Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
Manuscript on parchment in two parts. Part I: Pseudo-Bede, Commentarius in Psalmos. Due to the loss of quires or leaves the following parts are missing: Ps. 23:1-31:6; Ps. 44:14-50:21; Ps. 88:48-95:10; Ps. 131:8-147:14. The contents of the first quire, which is equally lost, is unknown. Written at the Cistercian abbey of Morimondo. Part II: Unidentified definitions and theological and ethical discussions of Biblical terms and quotations without apparent order, on behalf of preachers
Description:
In Latin., Script: Part I (ff. 1-113): Written by various hands close to each other in small late Carolingian script, with sudden changes in the shade of ink and sometimes badly following the lines. The handwriting on ff. 77-84 (quire XI) and ff. 112-113 (quire XVI) has markedly different features. Part II (ff. 114-133): Written by a single hand in tiny Southern Gothica Textualis Currens, at different times and in many different ink shades. The scribe opens both quires with "Sancti Spiritus assit nobis gratia" in the upper margin., Part I: The very simple decoration is uneven and consists of plain Romanesque initials, 2 or 3 lines, in red ink; on f. 41r (Ps. 51) 5 lines; many initials are not executed or later coarsely added in black ink. Part II: Undecorated., and Binding: Fifteenth century. Brown sheepskin over heavy unbevelled wooden boards, blind-tooled with triple fillets. Spine with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bede. and Cistercians.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Preaching
Manuscript of a Latin Bible with Prologues attributed to St. Jerome, pages1-823, lacking most of the prologue to the whole Bible but including the Prologue to the Pentateuch, lacking Numbers XXXIV:26 to Deuteronomy I:35, Deuteronomy XXXIII:21 to Joshua II:1, Ruth IV:15 to I Kings I:4, I Kings XXX:3 to II Kings II:3, Proverbs XIX:11 to XXIII:11; Ecclesiasticus X:16 to XIV:3, Jeremiah XLIX:16 to LI:3; Interpretation of Hebrew Names, pages 825-896, lacking end (from Uphir). The Psalms are omitted, although the final three Psalms (148:4-150) appear in two parallel versions on page 389 following Job
Description:
In Latin., Layout: contemporary pagination. 52 lines in two columns; columns of each book numbered in the lower margins; with the columns themselves divided into sections using letters of the alphabet and Arabic numerals., Script: very small Gothic bookhand., Decoration: each Biblical book and some prologues open with a large puzzle initial in red and blue, often with the other letters of the initial word in red and blue capitals with penwork flourishing; chapter initials rubricated and with penwork flourishing., Annotations: contemporary and later annotations in several hands. One mentions the book of Brother Richard of London (page 186)., and Binding: contemporary tawed skin over wooden boards; remains of leather straps and brass clasps.
