"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer, artist
Published / Created:
[1 October 1834]
Call Number:
834.10.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
Four rows of designs with one to three designs in each, individually titled. In the upper left and reading across, "Daddy Longlegs" shows a very think, long-legged man poised to smash the insect on his wall. To the right, on top "The itinerant chanceller" is a scene with a cricketer about to bat a large ball and below a scene with men wearing Dutch-style hats watch as one of the group takes a small ball and readies to bowl down a stand of large, egg-shaped objects. On the far right of the first row, a portly man greets a thin, frail man with wings as ears that extend above his hat, wearing glasses and leaning on a cane. The larger man says "Bless my soul Mr. Pidgeonwidgen! How do ye do. Well now, you look uncommon well considering your Ears." On the second row left, “Follow my leader”, the top image shows a thin man laboring up a hill as he pulls a very large man seated and reading at ease in the a four-wheeled chair. Below three men carrying guns stand up to their necks in a river having followed a taller man in a top hat calmly walking ahead. The speech balloon above their heads reads, “Didn't I tell ye it was only up to the middle.” The first smaller man replies, “The middle indeed. Why we are up to our necks d'ye think our legs are stilts like yours.” In the middle of the second row, A very thin man in Scotish costume (Henry Brougham, 1st Baron Brougham and Vaux?) striding vigorously using a broom as a walking stick and burdened with boxes and bags on his back and waist, labelled “Freedoms of Scotch Towns”, “Broken Vituals the remnants of the Edinburgh Gorge.”, and “Proceeds of the Penny Mag.” The caption below reads, “I flatter myself I've made a tolerable good job by my “Starring it” with Old Grey in the North. Sold all my numbers of the Penny Mag. and well puff'd it thro' applause with the ex-premier. Received some score of Burgesses, Freedoms, and Invitations to as many dinners where I blew my own trumpet & obtain'd plenty of orders from our 'Usefull Knowledge Society', now “woe” to the unstamn'd when I get home.” The last image in row two, on the right, is un-captioned and shows a devil riding behind a horseman bolting across an evening sky. Below two men peak through tall grass and observe an otter and The third row contains a single image captioned “Something like a chase” which shows horsemen following their hounds across a field and over a fence, many of whom have fallen their horses or encountered other types of accidents and falls. In the distance is a small sign indicating that they rode from Wombell's. In the last row, on the left, two men, one with a gun with a barrel turned at 90 degrees, peak out from around the corner of a building, looking at a rooster and some chickens. The caption reads, “Paddy's gun, warranted to shoot around the corner.” The first man says, “Put ye spalpeen, wat are you after, if you let it off, by my soul it'll blow ye to de Divil.” To which the man with the gun replies, “Ock, come out now and hav'nt I made it into a 'Patent Cylindrical Twisted Barrel Gun' and dont day shoot de best, ye Murphy digger.” In the middle of the bottom row, is an image of a constable apprehending a frightened chimney sweep, with the caption “Reforming the Clergy”. The constable says, “Come along, you've hacted contrary to the Hact of Parlyment in crying out “Sweep”. There's 40 bob for ye or else a month in Quad." To which the sweep replies, “Oh criky, don't grab me this here vunce and I'll no not never cry Sweep agin. Vot's us poor flue-sakers to do if as how ve don't cry summut all for to let the people know or how ve are in the streets.” Two other laborers, another sweep and a swag man, in the distance on the right and left, observe “Does any lady or Gemmen's flue pipe vont expurgating.” The other says, “The law have mercy on us.” The third and final image at the end of the fourth row has the caption “A Crack Shot” with an image of a man with a caricatured face and a top hat, holding a gun in his hands and an umbrella between his legs as he stands before a door, the top half of which is open; a bird in a cage hangs to the side of the door. The speech balloon above his head reads, “There's one at last, the only chance of a shy I've had to day. There's nobody here, he, he, Now if I don't flummox ye my pink, say my mother has'nt sold her mangle
Description:
Title devised by cataloger from captions below each design, starting in the upper left corner., Series title and number at top of sheet., "6d, plain. 1s/ cold."--Upper right above design., and Dated below series title at top of sheet: October 1st, 1834. Continued every fortnight.
Publisher:
Published by J. Kendrick, 54 Leicester Square, and sold by T. Dewhurst, T. Drake, R. Thorley, Wiseheart, Ross & Nightingale, and Printed by Dean & Munday, 40 Threadneedle St.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one--Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:--it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! "Tam venerabile erat praecedere" Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the 'magic picture': Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pubd. by E. King, Chancery-Lane
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
A sheet with 25 vignettes in roughly five rows, each with a humorous or satirical scene or a visual pun and each captioned with names of trades, industry, or arts. At the center of the page is a caricature of the Lord Chancellor, Lord Brougham in his long, curl wig and a collar, holding a broom in his left hand, with the caption "The Title page and Index" below. One of many such frontispieces of the period mocking the political and educational movements bringing information and knowledge to the working classes
Description:
Title from text at top of image., A publication date between 1833 and 1835 is suggested by Matthew Crowther; see his post entitled "Rediscovering W. Newman, fl. c. 1834-35" from The Printshop Window website (theprintshopwindow.wordpress.com; accessed 13 December 2023)., and An imitation of two satirical frontispieces by C.J. Grant for the Penny Magazine; the first is tentatively dated to October 1832 in the British Museum catalogue, and the second is dated 9 May 1833 on the print. See no. 17285 in the Catalogue of prints and drawings in the British Museum, v. 9. See also British Museum online catalogue, registration number: 1892,1021.4.
Publisher:
Pubd. by G.S. Tregear, Cheapside and Printed by R. Redman
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Title from text in image., Numbered '9' at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britiain.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Title from text in image., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., Numbered "338" in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Four barristers fight, all having oval shields and using rolled documents as weapons. Brougham, armed with 'Truth', and Denman with 'Justice', vanquish Gifford and Copley (Attorney-and Solicitor-General), one with a shield inscribed 'Pains' and a document inscribed 'Filth', the other with a shield inscribed 'Penalties' and a document inscribed 'Lies'. Below: 'Broomo's and Denny's judgmatical fire, Laid Giffo, with Coppo and Co. in the mire.'"--British Museum online catalogue, description of a variant state
Alternative Title:
Queen's alphabet
Description:
Title engraved above image; alternative title engraved at top of plate: The Queen's alphabet., Attributed to Theodore Lane in the British Museum catalogue., Variant state, with differences in engraved text above image, of no. 13948 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Publisher and date of publication from description of variant state in the British Museum catalogue., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Frontispiece to: Rosco. Horrida bella. London : G. Humphrey, 1820., Quoted text below title: "Arma virumque cano"., Mounted on page 8 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters A-H, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, Lyndhurst, John Singleton Copley, Baron, 1772-1863, and Rosco.
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
