The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain."--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., and Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain"--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in Steevens's hand above: Samuel Ireland's copy., and On page 7 in volume 1. Sheet trimmed to: 160 x 197 mm.
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain"--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., and Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Title from caption below image., Date of publication from Oliver., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume -- Binding of fasces -- Reception of Loyalists, 1783 -- Crowns -- Helmeted Britainnia -- Figure of Christianity -- Figure of Justice -- Artists implements -- Palette -- Cherubs -- America.
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Blacks, and Indians of North America
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the left a group of three ladies stand behind Sancho's chair, one pointing to him. Behind the physician on the right a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper right on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food
Alternative Title:
Sancho at the magnificent feast prepared for him at his government of Barataria and Sancho's feast
Description:
Title from caption below image., Also signed lower right, following imprint: W. Hogarth inv. et sculpsit., State from Paulson., "Price 1s."--Upper right corner., Title continues: " ... Pedro Rezzio his phisician [sic], out of great care for his health ordering every dish from the table before the governour tasts it.", and Sheet trimmed within plate mark; signature on lower right faint.
Publisher:
Printed for H. Overton & J. Hoole at the White Horse without Newgate
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the right two ladies stand behind Sancho's chair, one pointing to him. On the left a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper left on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food. A reversed copy of the original engraving by Hogarth
Description:
Title from caption below image. and Mounted to 420 x 440 mm.
Publisher:
Published for the proprietor by Messrs. Colnaghi, Son & Co.
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the right two ladies stand behind Sancho's chair, one pointing to him. On the left a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper left on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food. A reversed copy of the original engraving by Hogarth
Description:
Title from caption below image., "Don Quixote. No. IX."--Above image., Sheet trimmed within plate mark., and On page 88 in volume 1.
In a large, barn-like hall on the street level, at the open door on the right, a man stands outside with a raised staff, denying entrance to two men coming towards him. The hall is spacious, with an arched double door and a skylight window above in the center of the back wall and a tall, hooded chimney over a fireplace on the left. Along the back of the hall two women sit on a bench awaiting an interview. The one on the left has crossed eyes and spots on her forehead and checks, her hands in a muff. Two youths standing behind her smile down on her scornfully. Further to the right sits a poorly dressed black woman with an eager expression on her face. A young woman standing behind her appears to instruct her while pointing to the interview taking place in the foreground. On the left, an old getleman examines a young, buxom maid whom he is holding by the arm. A copy of Harris's list sticks out from his coat pocket. Above the maid is a notice on the wall “To be Lett and enter'd on immediately.” Two other women standing by the fireplace watch the pair intently. In the center of the image, an elderly lady leaning on a cane examines through her quizzing glass a sturdy young man she is interviewing. Above them is notice on the wall “Wanted a Strong Man servant for a Lady to do all Work.” Between them on the ground, sits a little boy with a toy in his hand. Next to them, a large dog lies asleep, with a note next to his muzzle, "A faithful servant wants a place". On the extreme right, a man seated behind a desk with his back to the viewer, gives a young woman a paper signed "To Mrs. Coupler Covent Garden". In bottom right of image is book open with title page partially obscured by trunk on top of it: “Modern Chastity exposed. a Vindic[ation] Hon.” A large lantern is suspended from the ceiling near the fireplace. One of its panes reads, "Cheatall's new Statute Hall every day", another, "A Statute Hall for hiring servants."
Description:
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, and Jno. Smith. No. 35 Cheapside
