"Ritson stands at a desk in profile to the Ieft, writing in a large book, both pages headed 'Common Place'. His finger- and toe-nails are talons; he dips his pen in an ink-stand inscribed 'Gall', and has written: 'Moses an Impostor the prophets old Cloaths Men of Judæa Warburton a fool Dr Percy a Liar Warton an infamous Liar a pipeer [Ritson adopted a system of spelling chiefly characterized by a duplication of the letter e. 'D.N.B.'] better than a parson'. He wears a tightly buttoned overcoat and a top-hat; his toes project through broken shoes. From his pocket projects a pamphlet: 'The Atheist's pocket Companion.' He stands on a slab of (damaged) papers headed 'Dr Percy's Antient Balla[ds]'. his feet is a large open book; on one page is a half length portrait of Thomas Warton stabbed through with a knife and fork; on the other, 'History of English Poetry'. The room is filled with heavy folio volumes and vegetable products; there is a small window with cracked panes. A cow (head only visible) munches at a basket of large leaves beside a paper: 'Bill of Fare \ Nettle Soup \ Sour Crout \ Horse Beans \ Onions Leeks'. On a top shelf an emaciated cat, heavily chained, strains in vain towards two rats who nibble a bunch of candles; beside it is an open book: 'Abstinence from animal Food a moral duty'. Below, 'The Bible' slants across a gap in the book-shelf labelled 'Old Romances'. On Ritson's desk (left) is a pile of books on which squats a frog; on it vegetables are heaped."--British Museum online catalogue
Alternative Title:
Impiger iracundus, inexorabilis acer
Description:
Title from British Museum catalogue., Signed with the initials of James Sayers., One line of Latin verse below image: Impiger iracundus, inexorabilis acer [Horace, Ars Poetica]., One line of Greek text below Latin verse., Four lines of English text above imprint: Fierce meagre pale no commentator's friend. Purs. Lit. Let his portion be with the beasts in the grass of the Earth ..., Temporary local subject terms: Ink well -- 'Common Place' -- Iron gall ink., 1 print : etching and aquatint on wove paper ; plate mark 26.6 x 20.5 cm, on sheet 28.3 x 21.3 cm., and Mounted on leaf 80 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Ritson, Joseph, 1752-1803
Subject (Topic):
Desks, Writing materials, Books, Vegetables, Cows, Cats, Rats, Frogs, Vegetarians, and British
Title supplied by curator., Original painting also known as "The Alchemist"., Date supplied by cataloger., Place of publication derived from artist's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Office, interior., and Title in pencil in margin.
Publisher:
publisher not identified
Subject (Topic):
Physicians, Old age, Medical offices, Skulls, Older people, Books, Hourglasses, and Writing materials
Title from item., Date and place of publication from item., From: Realdo Colombo, De Re Anatomica, libri xv, Venetiis: N. Beuilacquae, 1559, title page., The design of this print is attributed, by tradition, to Paolo Veronese., and Written in cartouche upper center: Realdi Columbi Cremonensis, in almo gymnasio Romano Anatomici celeberrimi, De re anatomica libri XV.
Publisher:
Ex Typographia Nicolai Beuilacquae
Subject (Name):
Colombo, Realdo, 1516-1559,
Subject (Topic):
Human dissection, Medical education, Human anatomy, Dead persons, Physicians, Books, and Children
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '215' in lower right corner of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A mock coat of arms, perhaps for George IV, that possibly served as the tailpiece or other illustration to a verse-satire on the trial of Queen Caroline. The shield is vase-shaped and includes a mug of beer at center, tents and cannons on either side of the mug, a settee below the mug, three ships at top, scales of justice with "vice" outweighing "virtue" below the ships, and a ram at bottom. Surmounting the shield is a donkey with a owl on its back, the owl wearing a tall conical hat; the donkey stands upon a "log", a volume with "bill" on its spine, a chess board, playing cards, sheets of paper labeled "address", and a cross above which "liturgy petition" is written. Plants are seen on either side of shield; below the shield are banners in which the Latin phrases "furiis in censa feror" and "vir tutis sub umbra viti um" are written
Description:
Title supplied by cataloger., Printmaker and publication information from potentially related prints that were published by Humphrey and are attributed to Theodore Lane in the British Museum catalogue. See nos. 13948-13972 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Possibly a plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Sheet trimmed within plate mark., Mounted on page 12 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters R-Z, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Rosco.
Subject (Topic):
Coats of arms, Donkeys, Owls, Books, Playing cards, Board games, Scales, Drinking vessels, Beer, Tents, Cannons, Ships, Sheep, and Couches
Pencil notation verso, "St. Luke 7/6"., Framed drawing labeled Hippocrates., Date based on style of drawing., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title supplied by curator., Printmaker supplied by curator., Date derived from printmaker's date of death., Place of publication derived from publisher's country of residence., Sheet trimmed., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy.
Publisher:
D Teniers in et excud. cum privilegio
Subject (Topic):
Urine, Analysis, Medicine, Rural, Medical offices, Physicians, and Books
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture
