Drawing of the view from Richmond Hill, with the Thames in the distance surrounded by fields and rows of trees. Two boats are on the river; people and horses are visible in the fields. On the road in the foreground are several men on horseback, a strolling man and woman with a dog running behind them, a milkmaid accompanied by a boy, and a coach driving to the right. A vast sky is above
Description:
Title written in brown ink below image., Signed and dated by the artist below image, in lower left., and Formerly laid in at page 5 (formerly D) of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Geographic):
Richmond upon Thames (London, England) and Thames River (England),
Subject (Topic):
Rivers, Sailboats, Carriages & coaches, Pedestrians, and Horseback riding
A design by Bentley of a landscape with upright hills on the right and left and in the middle distance, with a line of trees on the ridge in the middle distance and on the path through the hills in the foreground
Alternative Title:
Landscape with upright rocks
Description:
Title, artist, and date from Horace Walpole's ms. note in ink on verso. and Formerly mounted on the upper half of leaf 5 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [approximately 1760].
A design by Bentley showing a scene from Book IV Canto V, in the House of Care where Scudamore is kept awake and miserable by the clanging and pinching of blacksmiths
Alternative Title:
Road in Jersey
Description:
Title from caption written by Horace Walpole on the mount in his portfolio of Bentley's drawings., Date based on other dated drawings of scenes in Jersey by Bentley., and Formerly mounted on the middle of leaf 4 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
View of the ruins, probably St. Austin's Abbey in Canterbury. A man, a woman, and a child are seen in the foreground
Alternative Title:
View of St. Austin's Monastery
Description:
Title written in ink below image., Unsigned; artist unidentified., Date written after title, in a different hand., and Mounted opposite page 100 in an extra-illustrated copy of: Hentzner, P. A journey into England. Printed at Strawberry-Hill, 1757.
A drawing consisting of two panels. The left panel, "A Visit to my Uncle" depicts two women, one of a lower class than the other, visiting an elderly man, a money-lender, who is standing behind a counter. Instruments, possibly of gold, rest on the counter and behind the man. The right panel, "A Visit to my Aunt," depicts the same two women being served drinks by a corpulent woman behind a counter
Alternative Title:
Visit to my uncle and a visit to my aunt
Description:
Title from item., Inscription in ink underneath title: Original drawing., George Cruikshank, English graphic artist and son of Isaac Cruikshank (1764-1811, caricaturist), 1792-1878., and For further information, consult library staff.
A tracing by George Steevens of a print by Willaim Hogarth: Theatre stage with two dancers; on the left a woman (La Barbarina) jumps with her legs apart and on the right a man (George Desnoyer) stands with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles. With the text "C.C. Prickt lines shewing the rising Height" at the foot of the stage as in the first state and with a face on the sun
Alternative Title:
Charmers of the age
Description:
Title from item., Lengthy pencil note in William Windham's hand below: These two pieces viz. the one marked Qui Color albus erat and The Charmers of the age? are not prints but copies taken with a pen by Mr. Steevens, and given to me, together with many others, not copies, in return for those mentioned in his collection as given by me to him. [Signed] W.W. March 22d 1800., After Paulson, R. Paulson, R. Hogarth's graphic works (3rd ed.), no. 153., and On page 100 in volume 1.
Subject (Name):
Campanini, Barberina, 1721-1799 and Desnoyer, George, approximately 1700-1764
Subject (Topic):
Dancers, German, Italian, and Theatrical productions
An ugly man in old-fashioned dress stands full-face, toes turned in, squinting, and looking downwards. An 'Address' is in his right hand, his left hand is in his breeches pocket; a document inscribed 'Observations' protrudes from his coat-pocket. His scanty audience of seven men, most of them sleeping, is behind him, on either side of a fireplace. A broken candle on the mantel drips wax into the mouth of one of the sleeping men (right), much to the amusement of his neighbour on his right. In the doorway on the far-left, one of the men uses a ear-trumpet; one holds a tea cup in his hand, and a third yawns. Over the chimney-piece is a large clock-face, the hands indicating 10:56; above it is a carved owl and the words 'About your business'.
Alternative Title:
Deputy Pendulum's motion for an address
Description:
Title from words written around the face of the clock., With Woodword's name in the lower left. William A. Gordon 2023 attributes this drawing to Isaac Cruickshank., and Date of creation based on publication date of print. Published by S.W. Fores in November 1795 as "Deputy Pendulum's motiton for an address"; engraved by Isaac Cruikshank with Woodward's name removed form lower left corner.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Freedom of speech, Petition, Right of, Sedition, Politics and government, Clocks & watches, City council members, Hearing aids, Sleeping, Public speaking, and Yawning
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 29 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A country man holding a heavy walking stick stares wide-eyed at a conjuror performing card tricks
Description:
Title inscribed in black ink in the artist's hand., Signed by the artist in black ink,, Date from Rowlandson etching after this drawing., Drawing numbered in upper right corner in black ink: No. 4., and For further information, consult library staff.
Subject (Topic):
Magicians, Playing cards, Card tricks, and Staffs (Sticks)
Portrait of Adriaen Hanneman (c.1604-1671), Dutch portrait painter, who lived in London from 1626 until around 1640 when he returned to The Hague. He had a long career painting portraits of exiled English royalists and the Dutch court as well as other wealthy residents of The Hague
Description:
Title from inscription in ink, in 18th century hand, lower left: Adrian Hanneman Pictor, Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 120., and George Vertue, English artist, 1684-1756.
Portrait of Adriaen van Diest (1655-1704), born in The Hague, immigrated to England when he was 17 and remained there, active as a landscape painter of views of England in the western parts landscapes, chiefly in the Italian manner
Description:
Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 129., Title from item., Signed in ink, lower right: ob. 1704 Aeta '49. G.V., Inscription in ink, in 18th century hand, lower right below monogram: poss. Mr. Dahl pict., Inscription in ink, in 18th century hand, lower left: se ipse pinx., and George Vertue, English artist, 1684-1756.