"Lord Kenyon (left), in wig and robes, flogs with great vigour the scarred back of Lady Buckinghamshire, whose wrists are tied to the back of a cart. He has a scourge in the right hand, a birch-rod in the left; from his pocket issues a paper: 'Laws against Gambling'. His head is in back view. His fat victim wears a feathered turban and fashionably dressed hair; her profile and gestures indicate shrieking protest. The horse plods (left to right) away from the spectator. On a pitchfork lashed to the cart is a placard: 'Faro's Daughter's Beware'. Behind is a crowd, divided between those (right) who watch the cart, grinning, in front of whom stands a constable with his staff, and those in back view who surround a pillory in which stand two ladies, closely confined, under a rain of missiles flung by the mob. Both wear feathers in their hair, one (left) has a profile somewhat resembling that of Lady Archer, but is perhaps Lady Elizabeth Luttrell; the other is probably Mrs. Concannon."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: carts -- Punishment: flogging -- Scourge -- Birch-rod -- Pillory -- Constables -- Judges -- Reference to gambling -- Mrs. Concannon, fl. 1797 -- Lady Elizabeth Luttrell, d. 1799 or Sarah, Baroness Archer (1741-1801).
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond & St. Jamess [sic] Street
In the image at the top: Four ladies, fashionably dressed, sit round a table dividing the profits of 'the Faro Bank'. On the table are heaps of guineas with cheques or banknotes, a sword, a ribbon and star, a paper: 'Bond 200 . . half Pay . . Faro'. The two central figures seated behind the table are Lady Archer (with an angry expression) and Lady Buckinghamshire facing each other in profile, their breasts much exposed. On the extreme left sits a young and good-looking woman, her chin concealed by a swathing round the neck; she watches the dispute warily, her arms folded. Facing her (right) an older woman reads through a glass a paper inscribed 'Hond Sir please to pay Lady Bilkem one Thousand Pound for your Dutiful Son Dupe'. These two are probably Mrs. Concannon and Mrs. Sturt, the other two fashionable and notorious holders of faro-banks. Lighted candle-sconces decorate the wall. The near edge of the table forms the lower edge of the design. In the image on the bottom, titled "St Giles's: Four prostitutes in a ramshackle room are grouped, much as the four above, round a table on which their night's plunder is spread: seals, watches, &c. They are younger, handsomer, and have pleasanter expressions than the women of fashion; their breasts are similarly exposed, though their dress is ragged
Alternative Title:
St. James's and St. Giles's
Description:
Title etched between the two images on one sheet., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios lent out for the evening., Variant wtih artist's name. Cf. No. 8880 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Watermark: G R and date 1794 below.
Publisher:
Pubd. May 20, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Archer, Sarah West, Lady, 1741-1801 and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Subject (Topic):
Gambling, Poverty, Prostitutes, and Social classes
"An enormously fat lady stands in profile to the left, holding a bowl (resembling a punch-bowl), her left hand on her hip, holding up the frilled apron which drapes her quilted petticoat. She wears ringlets with a small ribbon-trimmed straw hat poised on the side of her head. Her girth is accentuated by her quasi-peasant costume, with laced bodice, and flowered over-dress looped up in festoons, giving her a globular contour. ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse in two columns below title: "As a cedar tall & slender; "sweet Cowslip's grace "is her nom'tive case, "and she's of the feminine gender.", One line of quoted text within lower border of image: "Ay, here's the masculine to the feminine gender.", Sheet trimmed to plate mark., and Temporary local subject terms: Dishes: bowls -- Female costume: peasant's dress -- Obesity -- Literature: quotes from John O'Keefe's Agreeable Surprise -- Theater: private performances.
Publisher:
Pubd. June 13th, 1795, by H. Humphrey, No. 37 New Bond Street
"Lady Buckinghamshire (left) and Lady Archer (right) stand side by side in the pillory, heads and hands closely confined, their heads in profile to the right, weeping angrily. Both wear tall feathers in their hair and large pendent ear-rings. Lady Buckinghamshire is forced to stand painfully on tip-toe, a short petticoat exposes her fat legs. On the front of the platform is a placard: 'Cure for Gambling Publish'd by Lord Kenyon in the Court of Kings Bench on May 9th 1796'. This is raised above the (freely sketched) heads of the crowd, with grinning upturned faces in the foreground. Eggs, a cat, &c. fly through the air; the pillory and the dresses of the victims are bespattered. On the right is a house with spectators in the windows."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Pillories -- Jewelry: earrings -- Allusion to 'faro-banks' -- Cards: faro -- Reference to Lloyd Kenyon, Baron Kenyon, 1732-1802.
