"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Title in lower margin., Originally published in Ballou's Pictorial Illustrated Newspaper, Boston, 7 May 1859., Swango is also called Swan Island, and was briefly the home to a health retreat., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Maturin M. Ballou
Subject (Topic):
Health resorts, Islands, Farms, Rivers, Boats, and Country life
"Bird's eye view of London; the Tower on the right, old London Bridge in the centre with the Monument to its right, St Paul's beyond, Westminster Abbey in the distance at the left; a reduced copy of a print by Bowles."--British Museum online catalogue
Alternative Title:
Vüe générale de la ville de Londres qui comprend la partie la plus voisine de la Tamise
Description:
Titles etched below image, in English and French., Probably a later state, with slight alterations to the plate numbering. For a state with "No. 1" in upper right corner and no number in upper left corner, see British Museum online catalogue, registration no.: 1875,0710.4904., Date range for publication from the British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "No. 1" in upper left corner and "1" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 20 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, London Bridge (London, England),, England, and London.
Subject (Name):
Tower of London (London, England),, St. Paul's Cathedral (London, England),, and Westminster Abbey,
Subject (Topic):
Monument, The (London, England), Cathedrals, Bridges, Monuments & memorials, Rivers, Boats, and Sailing ships
An illustration from London Magazine. Several men including one with a wooden leg sit or stand atop pilings at quayside. A tavern or inn with a glass and bottle on signboard is to the left of the image. In the foreground men fall off a gangplank attempting to get into boats, while a crowd of onlookers fills the background
"View of Westminster Bridge from the centre of the Thames; a number of small boats in foreground; Westminster Abbey and Hall beyond bridge to the right."--British Museum online catalogue
Alternative Title:
Vüe du Pont de Westminster du cote du nord
Description:
Titles etched below image, in English and French., Date of publication from description of 19th-century reissue by Francis West; see British Museum online catalogue, registration no.: 1875,0508.1462., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "3" in upper right corner., and Leaf 22 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, Westminster Bridge (London, England),, England, and London.
Subject (Name):
Westminster Abbey, and Westminster Hall (London, England),
"View of the gardens fronting Somerset House, with the River Thames on the left, Westminster Abbey and Bridge in the distance on the left, and Somerset House and gardens on the right."--British Museum online catalogue
Alternative Title:
Vüe de Jarden Royal de Somerset, du cote de la riviere
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "12" in upper right corner., Watermark: 1817., Leaf 43 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Somerset House.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Thames River (England),, Westminster Bridge (London, England),, England, and London.
Subject (Name):
Somerset House (London, England), and Westminster Abbey,
Subject (Topic):
Gardens, Rivers, Castles & palaces, Bridges, and Boats
A fashionably dressed young woman is being held in a row boat as her young gentleman struggles with the gang of abductors. People from the stairs nearby and the building behind the brick wall look on.
Description:
Title engraved below image.
Publisher:
Printed for R. Sayer and J. Bennett, Map and Printsellers, No. 53 Fleet Street
"The Duke (left) and Duchess of St. Albans stand facing each other; the little Duke staggering under an ornamental basket which supports a side of bacon, inscribed Best Wiltshire. The Duchess holds on her shoulder a cutter in which are seated six oarsmen with oars held erect, and a helmsman. The Duke is dressed as Grand Falconer (see British Museum Satires No. 15596) and wears a hood with bells indicating both a fool's cap and the hood and bells of falconry. Two speeches float from his head: [1] "In love connubial, formed to live and last, This gift records a blissful twelvemonth past We claim, then boldly claim the flitch Dunmow First of the blest, who keep the marriag Vow". [2] I thought the flitch to small a present on this auspicious day so I have brought the Gammon with it Love. The Duchess answers: Thanks for your Bacon Duke well have you Saved it - and in return accept of this small Testimony of my affection. She wears Court dress, coronet, and feathers. The boatmen wear yellow and green liveries, and on the prow is a falcon's head; the back of the seat in the stern is decorated with a falcon perched on a melon resting on a heap of sovereigns. In the foreground are spectators: on the left the Dukes of Cumberland (wearing his hat) and Sussex stand together with Prince Leopold behind them; on the right is Sir Francis Burdett (son-in-law of Coutts), very thin, surprised, and displeased. In the background are other spectators, their heads concealed by the boat, and on the right a group of singers, some in Tyrolean costume, with (?) Braham and Miss Stephens; they sing: a boat a boat."--British Museum online catalogue
Alternative Title:
Scene in the honeymoon and Conjugal felicity
Description:
Title etched below image., Print signed using William Heath's device: character of Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., Imprint continues: ... where political and other caricatuers are dialy [sic] pub. the largest assortment of any house in town., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Albans, William Beauclerk, Duke of, 1801-1849, St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Ernest Augustus, King of Hanover, 1771-1851, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Léopold I, King of the Belgians, 1790-1865, Burdett, Francis, 1770-1844, Braham, John, 1774-1856, and Stephens, Catherine, 1794-1882
Subject (Topic):
Marriage, Spouses, Baskets, Bacon, Boats, Rowers, and Spectators
Three gentleman sit in a row boat fishing. As the man on the right tumbles off his chair into the river as waves hit their small boat, he accidently hooks his companion in the nose. A third man (left) looks on in horror as the man in the middle cries out in pain. Their dog has also fallen in the river from where he looks on the scene
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered in upper right corner: No. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored ; plate mark 20.2 x 25 cm, on sheet 25.5 x 31.6 cm., and With border lines added in pen and ink. Stamped in blue ink on verso: PRINTED IN GREAT BRITAIN.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Boats, Fishing, Fishing & hunting gear, Accidents, and Dogs
