"An allegorical design. Britannia, holding her shield and a cap of Liberty on a staff, rushes (right to left) with a calm expression to the edge of a cliff, urged on by Wellington and five other Ministers (scarcely characterized). On her right a man snatches the drapery from a small cloud-borne figure of Fortune with her wheel, who is directed towards an oval portrait of Queen Caroline supported by an angel. Fame holds a laurel wreath above the portrait. Below the cliff or rock from which Britannia steps so heedlessly is a patch of ground surrounded by sea. On this stands Burdett, holding out a scroll inscribed 'Magna Char[ta] Liberty of Napoleon' and holding out his left arm to prevent Britannia from falling. Justice stands behind him, holding evenly balanced scales. Four other men stand close behind him, one holding out a scroll inscribed 'Reform', and supporting the arm which holds the scales. A man in shirt-sleeves kneels at Burdett's feet, making a gesture of urgent entreaty. On a rock (right), symbolizing St. Helena but merging with Britannia's cliff, sits a spotted, sub-human Caliban-like creature, who holds a small image of Napoleon, which he is about to cover with an extinguisher. At the base of the rock, but in the background, are two tiny officers in military uniform, seated together at the edge of the sea, directed to the right. In the foreground (left) sits a woman (? France) in classical draperies, holding a sceptre, with a (? Bourbon) crown falling from her head, and with a second (? imperial) crown in her lap. She gazes towards St. Helena. Inset in the title and enclosed within a border inscribed 'Honi soit qui mal y pense': 'Wilson sçut délivrer une Noble victime Burdett, Hobhouse, Holland, sauvez Napoléon, Arrachez-le aux tourmens de l'exécrable Hudson, Vengez l'honneur Anglais flétri par un grand Crime Et sauvez Albion sur le Bord de l'Abême [sic]!!!'."--British Museum online catalogue, description of a later state
Alternative Title:
Nation and her m-n-t-r's and Nation and her ministers
Description:
Title etched below image., Early state, before border and imprint statement added. For a later state with border present and the imprint "Pubd. by Milleville, Hampstead" etched in lower left, see no. 14050 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of twenty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
John Milleville?
Subject (Geographic):
Saint Helena,
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wellington, Arthur Wellesley, Duke of, 1769-1852, Burdett, Francis, 1770-1844, Napoleon I, Emperor of the French, 1769-1821., Broughton, John Cam Hobhouse, Baron, 1786-1869., Wilson, Robert, Sir, 1777-1849., Holland, Henry Richard Vassall, Baron, 1773-1840., Lowe, Hudson, Sir, 1769-1844., and La Valette, Antoine-Marie Chamans, comte de, 1769-1830.
Subject (Topic):
Britannia (Symbolic character), Cliffs, Shields, Liberty cap, Angels, Justice, Scales, Military officers, and Crowns
Title from item., Printmaker from British Museum catalogue., Plate numbered '27' in upper right corner., Printseller's announcement within design: Price one shillg. colord., Temporary local subject terms: Welshmen -- Scots -- Fairs -- Germans -- Prussian military officer -- Food -- Sauerkraut -- Sauer kraut -- Crutches -- Sailors -- Russians -- Dutchmen -- Bears -- Reference to Austria -- Musical instruments -- Trumpet -- Habsburg Eagles -- Clowns -- Reference to Spain -- Reference to Westpahlia -- Clowns-pierrot -- Food -- Gingerbread -- Turks -- Drums -- Sausages -- Flags -- Royal Arms., and Mounted to 31 x 44 cm.
Publisher:
Pubd. Octor. 1st, 1807 by Thos. Tegg, 111 Cheapside
Subject (Name):
Frederick William III, King of Prussia, 1770-1840, Louis Bonaparte, King of Holland, 1778-1846, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded fair-ground, with many seen combining realism with a fantastic survey of the international situation. The are spectators and attractions in the foreground, on the ground-level backed by adjacent and competing platforms, all with performers, placards, and flags On the ground on the extreme left. in front of a notice: 'German Sour Crout with French Sauce', a waiter hurries with a steaming dish towards Germans at a table who are hideously guzzling sauer kraut as in British Museum Satires No. 10170. Behind are the backs of spectators gazing up at a platform, on the extreme left., on which a Russian displays a bear on its hind-legs, padlocked to a post inscribed 'French Influence'. The Russian, holding out a sheaf of papers, blows a trumpet with an attached banner decorated with the Russian eagle. Behind is a back-cloth inscribed: 'Russian Booth - . This day will be presented the Comedy of The Double Dealer [by Congreve] to which will be added a new Burletta called The Bear in Leading Strings - The Music principally French' [see British Museum Satires No. 10750, &c.]. Next are three narrow platforms close together: a zany wearing a conical cap, shouts to the audience below. His placard announces: "Danish Booth - The English Fleet [comic opera by T. Dibdin, 1805] and The Devil to Pay" [opera by Coffey, 1730]. Below the script a naval engagement in depicted. Next, a pierrot, wearing a fool's cap, beats a drum, before a placard: 'Sweedish Booth - Blind Bargain [comedy by Frederick Reynolds, 1805] and Hob in the Well' ['Flora; or, Hob in the Well' by Hippisley, 1730]. A Punch-like man stands in front of the 'Westphalia Booth - Wife and no Wife [unacted farce by Coffey, 1732] with Jerry Sneak [in Foote's 'Mayor of Garratt', 1763] in his Glory'. All three booths fly their national flag, except the last, on which there is a ham inscribed 'Venison', see BMSat 10759. The booths recede in perspective and from left. to r., a pendant to similar booths on the opposite side. Between them, facing the spectator, is the central and largest: 'The Best - Booth in the Fair Iohn Bull and Company - The Englishman's Fire Side, and The Wooden Warn of Old England, Principal Characters by Joh Bull, Paddy Bull, Ben Block &c.' This is surmounted by the Royal Arms and British flag. On the little stage Britannia stands, holding her spear and pointing to a group seated round a punch-bowl: John Bull, a fat 'cit' smoking a long pipe, Erin with her harp, a fat Welshman with a leek in his hat, and a lank Scot in Highland dress; the last three are drinking. The toast is on a paper below the punch-bowl: 'Old England for ever the land Boys we live in'. Beside Britannia is her lion, rampantly supporting her shield. The space under the platform (boarded upat the other booths) is an eating-place: men (in shadow) guzzling hard, while a cook triumphantly brings in a huge sirloin. Above: 'Roast Beef gratis this Booth.' (A plea for national unity as in British Museum Satires No. 10009, &c.) ..."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state, with altered plate number. For earlier state numbered "27" in upper right, see no. 10763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Companion print to: St. Stephens fair., Plate numbered "279" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shillg. colord"--Within lower left portion of design., and Leaf 56 in volume 4.
