"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue, description of an earlier state
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Reissue, with new imprint statement, of a print published 1 June 1825 by Charles Hunt. Cf. No. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
Leaf 66. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Restrike, bearing the imprint of the 1827 reissue by Thomas McLean. For original issue of the plate, published 1 June 1825 by Charles Hunt, see no. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 66 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket and Field & Tuer
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
"Portrait of broomseller and centenarian John Tait; whole length, standing in profile to right, wearing a patched coat with a bag in the pocket and a broad-brimmed hat, carrying brooms under his left arm, holding a staff in his right hand."--British Museum online catalogue
Description:
Title etched below image., Copy of a print by A. Baillie after a drawing by W. Baillie. See: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 4, page 242., For a later state with the number "220" etched below lower right corner of image, see: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Paton, 1877, v. 2, no. 220., Three lines of text etched below title: Old John Tait the besom maker who travelled the country begging and selling besoms till he arrived at the age of one hundred & ten years. Died in Jany. 1772 leaving Young John and 27 other descendants., "From an original print by J.K."--At bottom of plate., and Sheet trimmed within plate mark on top and bottom edges.
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"The interior of a room in a cottage. General Gunning (left) as an old gipsy-woman, but wearing a military coat, is seated (on a drum) at a table, facing his daughter. In place of a sword he wears a broom. He seals a letter, a number of seals and a letter 'To D------ of M------' [Marlborough] are on the table beside him. Miss Gunning holds a pack of cards (the ace of spades uppermost) to her lips, saying, "I Swear that I never wish'd or tried directly or indirectly to get a Coronet; that I never saw or writ to Lord B------[Blandford] or Lord L--------- [Lorne], in all my Life; - that Men are my aversion; - & that I never had any thing to do with, with the Groom, in all my born days; - Will that do, Dad?" He answers, "Well done, Bett! we'll get thro' the Business I'll warrant you; - we can write with all sorts of hands, we've got all kinds of Seals, & with the assistance of our old Friend under the Table, we shall be able to gu them yet daughter but I must be Mum". Through a hole in the boards under the table the Devil emerges, surrounded with flames, he holds up a torch exultantly, saying "Swear!" Gunning melts his sealing-wax in the torch, the right is an open hearth over which hangs a cauldron full of coronets. Beside it (left) sits Mrs. Gunning, blowing the fire with a pair of bellows formed of a book: 'Letter to the D------ of A' (see BMSat 7983). She says: "That's right, my sweet innocent Angel! say Grace boldly! make haste my dear little lovely Lambkin! - I'll soon blow up the Fire, while Nauntee-Peg helps to cook up the Coronets; we'll get you a nice tit-bit for Dinner, before we've done, my dear little deary." Opposite her and on the extreme right an old woman, dressed in rags stands over the cauldron with a spoon, saying, "Puff away, Sister! the Soup will soon boil - law's me, how soft the Green Peas do grow, & how they Jump about in the Pot when you Puff your Bellows!" Behind her is a placard: 'Waltham Abbey - by Peg Niffy'. (Mrs. Gunning, née Minifie, was said in the Press to have written a novel called Waltham Abbey, this she denied. 'Letter . . .', p. 89.) On the wall behind Miss Gunning is a print of the pillory (the punishment for perjury) and a bill: 'Affidavit of Eliz: Canning.' Behind her father are 'The Life of a Soldier', 'The Man of Honor a Catch', and 'The useful Groom a new song'. Through a door (left) behind Gunning is seen a groom holding a horse; he says, "I'm ready to ride, or swear, or any thing". A signpost points 'to Blenheim'."--British Museum online catalogue
Alternative Title:
Peep at the conjuration of Mary Squires & the Gypsey family
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Allusion to John Campbell, 5th Duke of Argyll -- Allusion to George William Campbell, 6th Duke of Argyll -- Allusion to George Spencer, 4th Duke of Marlborough -- Allusion to George Spencer, 5th Duke of Marlborough -- Literature: allusion to Susannah Gunning's Waltham Abbey -- Interiors: cottage -- Pictures amplifying subject: title page of Waltham Abbey -- Pictures amplifying subject: pillory -- Furniture: tables -- Military drums -- Coronets -- Utensils: ladles -- Inkpots -- Seals -- Sealing-wax -- Minifie, Margaret "Auntee Peg"., and Watermark: armorial shield with fleur-de-lis on top and initials G R below.
Publisher:
Pubd. March 25th, 1791, by J.M. Fobes [sic], N. 3 Piccadilly
Subject (Name):
Canning, Elizabeth, 1734-1773., Squires, Mary, -1762., Gunning, Mrs. 1740?-1800 (Susannah),, Gunning, Miss 1769-1823 (Elizabeth),, Gunning, John, -1797, and Minifie, Margaret
Subject (Topic):
Bellows, Brooms & brushes, Card games, Cauldrons, Devil, Drums (Musical instruments), Fireplaces, Grooms (Weddings), Playing cards, and Torches
A young woman under an enormous heart-shaped coiffure. In the topmost section of her hair is a kitchen fireplace with meat roasting on a spit, and a monkey in a fool's cap sitting on the chimney admiring itself in a mirror. On either side of the hair are kitchen implements, poker, tongs and shovel, a mop, broom, etc., and, in the center, a large wheel of cheese infested by mice. Various vegetables are assembled around the cheese, while a dog and cat confront one another below it.
Description:
Verse in lower margin: The taste at present all may see, but none can tell what is to be. Who knows when Fashion's whims are spread, but each may wear this kitchen head. The noddle that so vastly swells, may wear a fools cap hung with bells., "Price one shill."--Lower margin., Sheet trimmed within plate mark., Sheet trimmed with loss of imprint and price. Imprint from impression in the British Museum online catalogue., and Mounted to 38 x 27 cm.
Publisher:
Pub. 13 June 1776 by W. Humphrey Gerrard Street Soho
Subject (Geographic):
England
Subject (Topic):
Women domesticss, Wigs, Hairstyles, Cooks, Cooking utensils, Fireplaces, Mops & mopsticks, Brooms & brushes, Dogs, Cats, Apes, Cheese, and Vegetables
