An ugly man in old-fashioned dress stands full-face, toes turned in, squinting, and looking downwards. An 'Address' is in his right hand, his left hand is in his breeches pocket; a document inscribed 'Observations' protrudes from his coat-pocket. His scanty audience of seven men, most of them sleeping, is behind him, on either side of a fireplace. A broken candle on the mantel drips wax into the mouth of one of the sleeping men (right), much to the amusement of his neighbour on his right. In the doorway on the far-left, one of the men uses a ear-trumpet; one holds a tea cup in his hand, and a third yawns. Over the chimney-piece is a large clock-face, the hands indicating 10:56; above it is a carved owl and the words 'About your business'.
Alternative Title:
Deputy Pendulum's motion for an address
Description:
Title from words written around the face of the clock., With Woodword's name in the lower left. William A. Gordon 2023 attributes this drawing to Isaac Cruickshank., and Date of creation based on publication date of print. Published by S.W. Fores in November 1795 as "Deputy Pendulum's motiton for an address"; engraved by Isaac Cruikshank with Woodward's name removed form lower left corner.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Freedom of speech, Petition, Right of, Sedition, Politics and government, Clocks & watches, City council members, Hearing aids, Sleeping, Public speaking, and Yawning
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 29 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A country man holding a heavy walking stick stares wide-eyed at a conjuror performing card tricks
Description:
Title inscribed in black ink in the artist's hand., Signed by the artist in black ink,, Date from Rowlandson etching after this drawing., Drawing numbered in upper right corner in black ink: No. 4., and For further information, consult library staff.
Subject (Topic):
Magicians, Playing cards, Card tricks, and Staffs (Sticks)
Portrait of Adriaen Hanneman (c.1604-1671), Dutch portrait painter, who lived in London from 1626 until around 1640 when he returned to The Hague. He had a long career painting portraits of exiled English royalists and the Dutch court as well as other wealthy residents of The Hague
Description:
Title from inscription in ink, in 18th century hand, lower left: Adrian Hanneman Pictor, Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 120., and George Vertue, English artist, 1684-1756.
Portrait of Adriaen van Diest (1655-1704), born in The Hague, immigrated to England when he was 17 and remained there, active as a landscape painter of views of England in the western parts landscapes, chiefly in the Italian manner
Description:
Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 129., Title from item., Signed in ink, lower right: ob. 1704 Aeta '49. G.V., Inscription in ink, in 18th century hand, lower right below monogram: poss. Mr. Dahl pict., Inscription in ink, in 18th century hand, lower left: se ipse pinx., and George Vertue, English artist, 1684-1756.
A busy scene in a farm yard. In the left foreground a woman (Aestas?) sits on a rock, while at her feet a woman spoons soup from a large bowl. She leans toward the boy at her side who holds a full soup bowl in his hands. To her left a young man approaches with two fowl hanging from the pole over his shoulder. Sheep mull about in the center foreground while on the right an old man sheers a sheep held by another young boy. In the background a man cuts rushes (?) which are loaded into a cart (with ox). In the left background stands a hut in front of which a group of men work at thatching a roof
Description:
Title written in brown ink above image, some letters very faint: Æstas., Signed in the lower right corner: Mary Walpole fecit., Upper left corner scortched with some loss at the margin., and For further information, consult library staff.
A caricature of a couple, shown full-length, dancing awkwardly. A lanky man attempts to dance with a corpulent woman but steps on her dress hem in the process
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
Pen and ink drawing divided into two parts, with an alderman on the left and a chamberlain on the right, framed in a elaborate border (suggesting a tent or fortress) of checkerboard and geometric designs. The stout alderman, spoon and fork in hand, wears a napkin pinned around his neck; he has a full spoon at his mouth and a plate of food and a mostly empty glass decanter rest upon the table in front of him. On the right the chamberlain, dressed in fur-lined robes and wearing his glasses raised up to his bald forehead, is shown with one arm raised and subtley pointing upwards while the left arm rests upon a large document entitled: This indenture wit. A coat of arms is displayed at the top of the design
Alternative Title:
Chamberlain
Description:
Title in artist's hand at top of design; artist signature and date inscribed in pen and black ink below image. Subtitle in banner below design.
Alecto, a fantastic hag, stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel, a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. She says: "Come on my brave Lad, take this bounty-money, & enter into my Company of Gentlemen Volunteers enlisted in the cause of Liberty - I'll find you present pay and free quarters, & I'll lead you where you shall fill your knapsack with Plunder; - nay Man, never talk about your old Master the Farmer, I'll find you Hundreds of Masters as good as he; Zounds I'll make you one of the Masters of England yourself: - come on, I say, keres riches for you, - come on; the glorious 14th of July is approaching, when Monarchs are to be crush'd like maggots, & brave men like yourself are to be put in their places - here hold your hand, enter boldly in the cause of Freedom, & cry Huzza - Vive la Nation! Huzza". John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. He answers: "Wounds, Measter Sarjeant, an I should enter into your sarvice, what'll Varmer-George say to I, for leaving of 'en without warning? - and yet I is half in love with the sound of your drum; & wishes to leave off Ploughing & dunging, & wear one of your vine cockades, & be a French Gentleman; - & yet, dangs it, it goes against ones heart to leave the Varmer; - ah Varmer George has been a rare good Measter to I! - but, am I to have all them fine paper Moneys - but to leave my old Measter! Ah me! I dozes'nt know what to do, not I!" -- British Museum catalogue
Alternative Title:
Recruiting sarjeant enlisting John Bull into the Revolution's Service, Alecto and her train at the gate of pandaemonium, and Alecto and her train at the gate of pandaemonuim, or, The recruiting sarjeant enlisting John Bull into the Revolution Service
Description:
Title inscribed in brown ink below image., 'Imprint statement' inscribed in brown ink above title: Pub. July 4th, 1791 by S.W. Fores, N. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7889., Wright, T. Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times, p. 130., Wright, T. Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray, no. 56., and A 'counterprint' or transfer in brown ink from another print on verso of mount: The hopes of the party prior to July 14th.
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Revolution Society (London, England)
Subject (Topic):
John Bull (Symbolic character), Drums (Musical instruments), Demons, Witches, and Fire
Portrait of Pope Alexander VI; half length, in profile to the right; wearing a red mozetta and a red zucchetto trimmed in white (the Camauro).
Description:
Title inscribed below image, in ink in a contemporary hand., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in with one other drawing at page 91 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.