Publisher:
Pubd. Octor. 1st, 1807, by Thos. Tegg, 111 Cheapside
Subject (Name):
Frederick William III, King of Prussia, 1770-1840, Louis Bonaparte, King of Holland, 1778-1846., and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
Title etched above image., Publication date from British Museum catalogue., Three columns of verse below image begins: In an---t days Sr Robt Carr ..., Temporary local subject terms: Allusion to William Pitt the Elder -- Executioner's axe -- Emblems: Thistle (Scotland) -- Emblems: Jack boot (Lord Bute) -- Ghosts., and Watermark: Strasburg lily.
Publisher:
Printed & sold at Darly's in Cranbourn Ally, as the act directs Js. P.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Somerset, Robert Carr, Earl of, d. 1645
Title etched above image., Publication date from British Museum catalogue., Three columns of verse below image begins: In an---t days Sr Robt Carr ..., Temporary local subject terms: Allusion to William Pitt the Elder -- Executioner's axe -- Emblems: Thistle (Scotland) -- Emblems: Jack boot (Lord Bute) -- Ghosts., 1 print : etching ; sheet 20 x 25 cm., and On laid paper, sheet trimmed within plate mark, mounted to 32 x 48 cm.
Publisher:
Printed & sold at Darly's in Cranbourn Ally, as the act directs Js. P.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Somerset, Robert Carr, Earl of, d. 1645
"Caricature with Britannia and her lion, with the help of 'A Nation's Love', protecting Queen Caroline from the attacks of her accusers in Parliament."--British Museum online catalogue and Portrays Princess Charlotte defending her mother against attacks by George IV and his ministers
Description:
Title etched below image., With large manuscript lettering "Oh my mother, my mother" in ink above image; impression at the British Museum (registration no.: 1983,0305.31) has the same phrase written in the same place., "Argus" was an early pseudonym of Charles Williams; however, three other prints signed "Argus" from 1820 have been attributed in the British Museum catalogue to William Heath (as have others from this time period with S.W. Fores's address spelled "Picadilli" in imprint). See page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Possible artist's device follows the "Argus" signature in lower right: A cross above a circle divided into quarters., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Weatherley & Lane 1818., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Eldon," "Londondery [sic]," "Sidmouth," "Liverpool," and "Geo. IV" identified in ink below image; date "23 Aug. 1820" written in lower right corner.
Publisher:
Pub. Aug. 23, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Britannia (Symbolic character), Lions, Shields, Spears, and Politicians
Satire: Britannia, whose spear is broken in her hand, sits on a monumental statue which is placed on a pedestal of "Rotten Stone"; she says: "My leaness my leaness, wo untio me the treacherous dealers have dealt treacherously, yea the treacherous dealers have dealt very treacherously. ..." At the foot of the monument lies the British Lion, dreadfully emaciated, wounded by three daggers, and breathing his last. Near him are the personifications Truth, Rapine, Envy, Ingratitude, and Infidelity -- representations of the powers of Europe
Description:
Title from item., Plate numbered '22' in upper right corner., Sheet trimmed within plate mark., Four lines of verse below image: See here a monument of shame / Indelible the Horrid Name / Shame on your Actions, Cursed Tricks / To the latest Time -- O! fifty-six.", and Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Britannia (Symbolic character), Allegories, and National emblems
Title from item., Attributed to Cruikshank by cataloger based on other works of this artist in collection., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Budget: Pitt's budgets -- Taxes -- Quizzing glasses -- Allusion to Babel tower., Watermark: fleur-de-lis on crowned shield with initials G R below and countermark J But[...]nshaw., and Mounted to 40 x 35 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched above image., Date of publication inferred from date of Lord Bute's resignation., Based on no. 4032 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: bob-cherry -- Oeconomy -- Offices: Clerk of the Pells., and Watermark: 1748.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Holland, Stephen Fox, Baron, 1745-1774, Fox, Charles James, 1749-1806, Fox, Henry Edward, 1755-1811, Bedford, John Russell, Duke of, 1710-1771, and Grenville, George, 1712-1770