A furious veteran with a wooden leg and bandaged eye and a maid servant attack Sir Cecil Wray with a crutch and a broom, respectively. The maid stands on a piece of paper inscribed,"Tax on servants" and in front of a padlocked door to the "Register Off[ice] for Maid Serv[ants]." On the opposite side of the image, in the background, is the crumbling building of the Chelsea Hospital. A reference to Sir Cecil's proposals to tax the employers of maid servants and to close the Chelsea Hospital that housed disabled veterans
Alternative Title:
Sir Cecil chastised
Description:
Title from item. and Mounted to 28 x 39 cm.
Publisher:
Published April 2nd, 1784, by Willm Wells, No. 132 Fleet Street
Subject (Geographic):
England and Westminster
Subject (Name):
Wray, Cecil, Sir, 1734-1805. and Royal Hospital (Chelsea, London, England).
Subject (Topic):
Great Britain, Politics and government, Political elections, Disabled veterans, Servants, Peg legs, Crutches, Brooms & brushes, and Politicians
Leaf 74. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Stocky woman holding up fist to skinny man, with boy pulling at this coattail and woman behind him holding a broom over his head."--Library of Congress online catalog
Alternative Title:
Grey mare the better horse
Description:
Title etched below image., Restrike. For original issue of the plate, see Library of Congress call no.: PC 2 - Matrimony in perfection (A size) [P&P]., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1770?, and On leaf 74 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Spouses, Threats, Children, Brooms & brushes, Horns (Anatomy), and Adultery
Title etched below image., Copy of a design by John Nixon that was etched by Richard Newton and originally published 10 June 1795. Cf. No. 8751 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. March 6th, 1815, by Wm. Holland, Cockspur Street
Subject (Topic):
City & town life, Cats, Brooms & brushes, and Older people
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
Leaf 106. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A whole length figure running forwards. He is grinning; in his right hand he holds up a short shovel, in his left is a brush. His clothes are ragged; his toes appear through remnants of buckled shoes. He wears a laced hat, a cravat, and a ruffled shirt. In place of a wig is what appears to be a tightly-curled lamb's fleece resting on his shoulders; two pieces of crossed wood imitate a sword. A miniature figure in ragged clothes and a long thin queue faces him astride a tasselled cane. He is a chimney sweeper dressed for the first of May celebrations which were usual in London. The small figure may represent a child-apprentice or climbing boy, though there is nothing juvenile in its appearance."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., and Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772.
Publisher:
Pubd. accord. to act Oct. 30, 1772, by MDarly, 39 Strand
Leaf 106. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A whole length figure running forwards. He is grinning; in his right hand he holds up a short shovel, in his left is a brush. His clothes are ragged; his toes appear through remnants of buckled shoes. He wears a laced hat, a cravat, and a ruffled shirt. In place of a wig is what appears to be a tightly-curled lamb's fleece resting on his shoulders; two pieces of crossed wood imitate a sword. A miniature figure in ragged clothes and a long thin queue faces him astride a tasselled cane. He is a chimney sweeper dressed for the first of May celebrations which were usual in London. The small figure may represent a child-apprentice or climbing boy, though there is nothing juvenile in its appearance."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Second of three plates on leaf 106., and 1 print : etching on laid paper ; plate mark 17.4 x 12.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accord. to act Oct. 30, 1772, by MDarly, 39 Strand
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, and Manuscript "254" in upper center of plate.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, Mounted on page 35 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; plate mark 38.3 x 23 cm, on sheet 38.8 x 23.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
