby. 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 45. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two young women standing at the corner of a customs' house with a sign lettered 'Qui si paga la gabella', one carrying a basket, in profile on the right, reaching out one arm to the other, who has a staff on the crook of her arm and her hands joined under her apron, both wearing hats slanted over their foreheads, gowns with laced bodices and fichus, with a dog in the right foreground and view of mountains behind to left; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., and Mounted on page 7 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs, 3d Feby. 1773, by J. Bretherton, No. 134 New Bond Street
"A woman carrying a basket of spoons on her arm, while a man bangs the bottom of a pan with a stick."--British Museum online catalogue
Alternative Title:
Cuillaires de metal. Avez vous de vieux cuivre, ou de vieux etain a trocquer?
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Eleventh plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "11" beneath lower right corner of image.
Publisher:
F. Vivarez and by P. Sandby
Subject (Topic):
Street vendors, Baskets, Spoons, Pots & pans, and Pipes (Smoking)
A young woman carries a basket of chickens in one hand and a brace of fowl in her other hand as she sets out to the market. She looks out at the viewer as she is watched by a woman in the doorway of a cottage on the right. She is accompanied by a litle girl who also holds a chicken. Another large basket sits on the ground on the right opposite a chicken with her three little chicks
Description:
Title etched below image. and Publisher's stamp in lower right corner.
Publisher:
Published July 26, 1792, by S.W. Fores, N. 3 Piccadilly
A full-length depiction of a female fishmonger composed of fish: her hat is a lobster, her dress a large fillet of a angel (?) fish, her arms composed of various other fish, whole or parts. Behind her a barrel of oysters on a wooden stool
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by C. Tilt, Fleet Street and Printed by G.E. Madeley, Wellington St., Strand
Subject (Topic):
Arcimboldesque figures, Fishmongers, Fish, Oysters, and Baskets
Verse begins: "Come all you young gallants that's passing along,", In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The range of dates and printers’ names are from the Bodleian Library Ballads database; see also David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Imprint below fourth column., Mounted on leaf 49. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold in Bow-Church-Yard, London
Subject (Topic):
Prostitution, Paternity, Domestics, Love, Gifts, Foundlings, and Baskets
