"Two men and two women, all tipsy, drink and dance in an ale-house, while beer gushes from a barrel whose spigot has been removed. Through a casement window a woman is seen running off with a joint of mutton on a dish. This John and his drunken wife Joan have thrown from the window."--British Museum online catalogue
Description:
Title etched below image., Plate numbered '412' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Six numbered stanzas of verse arranged in three columns below title: John Appleby was a mans name and he liv'd near the sign of the kettle, his wife was call'd Joan Quiet, because she could scold but a little ...
Publisher:
Published Novr. 20, 1805, by Laurie & Whittle, 53 Fleet Street, London
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A stout man, wearing a coat and a tricorne, is shown half-length; he sits at a table, a mug of frothy beer in front of him
Alternative Title:
Old England's support
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Title from item., From the Laurie & Whittle series of Drolls., Two lines of text below image: Why damme! Messmate you're done up ..., Plate numbered '173' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: sailors' uniforms -- Beer barrels -- Dishes: tankards -- Drunkenness.
Publisher:
Published 24th Octr., 1796, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Sailors, British, Military uniforms, Barrels, Beer, Drinking vessels, Pipes (Smoking), Smoking, and Intoxication
"A design in three compartments, each with its title. [1] John Bull (left), very corpulent, a frothing tankard in his hand, sits in an arm-chair beside a table loaded with beef, pudding, and 'Home Brew'd'; he is approached by three famished Frenchmen, who lean eagerly towards him, cap in hand. He points to the table, saying: "The blessed effects of a good Constitution." The three say: "I am your Friend John Bull you want a Reform"; "My Honble Friend speaks my Sentiments"; "John Bull you are too Fat." Below: [2] The three Frenchmen, ragged, bare-legged, and fierce-looking, two with bludgeons and one with a dagger, advance menacingly to John Bull, who holds out a frog, saying: "A Pretty Reform indeed you have deprived me of my Leg and given me nothing but Frogs to eat I shall be Starved I am no Frenchman." He has a wooden leg, is less stout than in [1], and his clothes are ragged. The Frenchmen say: "Eat it you Dog & hold your Tongue you are very happy"; "Thats right my friend we will make him Happier still" (his cap is inscribed 'Ca ira'); "He is a little leaner now." Below: [3] John Bull lies prostrate screaming "O - H - O - H"; two frantic Frenchmen holding firebrands trample fiercely on him. One (left) says: "now he is quite happy I will have a Jump"; the other adds, "Oh Delightfull you may thank me you Dog for sparing your Life - thank me I say."--British Museum online catalogue
Alternative Title:
Reform begun and Reform compleat
Description:
Title from text etched above each image., Attributed to Rowlandson by the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Food: roast beef -- Beverages -- Dishes: tankards -- Jugs -- Weapons: bludgeons -- Wooden legs -- Allusion to French Revolution -- Frenchmen.
Publisher:
Pulished [sic] as the act directs, Jany. 8th, 1793, by Jno. Brown, No. 2 Adelphi
Subject (Geographic):
France
Subject (Topic):
History, Foreign public opinion, British, John Bull (Symbolic character), Ethnic stereotypes, Obesity, Meat, Beer, Pitchers, Daggers & swords, Frogs, and Peg legs
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
Satirical arms with a donkey as the crest, an owl wearing a cap on its back. The donkey stands upon a "Log" which rests upon a "Bible", a paper marked "Address", and a "Liturgy Petition" with a cross on it. The shield contains various images, including three warships, a tankard of beer, military tents next to cannons, and a ram. Hops and barley (or another grain) are present on either side of shield, akin to supporters. Latin mottos are contained within ribbons at the bottom, and read "furiis in censa feror" and "vir tutis sub umbra viti um."
Description:
Title from text below image., Sometimes found as a tailpiece to, and perhaps issued with, the following work: The attorney-general's charges against the late queen, brought forward in the House of Peers, on Saturday, August 19th, 1820 ... London : G. Humphrey, [1820?]., Not in the Catalogue of prints and drawings in the British Museum., Watermark: 1819., Mounted to 58 x 39 cm., Mounted (with one other item) on leaf 13 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "Log-Wood, Brewers Drey[...?]" in upper right margin, in reference to elements of the image.
Publisher:
G. Humphrey?
Subject (Topic):
Coats of arms, Donkeys, Owls, Warships, Sheep, Drinking vessels, Beer, Tents, and Cannons
Title, date, and publisher from item., In upper left, possibly the ad campaign or publisher: KNOW., One of a group of six anti-acohol posters from KNOW., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
KNOW and Studio Press, Brightwaters, N.Y.
Subject (Topic):
Alcoholism, Drinking of alcoholic beverages, Alcohol, Physiological effect, Eating & drinking, and Beer
"An enormously stout man, sitting outside with a brimming jug in one hand, a pipe in the other, tobacco paper and glass beside him, smiling broadly; with a boy on the left, coming out of a house carrying pipes."--British Museum online catalogue
Description:
Title engraved below image., Plate numbered 'No. 193' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1794 -- Ale -- Mugs -- Serving boys.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Beer, Drinking vessels, Pipes (Smoking), and Obesity
Plate lettered in the top center 'G': Reverse copies of details from figures from the lower left corner of Hogarth's "Beer Street". Numbered 1: A detail of man drinking from the lower right, above the hamper; 3. A paver with his ramer barely visible whispers in the ear of a servant-maid (2).
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A mock coat of arms, perhaps for George IV, that possibly served as the tailpiece or other illustration to a verse-satire on the trial of Queen Caroline. The shield is vase-shaped and includes a mug of beer at center, tents and cannons on either side of the mug, a settee below the mug, three ships at top, scales of justice with "vice" outweighing "virtue" below the ships, and a ram at bottom. Surmounting the shield is a donkey with a owl on its back, the owl wearing a tall conical hat; the donkey stands upon a "log", a volume with "bill" on its spine, a chess board, playing cards, sheets of paper labeled "address", and a cross above which "liturgy petition" is written. Plants are seen on either side of shield; below the shield are banners in which the Latin phrases "furiis in censa feror" and "vir tutis sub umbra viti um" are written
Description:
Title supplied by cataloger., Printmaker and publication information from potentially related prints that were published by Humphrey and are attributed to Theodore Lane in the British Museum catalogue. See nos. 13948-13972 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Possibly a plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Sheet trimmed within plate mark., Mounted on page 12 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters R-Z, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Rosco.
Subject (Topic):
Coats of arms, Donkeys, Owls, Books, Playing cards, Board games, Scales, Drinking vessels, Beer, Tents, Cannons, Ships, Sheep, and Couches
