Manuscript fragment on parchment of an unidentified commentary on the Gospel of Luke
Description:
In Latin., Script: late Carolingian handwriting with Italian features., No decoration., Both sides are stained; the lower section of f. 1rb is partly illegible., and Binding: used for the cover of an archival register, with f. 1r as the outer side, as appears from the title written in capitals upside down in horizontal sense on the lower half of that page: “L(ibro) di rendite 1629”.
Manuscript on parchment (well prepared, but with holes and end pieces) in four parts. Part I: 1) Jerome, Liber Hebraicarum questionum in Genesim. 2) Jerome, Epistola LXXVIII. 3) Jerome, Liber de situ et nominibus locorum hebraicorum. 4) Jerome, Liber interpretationis hebraicorum nominum. 5) Abbreviated version of Jerome, Liber interpretationis hebraicorum nominum, De psalterio. 6) Greek alphabet, from alpha to omega; b) three systems of numbers: Roman numerals, Greek numbers transliterated into Roman letters, letters of the Greek alphabet. 7) Note diuine legi necessarie. Artt. 8-13: Commentaries by Pseudo-Jerome. Artt. 14-17: unidentified commentaries. 18) Unidentified lapidary. 19) De mensuris. 20) Part of a letter of Innocent III (dated 1142) concerning the disputed election at York of St. William Fitzherbert. Part II: 21) Rabanus Maurus, De universo, ending defectively in Book 19, ch. 8, sect. B. Part III: 22) Ambrose, Exameron. Part IV: 23) Eustathius, In Hexaemeron S. Basilii latina translatio
Description:
In Latin., Script: Part I (ff. 1-52): Written by a single scribe in small gothic textura. Part II (ff. 52-172): Written by two scribes in small gothic textura. Scribe 1) ff. 52r-160v; Scribe 2) ff. 161r-172v. Part III (ff. 173-200): Written by one scribe in small gothic textura. Numerous annotations in several contemporary and later hands. Part IV (ff. 201-222): Written by a single scribe in bold gothic textura., Part I: Spaces left for initials (5- to 1-line). Rubrics and running titles in red. Guide-letters and notes to rubricator, the latter along outer edges of most margins except inner. Part II: Spaces for initials, 6- to 3-line, left blank, with guide-letters in red. Initials within text stroked with red. Headings and some spiral line-fillers in red (lacking in ff. 161-172, final quire). Part III: 6-line initial, f. 173r, divided red and blue with penwork in the same colors; other initials, 3- to 1-line, in blue with red penwork or vice versa. Running titles in alternating red and blue versals. Headings in red. Guide-letters and notes to rubricator in most margins. Part IV: 3-line initial, f. 201r, red with blue penwork; 2-line initials red with blue or vice versa. Guide-letters still visible. Running titles in alternating red and blue versals. Headings in red., and Binding: 14th century. Apparently bound in England before arriving in Italy. Original sewing, wound and caught up, on five tawed skin, slit strap supports laced through tunnels in the edge to the outside of oak boards, laid in channels and pegged with rectangular pegs. The spine is square with no trace of adhesive. Quarter covered with vellum or tawed skin nailed along the edge. The boards are broken, the sewing breaking and most of the cover wanting; the boards were repaired in the 18th or 19th century when presumably the front flyleaf and pastedown from a document, in Italian, listing sale agreements made during 1650-52, were added.
