Manuscript on paper of 1) Epistolae of Isidore, Braulio and Sisibutus. 2) Isidore of Seville, Etymologiae. 3) Richardus de Wedinghausen (Richardus Praemonstratensis), Expositio missae. 4) Bonaventure, Sermo VI de assumptione Beatae Virginis Mariae. 5) Extract from Hugh of St. Victor, Didascalion IV.14. 6) List of forbidden magical arts
Description:
In Latin., Watermarks for both end papers and text: Piccard, Ochsenkopf XII.685, Nuremberg 1430., Script: Written by a single scribe in running hybrida script., Unattractive initials in red (or red and black divided) with penwork designs, dots, knobs and/or heart-shaped appendages, all in red and black. Numerous plain red initials of similar design. Headings, running headlines, chapter numbers and initial strokes in red. T-O map of the world on f. 131v in red., and Binding: 15th-16th centuries, Bohemia. Stays from 15th-century parchment manuscript. Original sewing on three double supports attached to flush, sharply bevelled wooden boards. Spine leather originally sewn around endbands. Covered in cream colored suede-like skin with very faint traces of a blind-tooled X in an outer frame. Spine: double fillets at head and tail; a neat, sewn mend near the head. Pink paper place marks on the fore edge. Two strap-and-pin fastenings, the pins on the upper board and stubs of kermes pink straps attached to lower one with flower-shaped plates. Trace of a chain attachment near head of lower board; title (mostly effaced) in gothic bookhand near head of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin language, Etymology, and Manuscripts, Medieval
Manuscript on paper containing numerous patristic and medieval theological texts
Description:
In Latin., Script: copied by one hand in bold Gothica Cursiva Libraria. The running headlines and the marginal notes are written in small Gothica Cursiva Currens of often scant legibility. The pastedowns are copied by a contemporary hand writing a very bold and angular Gothica Hybrida Libraria (Fractura)., The headings are written or underlined in red; red heightening of the majuscules and red plain initials. There is no red heightening and the initials are not executed on ff. 133-156. On many pages the reading is impaired by the acid ink., The manuscript contains: 1) Ps.-Ambrosius Mediolanensis (Pseudo-Ambrose), De dignitate sacerdotali, without the opening section. 2) Caesarius Arelatensis (Caesarius of Arles, Ps.-Augustinus Hipponensis, c. 470-542), Sermo 41 (De indigna familiaritate extranearum mulierum et de martyrio). 3) Fastidius (s. V, attrib.; Ps.-Augustinus), De vita christiana. 4) Ps.-Augustinus Hipponensis (Pseudo-Augustine), Speculum peccatoris. 5) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux) or Ps.-Augustinus Hipponensis (Pseudo-Augustine), Planctus de passione Domini. 6) Richardus de Sancto Victore (Richard of Saint Victor, d. 1173) or Egbertus Schonaugiensis (Egbert von Schönau, d. 1184), Soliloquia. 7) Iohannes Chrysostomus (John Chrysostom, c. 345-407), Quod nemo laeditur nisi a seipso, Latin version. 8) Iohannes Chrysostomus, De compunctione, Latin version. 9) Ps.-Iohannes Chrysostomus (Pseudo-John Chrysostom), De paenitentia, Latin version. 10) Iohannes Chrysostomus, De reparatione lapsi, Latin translation ascribed to Anianus Celedensis (5th century). 11) Fulgentius Ruspensis (Ps.-Augustinus, c. 468-533), De fide ad Petrum. 12) Ps.-Augustinus (Pseudo-Augustine), De contemptu mundi. 13) Caesarius Arelatensis (Ps.-Augustinus), Sermo 7 (Admonitio per quam ostenditur quantum boni sit lectionem divinam legere, et quantum mali sit ab illa vel inquisitione desistere). 14) Ps.-Hieronymus Stridonensis (Pseudo-Jerome), Epistula ad Paulinum. 15) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux), De quattuor beneficiis. 16) Hieronymus Stridonensis (St. Jerome, c. 348-420), Epistula 52 (Ad Nepotianum). 17) Hieronymus Stridonensis, Epistula 109 (Ad Riparium). 18) Hieronymus Stridonensis, Contra Vigilantium. 19) Hieronymus Stridonensis, Epistula 22 (Ad Eustochium). 20) Hieronymus Stridonensis, Epistula 125 (Ad Rusticum de vita monastica). 21) Caesarius Arelatensis (Caesarius of Arles, c. 470-542), Sermo 44 (De castitate). 22) Caesarius Arelatensis, Sermo 43 (De castitate coniugali). 23) Caesarius Arelatensis, Sermo 157 (De lectione evangelica). 24) Caesarius Arelatensis, Sermo 33 (De reddendis decimis). 25) Ps.-Augustinus, Sermo de die iudicii. 26) Ps.-Augustinus, Sermo de die iudicii., and Binding: original undecorated white parchment (spine repaired) over wooden boards; spine with three raised bands. Remnants (rectangular brass plates fixed with four nails) of two clasps attached to the rear cover. At the top of the front cover the damaged early inscription in ink: “*******o*ale” (pastorale?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin, Manuscripts, Medieval, Theology, and History
Manuscript on paper of a miscellany. The manuscript seems to be a compilation organized, corrected and expanded by a single person specialized in pharmacology and medicine and interested in natural history, encyclopedical knowledge and history
Description:
In Latin with some Czech (?), German, and Hebrew., Watermarks: crown (var. Briquet 4616?), circles (var. Briquet 3194?), bull's head (?)., Script: Copied by various scribes, writing Gothica Cursiva Libraria or Currens in various sizes, often very small; ff. 127r-143r, 7 are in a markedly different, larger form of Gothica Cursiva Libraria., The decoration is unevenly spread: heightening of majuscules and plain initials in red. On ff. 162-170 alternance of red and green initials, on f. 162r flourished initial in the same colours. Artt. 21 and 22 are not illustrated, although the text mentions figurae., At many places the paper is deteriorated by the acidity of the ink., and Binding: Original limp parchment. A bifolium from a German manuscript in Gothica Cursiva, worn and stained, lined with a German document on parchment in Gothica Cursiva Antiquior/Recentior. Leather spine stiffener with ornamental stitching.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Medicine, Medieval, Natural history, and Pharmacology
Manuscript on paper of Postillae ("sermons," or treatises) on the gospels and epistles in a style close to Petrus Alberti (or, Aldeberti, or Adalberti).
