Pair of wash drawings of the curfew, or couvre-feu, from Mr. Gostling's collection that was kept by Horace Walpole in the fireplace of the Library at Strawberry Hill. The drawing on the left shows the object with the opening facing towards the viewer; the drawing on the right shows the opening turned to the right, allowing some of the decoration on the side to be seen
Description:
Title devised by curator., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted together on page 98 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Three designs within an oval -- an architectural ornament with a lion's face, another view with a lamp and two figures fishing -- above a door frame?
Description:
Title devised by cataloger., With an unidentified monogram in lower right,, Formerly attributed to Richard Bentley, but the monogram is not his (possibly a later owner?) and no reliable connection with Strawberry Hill has been established., and For further informaton, consult library staff.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A scene with four men, the two on the left with their backs to the viewer, both wearing tricornes and one holding a cricket bat (?). The third man, also wearing a tricorne and carrying something in his arms, is seen in the near distance walking towards the others. The fourth man, who has a peg leg and wears a different hat, appears in profile on the far right. A dog walks away from the men on the left; buildings are seen in the background
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Drawing for a Gothic panel in ink and wash with additions in pencil and with a note in ink in the upper right in Bentley's hand, "The start of the centre to be taken as on this side, the other is wrong." Harris describes this and a related drawing as "Designs for a Gothic chapel."
Description:
Title devised by curator., Watermark, centered in sheet: Fleur-de-lis., One of 11 drawings numbered 56-66 by W.S. Lewis, continuing the numbering used for an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760]., and Date based on creation date of album.
Drawing for a Gothic panel in pen and ink with wash and with additions in pencil. Harris describes this and a related drawing as "Designs for a Gothic chapel."
Description:
Title devised by curator., Watermark, centered in sheet., One of 11 drawings numbered 56-66 by W.S. Lewis, continuing the numbering used for an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760]., and Date based on creation date of album.
A design proposed for the monument to Roger Townshend in Westminster Abbey; sent in Horace Walpole's letter to the deceased's mother Lady Townshend, Friday 21 September 1759. In his letter he attributes the design to Richard Bentley and acknowledges authorship of the epitaph: "To the memory of Roger Townshend her youngest son slain in the service of his country at ... 1759, Ethelreda Viscountess Townshend dedicates this marble. Lov'd Son, adieu! Tho' from a Mother's eyes fond tears you call, She thanks you, that without a blush they fall. Lady Townshend did not use this design but instead a design by Robert Adam
Alternative Title:
To the memory of Roger Townshend
Description:
Title devised by curator., Watermark in center of sheet: GR., and For transcription of the letter along with a reproduction of the image, see: Yale edition of Horace Walpole's correspondence, v. 40, p. 166-67.
Drawing for a Gothic canopy bed with a canopy above
Description:
Title devised by curator., With watermark partial, center right edge: fleur-de-lis., One of 11 drawings numbered 56-66 by W.S. Lewis, continuing the numbering used for an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760]., and Date based on creation date of album.
One of two drawings of an Gothic chimneypiece mounted on page 26.
Alternative Title:
Design for a Gothic chimneypiece
Description:
Title from curator., Artist and date based on creation date of album., and Formerly mounted on the lower half of leaf 26 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Drawing for a canopy for a bed, probably showing the head board
Description:
Title devised by curator., Watermark in center of sheet: Pro patria., One of 11 drawings numbered 56-66 by W.S. Lewis, continuing the numbering used for an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760]., and Date based on creation date of album.