Publisher:
Pubd. May 12th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Archer, Sarah West, Lady, 1741-1801
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Cards: faro -- Gambling -- Pillory -- Mrs. Sturt, fl. 1796 -- Mrs. Concannon, fl. 1796., and Watermark: Strasburg bend with initials G R below.
Publisher:
Pub. May 16, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Kenyon, Lloyd Kenyon, Baron, 1732-1802, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Cards: faro -- Pillory -- Mrs. Sturt, fl. 1796 -- Mrs. Concannon, fl. 1796., Watermark: countermark E & P., and Printseller's stamp in the lower right of plate: S.W.F.
Publisher:
Pub. May 16, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Kenyon, Lloyd Kenyon, Baron, 1732-1802, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Ms. identifications on mounting sheet by W.S. Lewis., Mounted to 43 x 106 cm., and Attributed to Cruikshank on mat in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Watermark: J Whatman., 1 print : etching on laid paper ; plate mark 34.3 x 48.5 cm., on sheet 36 x 55 cm., Incomplete: right plate with French title only., Some subjects identified in margins in an unknown hand., and Attributed to Cruikshank on mat in an unknown hand; attributed to Gillray on print, recto, in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Ten ladies, arranged in two rows, with numbers referring to notes etched beneath the design, their proposed offices etched above their heads. ... '(1) First Lady of the Treasury and Chancellor of the Exchequer.' The 'Duc - ss of Gor-n' (Pitt's friend), wearing a tartan drapery, sits at a writing-table. Facing her, with outstretched right arm, is '(2) President of the Council and Duc-ss of Ric-nd.' '(3) Lady High Chancellor is the Coun-ss of Buc-s-e', very short and fat, in wig and gown and holding the purse of the Great Seal. Facing her is '(4) Chamberlain', who is 'Margr-ne of Ans-h', wearing a coronet and feathers, and holding a long wand of office. '(5) Mistress of the Horse' holding a whip is 'Lady Arc-r.' '(6) First Lady of the Admiralty' is 'Mrs Jo-n', with her arms folded, in profile to the right, as if playing the part of Priscilla Hoyden in 'The Romp', see British Museum Satires No. 6875, but wearing a naval cocked hat, emblem of her liaison with the Duke of Clarence, see British Museum Satires No. 9009. Facing her is '(7) Secretary of War & Capn of the Guards, La-y Wa-ce' (sister of No. 1); she wears a military cocked hat and coat with epaulettes, her hands placed truculently on her hips. (Her friendship with Dumouriez is perhaps hinted at.) '(8) Mistress of the Buck Hounds', is 'March-ss of Sa-ry', thin and weatherbeaten, holding two hounds on a leash, '(9) Ranger of Hyde Park', is 'La-y La-e' (wife of Sir John Lade) wearing a riding-habit and holding a riding-switch. '(10) Post Mistress General and Inspector of Mis-sent Letters' is 'La-y Je-y'. She sits at a round table on which are many letters and appliances for opening and re-sealing them, including a spirit-lamp inscribed 'Hot water'. She holds a lighted candle and peers through spectacles at a sealed letter."--British Museum online catalogue
Description:
Title etched below image., Artist and printmaker from British Museum catalogue., Publisher's advertisement following imprint: ... folio's of caracatures [sic] lent out for the evening., and With illegible monogram, perhaps a collector's mark, written in brown ink in lower margin.
Publisher:
Pubd. Febry. 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St. ...
Subject (Geographic):
England and Great Britain.
Subject (Name):
Gordon, Jane Gordon, Duchess of, 1748-1812, Richmond, Mary, Duchess of, 1740-1796, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Craven, Elizabeth, 1750-1828, Archer, Sarah West, Lady, 1741-1801, Jordan, Dorothy, 1761-1816, Lady Wallace, -1803, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Lade, Letitia, Lady, -1825, and Jersey, Frances Villiers, Countess of, 1753-1821