Description:
In Latin., Script: The main text (artt. 5-41) is copied by two hands in Gothica Cursiva Currens: hand (A) copied ff. 13r-108v (quires II-IX); and hand (B) copied ff. 109r-247v (quires X-XXI partim). The other texts are in similar script types., Decoration: Missing on many pages (ff. 37r-40r, 41v-56r, 67v-78v, 85v-89r, 92v-93v, etc.), but there is red underlining, paragraph marks, stroking of majuscules and punctuation, red headings, and occasional annotations and indications of the sources., and Binding: original blind-tooled brown leather over wooden boards; both covers are decorated with a spread eagle, a rampant lion, and a fleur-de-lis, with an inscription on the front cover. Two leather and brass clasps are attached to the rear board while brass catches are on the front board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Church dedication sermons, Church year sermons, and Manuscripts, Medieval
Manuscript on parchment of Books of Proverbs, Ecclesiastes, Song of Songs, Wisdom and Ecclesiasticus, preceded by prologues. With two short prayers
Description:
In Latin., Script: Written in hybrida script by a single scribe. Arts. 2-3 added by later hands., For prologues and beginning of each book partial borders constructed of a thin bar, unburnished gold, pink or green with burnished gold balls, terminating in sprays of stylized foliage, green, pink, and blue with gold accents. One large illuminated initial, f. 1r, 13-line, blue with light blue foliage shading against a red and pink ground; foliage serifs in green. 6 smaller illuminated initials, blue, pink, green or gold against blue or pink ground with white or gold filigree and/or gold crosshatching. Numerous pen-and-ink initials, 2-line, alternate in blue with red penwork designs and gold with blue penwork designs. Running titles in red and blue. Headings in red. Initials touched with yellow., and Binding: Fifteenth century, Bohemia. Sewn on three supports, with two half bands near head and tail, fastened to wooden boards. Yellow edges and kermes pink place marks. Covered in brown calf, blind-tooled with floral designs, with a central and four large corner fittings on each board. Spine: supports defined with double fillets; four leafy flower bud tools pointing inward in the two central panels. Two fastenings, the catches on the upper board and the lower one cut in for tawed skin, cream colored straps (only stubs remain). Small pieces of liturgical manuscript (Northern Italy, 14th century) used for front and rear pastedowns. Head and tail of spine and the upper joint very unobtrusively repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Wisdom literature
In Latin., Watermarks: similar to Briquet Cloche 3934, Briquet Cloche 3979, and Briquet Tete de cerf 15499., Script: Written in a running hand by five scribes: 1) ff. 3r-85r; 2) ff. 85r-115r; 3) ff. 116v-117r; 4) ff. 115v, 117v-129v, 130v (art. 58); 5) ff. 131r-137v., Crude 3-line initials, in red, at beginning of each sermon; guide-letters for rubricator. Underlining of names of authors and of Biblical quotations, and initial strokes, all in red. Rubrics often lacking., Rodent damage in outer margins, from f. 68 on; no loss of text., and Binding: Fifteenth century. Original sewing on four tawed, slit strap supports laced through tunnels in the edge of flush beech boards to a groove on the inside and pegged. The spine is square, back cornered, and lined between sewing supports with stubs of vellum that extend on the inside of the boards (in front: partially visible document in Latin, written in 14th/15th-century chancery hand; in back: Missal, Germany, ca. 1150, initials in orange, with neumes, small format: part of a bifolium). Plain, wound endbands on tawed cores which sit on the spine. Covered in tawed (?) skin, originally white, with a small tab of a single layer of skin at head and tail. Five flower-shaped bosses on each board and two strap-and-pin fastenings, the pins on the upper board, and both boards cut in to accomodate the straps. Rodent damage, and all but two bosses wanting. Most quires reinforced in center with narrow strips of parchment, including portions of a leaf used for pen trials (15th century); and of an unidentified text written in batarde with a pen-and-ink drawing (15th century). On outside of upper cover, written in ink: "Super epistolis dominicalibus/ Sermo de preceptis".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Church year sermons, Manuscripts, Medieval, and Sermons, Latin