Manuscript on paper in five parts, containing 1) Mariological interpretation of the first five books of the Bible, comparable to Albertus Magnus, Biblia Mariana, which, however, covers the whole Bible and is much less detailed. 2) Smaragdus (d. c. 830), Diadema monachorum. 3) Gerardus de Leodio (Gerard of Liège, d. 1270), debated authorship, De doctrina cordis, shortened version. 4) A series of interconnected anonymous texts, sermons and short treatises dealing with the love between Christ and the Soul, referring to the Song of Songs. With corrections and annotations. 5) Commentary on Cant. 3:9-10. 6) Collection of quotations from the Bible, the Church Fathers, Bernard of Clairvaux, Hugh of St. Victor, Richard of St. Victor, Petrus Manducator, etc. on the Last Things, the Cross, etc. 7) Invocation to God honouring his benefices. 8) Discussion between the Father and the Son about the fate of the sinners, settled through the intervention of theVirgin. 9) Defensor Locogiacensis (Defensor of Ligugé, 7th century), Liber scintillarum
Description:
In Latin., Script: The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. Scripts include Hybrida Formata, Semihybrida Currens, Hybrida Libraria, and Cursiva Libraria. Part I (ff. 1-84): Copied by four Gothic hands. Part II (ff. 85-215) Copied by several hands. Part III (ff. 216-273): Copied by three hands. Part IV (ff. 274-343): Copied by one hand. Part V (ff. 344-388): Copied by three hands., Headings in red. Part I: The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand. Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v. Part III: The majuscules are stroked in red. 2-3 line plain initials in red. Part IV: Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I. Part V: Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red., The paper at places damaged by the acidity of the ink., Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: "VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V." (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., and Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint., Smaragdus, Abbot of St. Mihiel, active 809-819., and Stephan Bodeker, Bishop of Brandenburg, 1383-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons
Manuscript fragment on parchment (upper half of a leaf) of Gregory the Great, Moralia in Iob, XVIII.41-42.
Description:
In Latin., Script: Copied by one hand in a splendid large uncial with very few abbreviations. On f. 1v the two final letters of the last word on the top line ("habere") have been supplied in Anglo-Saxon minuscule; on line 6 the two final letters of the last word ("praemisimus") are supplied in smaller uncial script., The parchment is thin with greasy transparent patches and a hole (before writing) close to its lower edge., and Later the fragment was used as a flyleaf; an early owner wrote alongside the right-hand edge of f. 1v the ownership inscription "Liber iste est fratris Reyneri de Capella. Orate pro eo".
Manuscript fragment on parchment of Gregorius Magnus (Gregory the Great, pope 590-604), Moralia in Iob
Description:
In Latin., Script: written in bold Praegothica marked by strong bifurcation at the top of the ascenders, frequent use of lengthened i, unusual ct-ligature and the Southern form of tironian et., The text opens with a 6-line decorated initial P, half inset, with long tail in the margin in red and blue., and The inner margin is trimmed, damaging part of the initial on the recto. Both pages are stained and the recto (hair side) is worn.
Manuscript on paper of Gregory I, Pope, Moralia in Iob. Books 1-4 translated into Italian by Zanobi de Strata
Description:
In Italian., Several watermarks, most indeterminate, but one resembling Piccard, vol. 10, II 307 (Pavia, 1397-99)., Copied in Italian humanist cursive., and Binding: Plain vellum over boards. Endleaves from a 14th-century breviary.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Christian literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of books I-IX of Gregory the Great, Moralia in Job, also containing two Masses: (1) feast of Charlemagne (Jan 28) and (2) feast of St Catherine (Nov 25); various prayers; scriptural excerpts; and a list of donations to the abbey of Mersburg
Description:
In Latin., Script: The main section is copied by various similar hands, in Carolingian script: hand (A) copied ff. 3v and 5r-65v; hand (B) ff. 66r-254v and 256r-259v; hand (C) f. 255r-v. The 15th century replacements for missing parts are copied in Gothica Hybrida Libraria, and the additional texts are copied by various 13th-14th century hands, writing in Gothica Textualis Libraria in various sizes, except art. 2, which is in Gothica Cursiva Antiquior., Decoration: Limited and uneven, ceasing after f. 122r. A few simple initials. A small pen drawing of a young man sitting on a bench, with undecipherable accompanying text, and a dry-point sketch of a standing male figure., and Binding: 20th century brown morocco de luxe over cardboard, by Marguerite Duprez-Lahey (1880-1958); both covers blind-tooled with frames and disk motif, also apparent on the blind-tooled turn-ins; and the spine has four raised bands and gold-tooled inscriptions.
Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard
Description:
In Latin., Script: Written in fine early gothic bookhand in two sizes of script, above top line., Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red., and Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gilbert, de La Porrée, approximately 1075-1154., Hugh, of Saint-Cher, Cardinal, approximately 1200-1263., and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
